Aristophanes · The Clouds Νεφέλαι

Aristophanes, The Clouds 510–626: Parabasis: the poet defends the play and the Clouds complain

The Chorus speak for the poet, who swears by Dionysus that he thinks his audience wise, complains that his earlier version of this play was defeated by an unworthy rival, and says that this one is his sister, who comes to look for her brother's curl like Electra. They boast that he does not use cheap tricks, such as the staff, the torch and the bald-head joke, and that he knocked down the giant Cleon without kicking him when he was down, while others have since plagiarised his Knights. They then pray to Zeus, the lord of the trident, Ether and the Sun, and complain that the city neglects them though they always help it, and that the Moon too is angry that the days of the month are mixed up.

Lines 510–626 · 1087 words · click a number to copy its link

CHORUS

510ἀλλʼ ἴθι χαίρων τῆς ἀνδρείας οὕνεκα ταύτης. εὐτυχία γένοιτο τἀνθρώπῳ, ὅτι προήκων ἐς βαθὺ τῆς ἡλικίας 515νεωτέροις τὴν φύσιν αὑτοῦ πράγμασιν χρωτίζεται καὶ σοφίαν ἐπασκεῖ.

Yes! go, and farewell; as your courage is great, So bright be your fate. May all good fortune his steps pursue, Who now, in his life’s dim twilight haze, Is game such venturesome things to do! To steep his mind in discoveries new, To walk, a novice, in wisdom’s ways.

CHORUS

518ὦ θεώμενοι κατερῶ πρὸς ὑμᾶς ἐλευθέρως τἀληθῆ νὴ τὸν Διόνυσον τὸν ἐκθρέψαντά με. 520οὕτω νικήσαιμί τʼ ἐγὼ καὶ νομιζοίμην σοφός, ὡς ὑμᾶς ἡγούμενος εἶναι θεατὰς δεξιοὺς καὶ ταύτην σοφώτατʼ ἔχειν τῶν ἐμῶν κωμῳδιῶν, πρώτους ἠξίωσʼ ἀναγεῦσʼ ὑμᾶς, ἣ παρέσχε μοι ἔργον πλεῖστον· εἶτʼ ἀνεχώρουν ὑπʼ ἀνδρῶν φορτικῶν 525ἡττηθεὶς οὐκ ἄξιος ὤν· ταῦτʼ οὖν ὑμῖν μέμφομαι τοῖς σοφοῖς, ὧν οὕνεκʼ ἐγὼ ταῦτʼ ἐπραγματευόμην. ἀλλʼ οὐδʼ ὣς ὑμῶν ποθʼ ἑκὼν προδώσω τοὺς δεξιούς. ἐξ ὅτου γὰρ ἐνθάδʼ ὑπʼ ἀνδρῶν, οἷς ἡδὺ καὶ λέγειν, ὁ σώφρων τε χὠ καταπύγων ἄριστʼ ἠκουσάτην, 530κἀγώ, παρθένος γὰρ ἔτʼ ἦν, κοὐκ ἐξῆν πώ μοι τεκεῖν, ἐξέθηκα, παῖς δʼ ἑτέρα τις λαβοῦσʼ ἀνείλετο, ὑμεῖς δʼ ἐξεθρέψατε γενναίως κἀπαιδεύσατε· ἐκ τούτου μοι πιστὰ παρʼ ὑμῖν γνώμης ἔσθʼ ὅρκια. νῦν οὖν Ἠλέκτραν κατʼ ἐκείνην ἥδʼ ἡ κωμῳδία

O Spectators, I will utter: honest truths with accents free, Yea! by mighty Dionysus, Him who bred and nurtured me. So may I be deemed a poet, and this day obtain the prize, As till that unhappy blunder I had always held you wise, And of all my plays esteeming this the wisest and the best, Served it up for your enjoyment, which had, more than all the rest, Cost me thought, and time, and labour: then most scandalously treated, I retired in mighty dudgeon, by unworthy foes defeated. This is why I blame your critics, for whose sake I framed the play: Yet the clever ones amongst you even now I won’t betray. No! for ever since from judges unto whom ’tis joy to speak, Brothers Profligate and Modest” gained the praise we fondly seek, When, for I was yet a Virgin, and it was not right to bear, I exposed it, and Another did the foundling nurse with care, But ’twas ye who nobly nurtured, ye who brought it up with skill;— From that hour I proudly cherish pledges of your sure good will. Now then comes its sister hither, like Electra in the Play,

CHORUS

535ζητοῦσʼ ἦλθʼ, ἤν που ʼπιτύχῃ θεαταῖς οὕτω σοφοῖς· γνώσεται γάρ, ἤνπερ ἴδῃ, τἀδελφοῦ τὸν βόστρυχον. ὡς δὲ σώφρων ἐστὶ φύσει σκέψασθʼ· ἥτις πρῶτα μὲν οὐδὲν ἦλθε ῥαψαμένη σκυτίον καθειμένον ἐρυθρὸν ἐξ ἄκρου παχύ, τοῖς παιδίοις ἵνʼ ᾖ γέλως· 540οὐδʼ ἔσκωψε τοὺς φαλακρούς, οὐδὲ κόρδαχʼ εἵλκυσεν, οὐδὲ πρεσβύτης ὁ λέγων τἄπη τῇ βακτηρίᾳ τύπτει τὸν παρόντʼ ἀφανίζων πονηρὰ σκώμματα, οὐδʼ εἰσῇξε δᾷδας ἔχουσʼ, οὐδʼ ἰοὺ ἰοὺ βοᾷ, ἀλλʼ αὑτῇ καὶ τοῖς ἔπεσιν πιστεύουσʼ ἐλήλυθεν. 545κἀγὼ μὲν τοιοῦτος ἀνὴρ ὢν ποιητὴς οὐ κομῶ, οὐδʼ ὑμᾶς ζητῶ ʼξαπατᾶν δὶς καὶ τρὶς ταὔτʼ εἰσάγων, ἀλλʼ ἀεὶ καινὰς ἰδέας ἐσφέρων σοφίζομαι, οὐδὲν ἀλλήλαισιν ὁμοίας καὶ πάσας δεξιάς· ὃς μέγιστον ὄντα Κλέωνʼ ἔπαισʼ ἐς τὴν γαστέρα, 550κοὐκ ἐτόλμησʼ αὖθις ἐπεμπηδῆσʼ αὐτῷ κειμένῳ. οὗτοι δʼ, ὡς ἅπαξ παρέδωκεν λαβὴν Ὑπέρβολος, τοῦτον δείλαιον κολετρῶσʼ ἀεὶ καὶ τὴν μητέρα.

Comes in earnest expectation kindred minds to meet to-day She will recognize full surely, if she find, her brother’s tress. And observe how pure her morals: who, to notice her first dress, Enters not with filthy symbols on her modest garments hung, Jeering bald-heads, dancing ballets, for the laughter of the young. In this play no wretched greybeard with a staff his fellow pokes, So obscuring from the audience all the poorness of his jokes. No one rushes in with torches, no one groans, “Oh, dear! Oh, dear!” Trusting in its genuine merits comes this play before you here. Yet, though such a hero-poet, I, the bald-head, do not grow Curling ringlets: neither do I twice or thrice my pieces show. Always fresh ideas sparkle, always novel jests delight, Nothing like each other, save that all are most exceeding bright. I am he who floored the giant, Cleon, in his hour of pride, Yet when down I scorned to strike him, and I left him when he died! But the others, when a handle once Hyperbolus did lend, Trample down the wretched caitiff, and his mother, without end.

CHORUS

553Εὔπολις μὲν τὸν Μαρικᾶν πρώτιστον παρείλκυσεν ἐκστρέψας τοὺς ἡμετέρους Ἱππέας κακὸς κακῶς, 555προσθεὶς αὐτῷ γραῦν μεθύσην τοῦ κόρδακος οὕνεχʼ, ἣν Φρύνιχος πάλαι πεποίηχʼ, ἣν τὸ κῆτος ἤσθιεν. εἶθʼ Ἕρμιππος αὖθις ἐποίησεν εἰς Ὑπέρβολον, ἄλλοι τʼ ἤδη πάντες ἐρείδουσιν εἰς Ὑπέρβολον, τὰς εἰκοὺς τῶν ἐγχέλεων τὰς ἐμὰς μιμούμενοι. 560ὅστις οὖν τούτοισι γελᾷ, τοῖς ἐμοῖς μὴ χαιρέτω· ἢν δʼ ἐμοὶ καὶ τοῖσιν ἐμοῖς εὐφραίνησθʼ εὑρήμασιν, ἐς τὰς ὥρας τὰς ἑτέρας εὖ φρονεῖν δοκήσετε. ὑψιμέδοντα μὲν θεῶν Ζῆνα τύραννον ἐς χορὸν 565πρῶτα μέγαν κικλήσκω· τόν τε μεγασθενῆ τριαίνης ταμίαν, γῆς τε καὶ ἁλμυρᾶς θαλάσσης ἄγριον μοχλευτήν· καὶ μεγαλώνυμον ἡμέτερον πατέρʼ 570Αἰθέρα σεμνότατον βιοθρέμμονα πάντων· τόν θʼ ἱππονώμαν, ὃς ὑπερλάμπροις ἀκτῖσιν κατέχει γῆς πέδον μέγας ἐν θεοῖς ἐν θνητοῖσί τε δαίμων.

In his Maricas the Drunkard, Eupolis the charge began, Shamefully my “Knights” distorting, as he is a shameful man, Tacking on the tipsy beldame, just the ballet-dance to keep, Phrynichus’s prime invention, eat by monsters of the deep. Then Hermippus on the caitiff opened all his little skill, And the rest upon the caitiff are their wit exhausting still; And my simile to pilfer “of the Eels” they all combine. Whoso laughs at their productions, let him not delight in mine. But for you who praise my genius, you who think my writings clever, Ye shall gain a name for wisdom, yea! for ever and for ever. O mighty God, O heavenly King, First unto Thee my prayer I bring, O come, Lord Zeus, to my choral song;— And Thou, dread Power, whose resistless hand Heaves up the sea and the trembling land, Lord of the trident, stern and strong;— And Thou who sustainest the life of us all Come, Ether, our parent, O come to my call;— And Thou who floodest the world with light, Guiding thy steeds through the glittering sky, To men below and to Gods on high A Potentate heavenly-bright!

CHORUS

575ὦ σοφώτατοι θεαταὶ δεῦρο τὸν νοῦν προσέχετε. ἠδικημέναι γὰρ ὑμῖν μεμφόμεσθʼ ἐναντίον· πλεῖστα γὰρ θεῶν ἁπάντων ὠφελούσαις τὴν πόλιν, δαιμόνων ἡμῖν μόναις οὐ θύετʼ οὐδὲ σπένδετε, αἵτινες τηροῦμεν ὑμᾶς. ἢν γὰρ ᾖ τις ἔξοδος 580μηδενὶ ξὺν νῷ, τότʼ ἢ βροντῶμεν ἢ ψακάζομεν. εἶτα τὸν θεοῖσιν ἐχθρὸν βυρσοδέψην Παφλαγόνα ἡνίχʼ ᾑρεῖσθε στρατηγόν, τὰς ὀφρῦς συνήγομεν κἀποιοῦμεν δεινά, βροντὴ δʼ ἐρράγη διʼ ἀστραπῆς· ἡ σελήνη δʼ ἐξέλειπε τὰς ὁδούς, ὁ δʼ ἥλιος 585τὴν θρυαλλίδʼ εἰς ἑαυτὸν εὐθέως ξυνελκύσας οὐ φανεῖν ἔφασκεν ὑμῖν, εἰ στρατηγήσει Κλέων. ἀλλʼ ὅμως εἵλεσθε τοῦτον. φασὶ γὰρ δυσβουλίαν τῇδε τῇ πόλει προσεῖναι, ταῦτα μέντοι τοὺς θεοὺς ἅττʼ ἂν ὑμεῖς ἐξαμάρτητʼ ἐπὶ τὸ βέλτιον τρέπειν. 590ὡς δὲ καὶ τοῦτο ξυνοίσει ῥᾳδίως διδάξομεν· ἢν Κλέωνα τὸν λάρον δώρων ἑλόντες καὶ κλοπῆς

O most sapient wise spectators, hither turn attention due, We complain of sad ill-treatment, we’ve a bone to pick with you: We have ever helped your city, helped with all our might and main; Yet you pay us no devotion, that is why we now complain, We who always watch around you. For if any project seems Ill-concocted, then we thunder, then the rain comes down in streams, And, remember, very lately, how we knit our brows together, “Thunders crashing, lightnings flashing,” never was such awful weather; And the Moon in haste eclipsed her, and the Sun in anger swore He would curl his wick within him and give light to you no more, Should you choose that mischief-worker, Cleon, whom the Gods abhor, Tanner, Slave, and Paphlagonian, to lead out your hosts to war. Yet you chose him! yet you chose him! For they say that Folly grows Best and finest in this city, but the gracious Gods dispose Always all things for the better, causing errors to succeed: And how this sad job may profit, surely he who runs may read. Let the Cormorant be convicted, in command, of bribes and theft,

CHORUS

592εἶτα φιμώσητε τούτου τῷ ξύλῳ τὸν αὐχένα, αὖθις ἐς τἀρχαῖον ὑμῖν, εἴ τι κἀξημάρτετε, ἐπὶ τὸ βέλτιον τὸ πρᾶγμα τῇ πόλει συνοίσεται. 595ἀμφί μοι αὖτε Φοῖβʼ ἄναξ Δήλιε Κυνθίαν ἔχων ὑψικέρατα πέτραν, ἥ τʼ Ἐφέσου μάκαιρα πάγχρυσον ἔχεις 600οἶκον ἐν ᾧ κόραι σε Λυδῶν μεγάλως σέβουσιν, ἥ τʼ ἐπιχώριος ἡμετέρα θεὸς αἰγίδος ἡνίοχος πολιοῦχος Ἀθάνα, Παρνασσίαν θʼ ὃς κατέχων πέτραν σὺν πεύκαις σελαγεῖ 605Βάκχαις Δελφίσιν ἐμπρέπων, κωμαστὴς Διόνυσος. ἡνίχʼ ἡμεῖς δεῦρʼ ἀφορμᾶσθαι παρεσκευάσμεθα, ἡ σελήνη συντυχοῦσʼ ἡμῖν ἐπέστειλεν φράσαι, πρῶτα μὲν χαίρειν Ἀθηναίοισι καὶ τοῖς ξυμμάχοις· 610εἶτα θυμαίνειν ἔφασκε· δεινὰ γὰρ πεπονθέναι ὠφελοῦσʼ ὑμᾶς ἅπαντας οὐ λόγοις ἀλλʼ ἐμφανῶς. πρῶτα μὲν τοῦ μηνὸς ἐς δᾷδʼ οὐκ ἔλαττον ἢ δραχμήν, ὥστε καὶ λέγειν ἅπαντας ἐξιόντας ἑσπέρας,

Let us have him gagged and muzzled, in the pillory chained and left, Then again, in ancient fashion, all that ye have erred of late, Will turn out your own advantage, and a blessing to the State. “Phoebus, my king, come to me still.” Thou who holdest the Cynthian hill, The lofty peak of the Delian isle;— And Thou, his sister, to whom each day Lydian maidens devoutly pray In Thy stately gilded Ephesian pile;— And Athene, our Lady, the queen of us all, With the Aegis of God, O come to my call;— And Thou whose dancing torches of pine Flicker, Parnassian glades along, Dionysus, Star of Thy Maenad throng, Come, Reveller most divine!

CHORUS

614μὴ πρίῃ παῖ δᾷδʼ, ἐπειδὴ φῶς σεληναίας καλόν. 615ἄλλα τʼ εὖ δρᾶν φησιν, ὑμᾶς δʼ οὐκ ἄγειν τὰς ἡμέρας οὐδὲν ὀρθῶς, ἀλλʼ ἄνω τε καὶ κάτω κυδοιδοπᾶν· ὥστʼ ἀπειλεῖν φησιν αὐτῇ τοὺς θεοὺς ἑκάστοτε ἡνίκʼ ἂν ψευσθῶσι δείπνου κἀπίωσιν οἴκαδε, τῆς ἑορτῆς μὴ τυχόντες κατὰ λόγον τῶν ἡμερῶν. 620κᾆθʼ ὅταν θύειν δέῃ, στρεβλοῦτε καὶ δικάζετε· πολλάκις δʼ ἡμῶν ἀγόντων τῶν θεῶν ἀπαστίαν, ἡνίκʼ ἂν πενθῶμεν ἢ τὸν Μέμνονʼ ἢ Σαρπηδόνα, σπένδεθʼ ὑμεῖς καὶ γελᾶτʼ· ἀνθʼ ὧν λαχὼν Ὑπέρβολος τῆτες ἱερομνημονεῖν, κἄπειθʼ ὑφʼ ἡμῶν τῶν θεῶν 625τὸν στέφανον ἀφῃρέθη· μᾶλλον γὰρ οὕτως εἴσεται κατὰ σελήνην ὡς ἄγειν χρὴ τοῦ βίου τὰς ἡμέρας.

“Buy no link, my boy, this evening, for the Moon will lend her light.” Other blessings too she sends you, yet you will not mark your days As she bids you, but confuse them, jumbling them all sorts of ways, And, she says, the Gods in chorus shower reproaches on her head, When in bitter disappointment they go supperless to bed, Not obtaining festal banquets duly on the festal day; Ye are badgering in the law-courts when ye should arise and slay! And full oft when we celestials some strict fast are duly keeping, For the fate of mighty Memnon, or divine Sarpedon weeping, Then you feast and pour libations: and Hyperbolus of late Lost the crown he wore so proudly as Recorder of the Gate, Through the wrath of us immortals: so perchance he’ll rather know Always all his days in future by the Lady Moon to go.

People and places in this passage

English translation by Benjamin Bickley Rogers (1924). Original text: Greek text: F. W. Hall and W. M. Geldart (eds.), Aristophanis Comoediae, Oxford Classical Texts, Oxford: Clarendon Press, 1906-1907, as digitised by Perseus. English: Benjamin Bickley Rogers, Aristophanes, vol. I, Loeb Classical Library, London: William Heinemann, and New York: G. P. Putnam's Sons, 1924.

Greek text and translation from the Perseus Digital Library, Tufts University, Greek: CC BY-SA 4.0 (Perseus Digital Library); translation public domain (Rogers). Introductions, summaries and notes © GreekMythology.com.

The Clouds 510–626: The poet defends the play and the…