Euripides · Medea Μήδεια

Euripides, Medea 1231–1292: Medea kills her sons while the Chorus laments

Medea tells the Chorus that she is resolved to kill her sons, and urges on her own heart. The Chorus calls on the earth and the sun to look down on her, and prays that she may be stopped. The children's cries are heard from inside, and the Chorus compares Medea to Ino, who also killed her children, the one other woman it knows who did so.

Lines 1231–1292 · 563 words · click a number to copy its link
Χορός 1231ἔοιχ’ ὁ δαίμων πολλὰ τῇδ’ ἐν ἡμέρᾳ κακὰ ξυνάπτειν ἐνδίκως Ἰάσονι. ὦ τλῆμον, ὥς σου συμφορὰς οἰκτίρομεν, κόρη Κρέοντος, ἥτις εἰς Ἅιδου δόμους 1235οἴχῃ γάμων ἕκατι τῶν Ἰάσονος. Μήδεια φίλαι, δέδοκται τοὔργον ὡς τάχιστά μοι παῖδας κτανούσῃ τῆσδ’ ἀφορμᾶσθαι χθονός, καὶ μὴ σχολὴν ἄγουσαν ἐκδοῦναι τέκνα ἄλλῃ φονεῦσαι δυσμενεστέρᾳ χερί. 1240πάντως σφ’ ἀνάγκη κατθανεῖν· ἐπεὶ δὲ χρή, ἡμεῖς κτενοῦμεν, οἵπερ ἐξεφύσαμεν. ἀλλ’ εἶ’ ὁπλίζου, καρδία. τί μέλλομεν τὰ δεινὰ κἀναγκαῖα μὴ πράσσειν κακά; ἄγ’, ὦ τάλαινα χεὶρ ἐμή, λαβὲ ξίφος, 1245λάβ’, ἕρπε πρὸς βαλβῖδα λυπηρὰν βίου, καὶ μὴ κακισθῇς μηδ’ ἀναμνησθῇς τέκνων, ὡς φίλταθ’, ὡς ἔτικτες· ἀλλὰ τήνδε γε λαθοῦ βραχεῖαν ἡμέραν παίδων σέθεν, κἄπειτα θρήνει· καὶ γὰρ εἰ κτενεῖς σφ’, ὅμως 1250φίλοι γ’ ἔφυσαν—δυστυχὴς δ’ ἐγὼ γυνή.

Chorus This day the deity, it seems, will mass on Jason, as he well deserves, a heavy load of evils. Woe is thee, daughter of Creon! We pity thy sad fate, gone as thou art to Hades’ halls as the price of thy marriage with Jason.

Medea My friends, I am resolved upon the deed; at once will I slay my children and then leave this land, without delaying long enough to hand them over to some more savage hand to butcher. Needs must they die in any case; and since they must, I will slay them—I, the mother that bare them. O heart of mine, steel thyself! Why do I hesitate to do the awful deed that must be done? Come, take the sword, thou wretched hand of mine! Take it, and advance to the post whence starts thy life of sorrow! Away with cowardice! Give not one thought to thy babes, how dear they are or how thou art their mother This one brief day forget thy children dear, and after that lament; for though thou wilt slay them yet they were thy darlings still, and am a lady of sorrows.

Chorus

1251ἰὼ Γᾶ τε καὶ παμφαὴς ἀκτὶς Ἀελίου, κατίδετ’ ἴδετε τὰν ὀλομέναν γυναῖκα, πρὶν φοινίαν τέκνοις προσβαλεῖν χέρ’ αὐτοκτόνον· 1255τεᾶς γὰρ ἀπὸ χρυσέας γονᾶς ἔβλαστεν, θεοῦ δ’ αἷμά τι πίτνειν φόβος ὑπ’ ἀνέρων. ἀλλά νιν, ὦ φάος διογενές, κάτειρ- γε κατάπαυσον, ἔξελ’ οἴκων φονίαν 1260τάλαινάν τ’ Ἐρινὺν ὑπ’ ἀλαστόρων.

O earth, O sun whose beam illumines all, look, look upon this lost woman, ere she stretch forth, her murderous hand upon her sons for blood; for lo! these are scions of thy own golden seed, and the blood of gods is in danger of being shed by man. O light, from Zeus proceeding, stay her, hold her hand, forth from the house chase this fell bloody fiend by demons led.

Χορός 1261μάταν μόχθος ἔρρει τέκνων, ἆρα μάταν γένος φίλιον ἔτεκες, ὦ κυανεᾶν λιποῦσα Συμπληγάδων πετρᾶν ἀξενωτάταν ἐσβολάν; 1265δειλαία, τί σοι φρενῶν βαρὺς χόλος προσπίτνει καὶ δυσμενὴς φόνος; ἀμείβεται χαλεπὰ γὰρ βροτοῖς ὁμογενῆ μιά- σματα ἐπὶ γαῖαν αὐτοφόνταις ξυνῳ- 1270δὰ θεόθεν πίτνοντ’ ἐπὶ δόμοις ἄχη. Παῖδες αἰαῖ.

Chorus Vainly wasted were the throes thy children cost thee; vainly hast thou born, it seems, sweet babes, O thou who hast left behind thee that passage through the blue Symplegades, that strangers justly hate. Ah! hapless one, why doth fierce anger thy soul assail? Why in its place is fell murder growing up? For grievous unto mortal men are pollutions that come of kindred blood poured on the earth, woes to suit each crime hurled from heaven on the murderer’s house.

Sons Ah!

Χορός 1273—ἀκούεις βοὰν ἀκούεις τέκνων; —ἰὼ τλᾶμον, ὦ κακοτυχὲς γύναι. Παῖδες —οἴμοι, τί δράσω; ποῖ φύγω μητρὸς χέρας; —οὐκ οἶδ’, ἄδελφε φίλτατ’· ὀλλύμεσθα γάρ. Χορός 1275παρέλθω δόμους; ἀρῆξαι φόνον δοκεῖ μοι τέκνοις. Παῖδες —ναί, πρὸς θεῶν, ἀρήξατ’· ἐν δέοντι γάρ. —ὡς ἐγγὺς ἤδη γ’ ἐσμὲν ἀρκύων ξίφους. Χορός —τάλαιν’, ὡς ἄρ’ ἦσθα πέτρος ἢ σίδα- 1280ρος, ἅτις τέκνων ὃν ἔτεκες ἄροτον αὐτόχειρι μοίρᾳ κτενεῖς.

Chorus Didst hear, didst hear the children’s cry? O lady, born to sorrow, victim of an evil fate!

1st Son Ah, me; what can I do? Whither fly to escape my mother’s blows?

2nd Son I know not, sweet brother mine; we are undone.

Chorus Shall I enter the house? For the children’s sake I am resolved to ward off the murder.

1st Son Yea, by heaven I adjure you; help, your aid is needed.

2nd Son Even now the toils of the sword are closing round us.

Chorus O hapless mother, surely thou hast a heart of stone or steel to slay the offspring of thy womb by such a murderous doom.

Chorus

1282—μίαν δὴ κλύω μίαν τῶν πάρος γυναῖκ’ ἐν φίλοις χέρα βαλεῖν τέκνοις· Ἰνὼ μανεῖσαν ἐκ θεῶν, ὅθ’ ἡ Διὸς 1285δάμαρ νιν ἐξέπεμψε δωμάτων ἄλῃ· πίτνει δ’ ἁ τάλαιν’ ἐς ἅλμαν φόνῳ τέκνων δυσσεβεῖ, ἀκτῆς ὑπερτείνασα ποντίας πόδα, δυοῖν τε παίδοιν συνθανοῦσ’ ἀπόλλυται. 1290τί δῆτ’ οὖν γένοιτ’ ἂν ἔτι δεινόν; ὦ γυναικῶν λέχος πολύπονον, ὅσα βροτοῖς ἔρεξας ἤδη κακά.

Of all the wives of yore I know but one who laid her hand upon her children dear, even Ino, whom the gods did madden in the day that the wife of Zeus drove her wandering from her home. But she, poor sufferer, flung herself into the sea because of the foul murder of her children, leaping o’er the wave-beat cliff, and in her death was she united to her children twain. Can there be any deed of horror left to follow this? Woe for the wooing of women fraught with disaster! What sorrows hast thou caused for men ere now!

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (the Perseus header records the 1906 printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.