Ovid · Metamorphoses Metamorphoses

Ovid, Metamorphoses 8.152–263: The Minotaur; Daedalus and Icarus

Minos returns to Crete and shuts the Minotaur, the monster born of Pasiphae's unnatural love, in a labyrinth built by Daedalus. The Athenians pay tribute of youths and maidens until Theseus kills the monster with the help of Ariadne's thread, and Ariadne is placed among the stars as a crown. Daedalus, long exiled in Crete, makes wings of feathers and wax for himself and his son Icarus, who flies too near the sun and falls into the sea. Daedalus' nephew Perdix, whom he threw from a tower out of jealousy, is changed into a partridge, and Daedalus is received by King Cocalus in Sicily.

Lines 8.152–263 · 1126 words · click a number to copy its link
152Vota Iovi Minos taurorum corpora centum solvit, ut egressus ratibus Curetida terram contigit, spoliis decorata est regia fixis. 155Creverat opprobrium generis, foedumque patebat matris adulterium monstri novitate biformis. Destinat hunc Minos thalamo removere pudorem multiplicique domo caecisque includere tectis. Daedalus ingenio fabrae celeberrimus artis 160ponit opus turbatque notas et lumina flexu ducit in errorem variarum ambage viarum. Non secus ac liquidis Phrygius Maeandrus in undis ludit et ambiguo lapsu refluitque fluitque occurrensque sibi venturas adspicit undas, 165et nunc ad fontes, nunc ad mare versus apertum incertas exercet aquas: ita Daedalus implet innumeras errore vias. Vixque ipse reverti ad limen potuit: tanta est fallacia tecti.

King Minos, when he reached the land of Crete
and left his ships, remembered he had made
a vow to Jupiter, and offered up
a hundred bulls.—The splendid spoils of war
adorned his palace.—
Now the infamous
reproach of Crete had grown, till it exposed
the double-natured shame. So, Minos, moved
to cover his disgrace, resolved to hide
the monster in a prison, and he built
with intricate design, by Daedalus
contrived, an architect of wonderful
ability, and famous. This he planned
of mazey wanderings that deceived the eyes,
and labyrinthic passages involved.
so sports the clear Maeander, in the fields
of Phrygia winding doubtful; back and forth
it meets itself, until the wandering stream
fatigued, impedes its wearied waters' flow;
from source to sea, from sea to source involved.
So Daedalus contrived innumerous paths,
and windings vague, so intricate that he,
the architect, hardly could retrace his steps.

169Quo postquam geminam tauri iuvenisque figuram 170clausit, et Actaeo bis pastum sanguine monstrum tertia sors annis domuit repetita novenis, utque ope virginea nullis iterata priorum ianua difficilis filo est inventa relecto, protinus Aegides rapta Minoide Diam 175vela dedit comitemque suam crudelis in illo litore destituit. Desertae et multa querenti amplexus et opem Liber tulit; utque perenni sidere clara foret, sumptam de fronte coronam inmisit caelo. Tenues volat illa per auras 180dumque volat, gemmae nitidos vertuntur in ignes consistuntque loco specie remanente coronae, qui medius Nixique genu est anguemque tenentis. Daedalus interea Creten longumque perosus exsilium tactusque loci natalis amore 185clausus erat pelago. “Terras licet” inquit “et undas obstruat: at caelum certe patet; ibimus illac.

In this the Minotaur was long concealed,
and there devoured Athenian victims sent
three seasons, nine years each, till Theseus, son
of Aegeus, slew him and retraced his way,
finding the path by Ariadne's thread.
Without delay the victor fled from Crete,
together with the loving maid, and sailed
for Dia Isle of Naxos, where he left
the maid forlorn, abandoned. Her, in time,
lamenting and deserted, Bacchus found
and for his love immortalized her name.
He set in the dark heavens the bright crown
that rested on her brows. Through the soft air
it whirled, while all the sparkling jewels changed
to flashing fires, assuming in the sky
between the Serpent-holder and the Kneeler
the well-known shape of Ariadne's Crown.
But Daedalus abhorred the Isle of Crete—
and his long exile on that sea-girt shore,
increased the love of his own native place.
“Though Minos blocks escape by sea and land.”

187Omnia possideat, non possidet aera Minos.” Dixit et ignotas animum dimittit in artes naturamque novat. Nam ponit in ordine pennas, 190a minima coeptas, longam breviore sequenti, ut clivo crevisse putes. Sic rustica quondam fistula disparibus paulatim surgit avenis. Tum lino medias et ceris adligat imas, atque ita compositas parvo curvamine flectit, 195ut veras imitetur aves. Puer Icarus una stabat et, ignarus sua se tractare pericla, ore renidenti modo, quas vaga moverat aura, captabat plumas, flavam modo pollice ceram mollibat lusuque suo mirabile patris 200impediebat opus. Postquam manus ultima coepto imposita est, geminas opifex libravit in alas ipse suum corpus motaque pependit in aura. Instruit et natum “medio” que “ut limite curras, Icare,” ait “moneo, ne, si demissior ibis, 205unda gravet pennas, si celsior, ignis adurat.

He said, “The unconfined skies remain
though Minos may be lord of all the world
his sceptre is not regnant of the air,
and by that untried way is our escape.”
This said, he turned his mind to arts unknown
and nature unrevealed. He fashioned quills
and feathers in due order — deftly formed
from small to large, as any rustic pipe
prom straws unequal slants. He bound with thread
the middle feathers, and the lower fixed
with pliant wax; till so, in gentle curves
arranged, he bent them to the shape of birds.
While he was working, his son Icarus,
with smiling countenance and unaware
of danger to himself, perchance would chase
the feathers, ruffled by the shifting breeze,
or soften with his thumb the yellow wax,
and by his playfulness retard the work
his anxious father planned.
But when at last
the father finished it, he poised himself,
and lightly floating in the winnowed air
waved his great feathered wings with bird-like ease.
And, likewise he had fashioned for his son
such wings; before they ventured in the air
he said, “My son, I caution you to keep
the middle way, for if your pinions dip
too low the waters may impede your flight;
and if they soar too high the sun may scorch them.

206Inter utrumque vola. Nec te spectare Booten aut Helicen iubeo strictumque Orionis ensem: me duce carpe viam.” Pariter praecepta volandi tradit et ignotas umeris accommodat alas. 210Inter opus monitusque genae maduere seniles, et patriae tremuere manus. Dedit oscula nato non iterum repetenda suo, pennisque levatus ante volat comitique timet, velut ales, ab alto quae teneram prolem produxit in aera nido, 215hortaturque sequi damnosasque erudit artes et movet ipse suas et nati respicit alas. Hos aliquis tremula dum captat harundine pisces, aut pastor baculo stivave innixus arator vidit et obstipuit, quique aethera carpere possent 220credidit esse deos. Et iam Iunonia laeva parte Samos (fuerant Delosque Parosque relictae), dextra Lebinthos erat fecundaque melle Calymne, cum puer audaci coepit gaudere volatu deseruitque ducem caelique cupidine tractus 225altius egit iter. Rapidi vicinia solis mollit odoratas, pennarum vincula, ceras.

Fly midway. Gaze not at the boundless sky,
far Ursa Major and Bootes next.
Nor on Orion with his flashing brand,
but follow my safe guidance.”
As he spoke
he fitted on his son the plumed wings
with trembling hands, while down his withered cheeks
the tears were falling. Then he gave his son
a last kiss, and upon his gliding wings
assumed a careful lead solicitous.
As when the bird leads forth her tender young,
from high-swung nest to try the yielding air;
so he prevailed on willing Icarus;
encouraged and instructed him in a]l
the fatal art; and as he waved his wings
looked backward on his son.
Beneath their flight,
the fisherman while casting his long rod,
or the tired shepherd leaning on his crook,
or the rough plowman as he raised his eyes,
astonished might observe them on the wing,
and worship them as Gods.
Upon the left
they passed by Samos, Juno's sacred isle;
Delos and Paros too, were left behind;
and on the right Lebinthus and Calymne,
fruitful in honey. Proud of his success,
the foolish Icarus forsook his guide,
and, bold in vanity, began to soar,
rising upon his wings to touch the skies;
but as he neared the scorching sun, its heat
softened the fragrant wax that held his plumes;
and heat increasing melted the soft wax—
he waved his naked arms instead of wings,
with no more feathers to sustain his flight.

227Tabuerant cerae: nudos quatit ille lacertos, remigioque carens non ullas percipit auras, oraque caerulea patrium clamantia nomen 230excipiuntur aqua: quae nomen traxit ab illo. At pater infelix, nec iam pater, “Icare,” dixit, “Icare,” dixit “ubi es? qua te regione requiram?” “Icare” dicebat: pennas adspexit in undis devovitque suas artes corpusque sepulcro 235condidit, et tellus a nomine dicta sepulti. Hunc miseri tumulo ponentem corpora nati garrula limoso prospexit ab elice perdix et plausit pennis testataque gaudia cantu est: unica tunc volucris nec visa prioribus annis, 240factaque nuper avis, longum tibi, Daedale, crimen. Namque huic tradiderat, fatorum ignara, docendam progeniem germana suam, natalibus actis bis puerum senis, animi ad praecepta capacis. Ille etiam medio spinas in pisce notatas 245traxit in exemplum ferroque incidit acuto perpetuos dentes et serrae repperit usum.

And as he called upon his father's name
his voice was smothered in the dark blue sea,
now called Icarian from the dead boy's name.
The unlucky father, not a father, called,
“Where are you, Icarus?” and “Where are you?
In what place shall I seek you, Icarus?”
He called again; and then he saw the wings
of his dear Icarus, floating on the waves;
and he began to rail and curse his art.
He found the body on an island shore,
now called Icaria, and at once prepared
to bury the unfortunate remains;
but while he labored a pert partridge near,
observed him from the covert of an oak,
and whistled his unnatural delight.
Know you the cause? 'Twas then a single bird,
the first one of its kind. 'Twas never seen
before the sister of Daedalus had brought
him Perdix, her dear son, to be his pupil.
And as the years went by the gifted youth
began to rival his instructor's art.
He took the jagged backbone of a fish,
and with it as a model made a saw,
with sharp teeth fashioned from a strip of iron.

247Primus et ex uno duo ferrea bracchia nodo vinxit, ut aequali spatio distantibus illis altera pars staret, pars altera duceret orbem. 250Daedalus invidit sacraque ex arce Minervae praecipitem misit, lapsum mentitus. At illum quae favet ingeniis excepit Pallas avemque reddidit et medio velavit in aere pennis. Sed vigor ingenii quondam velocis in alas 255inque pedes abiit: nomen quod et ante remansit. Non tamen haec alte volucris sua corpora tollit, nec facit in ramis altoque cacumine nidos: propter humum volitat ponitque in saepibus ova antiquique memor metuit sublimia casus. 260Iamque fatigatum tellus Aetnaea tenebat Daedalon, et sumptis pro supplice Cocalus armis mitis habebatur, iam lamentabile Athenae pendere desierant Thesea laude tributum.

And he was first to make two arms of iron,
smooth hinged upon the center, so that one
would make a pivot while the other, turned,
described a circle. Wherefore Daedalus
enraged and envious, sought to slay the youth
and cast him headlong from Minerva's fane,—
then spread the rumor of an accident.
But Pallas, goddess of ingenious men,
saving the pupil changed him to a bird,
and in the middle of the air he flew
on feathered wings; and so his active mind—
and vigor of his genius were absorbed
into his wings and feet; although the name
of Perdix was retained.
The Partridge hides
in shaded places by the leafy trees
its nested eggs among the bush's twigs;
nor does it seek to rise in lofty flight,
for it is mindful of its former fall.
Wearied with travel Daedalus arrived
at Sicily,—where Cocalus was king;
and when the wandering Daedalus implored
the monarch's kind protection from his foe,
he gathered a great army for his guest,
and gained renown from an applauding world.

People and places in this passage

English translation by Brookes More (1922). Original text: Hugo Magnus (ed.), Die Metamorphosen des P. Ovidius Naso, Gotha: F. A. Perthes, 1892 (Latin text as digitised by Perseus); English: Brookes More, Ovid's Metamorphoses, Boston: Cornhill Publishing Company, 1922.

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Metamorphoses 8.152–263: The Minotaur; Daedalus and Icarus