Hesiod · Theogony Θεογονία

Hesiod, Theogony 35–59: The Muses' song of gods and men; their birth (35-59)

Hesiod turns from his own story to the song of the Muses, who delight their father Zeus on Olympus by singing first of the race of the gods, then of Zeus himself, then of men and the strong giants. Mnemosyne (Memory) bears them to Zeus in Pieria after nine nights, nine daughters whose hearts are set on song.

Lines 35–59 · 288 words · click a number to copy its link
35ἀλλὰ τί ἦ μοι ταῦτα περὶ δρῦν ἢ περὶ πέτρην; τύνη, Μουσάων ἀρχώμεθα, ταὶ Διὶ πατρὶ ὑμνεῦσαι τέρπουσι μέγαν νόον ἐντὸς Ὀλύμπου, εἰρεῦσαι τά τʼ ἐόντα τά τʼ ἐσσόμενα πρό τʼ ἐόντα, φωνῇ ὁμηρεῦσαι· τῶν δʼ ἀκάματος ῥέει αὐδὴ 40ἐκ στομάτων ἡδεῖα· γελᾷ δέ τε δώματα πατρὸς Ζηνὸς ἐριγδούποιο θεᾶν ὀπὶ λειριοέσσῃ σκιδναμένῃ· ἠχεῖ δὲ κάρη νιφόεντος Ὀλύμπου δώματά τʼ ἀθανάτων. αἳ δʼ ἄμβροτον ὄσσαν ἱεῖσαι θεῶν γένος αἰδοῖον πρῶτον κλείουσιν ἀοιδῇ 45ἐξ ἀρχῆς, οὓς Γαῖα καὶ Οὐρανὸς εὐρὺς ἔτικτεν, οἵ τʼ ἐκ τῶν ἐγένοντο θεοί, δωτῆρες ἐάων. δεύτερον αὖτε Ζῆνα, θεῶν πατέρʼ ἠδὲ καὶ ἀνδρῶν, ἀρχόμεναί θʼ ὑμνεῦσι καὶ ἐκλήγουσαι ἀοιδῆς, ὅσσον φέρτατός ἐστι θεῶν κράτεί τε μέγιστος.

But why all this about oak or stone? Come you, let us begin with the Muses who gladden the great spirit of their father Zeus in Olympus with their songs, telling of things that are and that shall be and that were aforetime with consenting voice. Unwearying flows the sweet sound from their lips, and the house of their father Zeus the loud-thunderer is glad at the lily-like voice of the goddesses as it spreads abroad, and the peaks of snowy Olympus resound, and the homes of the immortals. And they, uttering their immortal voice, celebrate in song first of all the revered race of the gods from the beginning, those whom Earth and wide Heaven begot, and the gods sprung of these, givers of good things. Then next, the goddesses sing of Zeus, the father of gods and men, as they begin and end their strain, how much he is the most excellent among the gods and supreme in power.

50αὖτις δʼ ἀνθρώπων τε γένος κρατερῶν τε Γιγάντων ὑμνεῦσαι τέρπουσι Διὸς νόον ἐντὸς Ὀλύμπου Μοῦσαι Ὀλυμπιάδες, κοῦραι Διὸς αἰγιόχοιο. τὰς ἐν Πιερίῃ Κρονίδῃ τέκε πατρὶ μιγεῖσα Μνημοσύνη, γουνοῖσιν Ἐλευθῆρος μεδέουσα, 55λησμοσύνην τε κακῶν ἄμπαυμά τε μερμηράων. ἐννέα γάρ οἱ νυκτὸς ἐμίσγετο μητίετα Ζεὺς νόσφιν ἀπʼ ἀθανάτων ἱερὸν λέχος εἰσαναβαίνων· ἀλλʼ ὅτε δή ῥʼ ἐνιαυτὸς ἔην, περὶ δʼ ἔτραπον ὧραι μηνῶν φθινόντων, περὶ δʼ ἤματα πόλλʼ ἐτελέσθη,

And again, they chant the race of men and strong giants, and gladden the heart of Zeus within Olympus,—the Olympian Muses, daughters of Zeus the aegis-holder. Them in Pieria did Mnemosyne (Memory), who reigns over the hills of Eleuther, bear of union with the father, the son of Cronos, a forgetting of ills and a rest from sorrow. For nine nights did wise Zeus lie with her, entering her holy bed remote from the immortals. And when a year was passed and the seasons came round as the months waned, and many days were accomplished, she bore nine daughters, all of one mind, whose hearts are set upon song, and whose spirit is free from care, a little way from the top-most peak of snowy Olympus.

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English translation by Hugh G. Evelyn-White (1914). Original text: Hugh G. Evelyn-White (ed.), Hesiod, The Homeric Hymns and Homerica, Loeb Classical Library, London: Heinemann; New York: Macmillan, 1914 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.