Ovid · Fasti Fasti

Ovid, Fasti 4.901–954: Fasti 4: The Robigalia and the start of the Floralia

On 25 April Ovid meets a priest on the road who prays to Robigo (Mildew) to spare the crops, with a dog and a sheep burned. The priest says the dog stands in for the Dog Star, whose rising parches the fields. Ovid then notes the start of Flora's games on 28 April and Vesta's shrine in the emperor's house.

Lines 4.901–954 · 600 words · click a number to copy its link
901Sex ubi, quae restant, luces Aprilis habebit, in medio cursu tempora veris erunt, et frustra pecudem quaeres Athamantidos Helles, signaque dant imbres, exoriturque Canis.

VII. Kal. 25th

When April shall have six days left, the season of spring will be in mid course, and in vain will you look for the ram of Helle, daughter of Athamas; the rains will be your sign, and the constellation of the Dog will rise.

905hac mihi Nomento Romam cum luce redirem, obstitit in media candida turba via. flamen in antiquae lucum Robiginis ibat, exta canis flammis, exta daturus ovis. protinus accessi, ritus ne nescius essem: 910edidit haec flamen verba, Quirine, tuus: ‘aspera Robigo, parcas Cerialibus herbis, et tremat in summa leve cacumen humo. tu sata sideribus caeli nutrita secundis crescere, dum fiant falcibus apta, sinas. 915vis tua non levis est: quae tu frumenta notasti, maestus in amissis illa colonus habet, nec venti tantum Cereri nocuere nec imbres, nec sic marmoreo pallet adusta gelu, quantum, si culmos Titan incalfacit udos: 920tunc locus est irae, diva timenda, tuae. parce, precor, scabrasque manus a messibus aufer neve noce cultis: posse nocere sat est. nec teneras segetes, sed durum amplectere ferrum, quodque potest alios perdere, perde prior.

On that day, as I was returning from Nomentum to Rome, a white-robed crowd blocked the middle of the road. A flamen was on his way to the grove of ancient Mildew (Robigo), to throw the entrails of a dog and the entrails of a sheep into the flames. Straightway I went up to him to inform myself of the rite. Thy flamen, O Quirinus, pronounced these words: “Thou scaly Mildew, spare the sprouting corn, and let the smooth top quiver on the surface of the ground. O let the crops, nursed by the heaven’s propitious stars, grow till they are ripe for the sickle. No feeble power is thine: the corn on which thou hast set thy mark, the sad husbandman gives up for lost. Nor winds, nor showers, nor glistening frost, that nips the sallow corn, harm it so much as when the sun warms the wet stalks; then, dread goddess, is the hour to wreak thy wrath. O spare, I pray, and take thy scabby hands from off the harvest! Harm not the tilth; ’tis enough that thou hast the power to harm. Grip not the tender crops, but rather grip the hard iron. Forestall the destroyer. Better that thou shouldst gnaw at swords and baneful weapons There is no need of them: the world is at peace.

925utilius gladios et tela nocentia carpes: nil opus est illis, otia mundus agit. sarcula nunc durusque bidens et vomer aduncus, ruris opes, niteant; inquinet arma situs, conatusque aliquis vagina ducere ferrum 930adstrictum longa sentiat esse mora. at tu ne viola Cererem, semperque colonus absenti possit solvere vota tibi.’ dixerat: a dextra villis mantele solutis cumque meri patera turis acerra fuit. 935tura focis vinumque dedit fibrasque bidentis turpiaque obscenae (vidimus) exta canis. tum mihi cur detur sacris nova victima, quaeris? ( quaesieram) causam percipe flamen ait. ‘est Canis, Icarium dicunt, quo sidere moto 940tosta sitit tellus, praecipiturque seges, pro cane sidereo canis hic imponitur arae, et quare pereat, nil nisi nomen habet.’

Now let the rustic gear, the rakes, and the hard hoe, and the curved share be burnished bright; but let rust defile the arms, and when one essays to draw the sword from the scabbard, let him feel it stick from long disuse. But do not thou profane the corn, and ever may the husbandman be able to pay his vows to thee in thine absence.” So he spoke. On his right hand hung a napkin with a loose nap, and he had a bowl of wine and a casket of incense. The incense, and wine, and sheep’s guts, and the foul entrails of a filthy dog, he put upon the hearth—we saw him do it. Then to me he said, “Thou askest why an unwonted victim is assigned to these rites?” Indeed, I had asked the question. “Learn the cause,” the flamen said. “There is a Dog (they call it the Icarian dog), and when that constellation rises the earth is parched and dry, and the crop ripens too soon. This dog is put on the altar instead of the starry dog, and the only reason for killing him is his name.”

943Cum Phrygis Assaraci Tithonia fratre relicto sustulit inmenso ter iubar orbe suum, 945mille venit variis florum dea nexa coronis: scaena ioci morem liberioris habet. exit et in Maias sacrum Florale Kalendas; tunc repetam, nunc me grandius urget opus. aufer Vesta diem! cognati Vesta recepta est 950limine: sic iusti constituere patres. Phoebus habet partem, Vestae pars altera cessit; quod superest illis, tertius ipse tenet, state Palatinae laurus, praetextaque quercu stet domus: aeternos tres habet una deos.

IV. Kal. 28th

When the spouse of Tithonus has left the brother of Phrygian Assaracus, and thrice has lifted up her radiant light in the vast firmament, there comes a goddess decked with garlands of a thousand varied flowers, and the stage enjoys a customary licence of mirth. The rites of Flora also extend into the Calends of May. Then I will resume the theme: now a loftier task is laid upon me. O Vesta, take thy day! Vesta has been received in the home of her kinsman: so have the Fathers righteously decreed. Phoebus owns part of the house; another part has been given up to Vesta; what remains is occupied by Caesar himself. Long live the laurels of the Palatine! Long live the house wreathed with the oaken boughs! A single house holds three eternal gods.

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English translation by Sir James George Frazer (1931). Original text: Sir James George Frazer (ed. and tr.), Ovid's Fasti, Loeb Classical Library, London: Heinemann; Cambridge, Mass.: Harvard University Press, 1931 (Latin text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Latin text); translation public domain (OCR from the Internet Archive scan). Introductions, summaries and notes © GreekMythology.com.