The long fragment in which a mother complains that Phoebus, who praised the fortune of her children at her wedding feast, has himself slain her son begins the section. It continues with lines on the dithyramb as fellow-reveller of Dionysus, on men who unjustly hate death, and on the man who dies only when life's end has come, and with a woman moulded of clay.
Fragments 189–207 · 288 words · click a number to copy its link
He dwelt on my happiness in my children, whose days were to be many and unacquainted with disease; and, comprising all, in triumph-strain that cheered my soul, he praised my lot, blest of the gods. And so I deemed that falsehood sat not upon Phoebus’ lips divine, fraught with the prophet’s art. But he, who raised this song himself, he who himself was present at my marriage-feast, he who himself spake thus, he it is who himself hath slain my son.
A man dies not for all the many wounds that pierce his breast, unless it be that life’s end keep pace with death, nor by sitting on his hearth at home doth he the more escape his appointed doom.
English translation by Herbert Weir Smyth (1926). Original text: Herbert Weir Smyth (ed. and transl.), Aeschylus, vol. II (Agamemnon, Libation-Bearers, Eumenides, Fragments), Loeb Classical Library, London: William Heinemann; New York: G. P. Putnam's Sons, 1926, Selected Fragments pp. 380-521 (Greek text and facing translation).
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Aeschylus. "Fragments 189–207." Translated by Herbert Weir Smyth (1926). GreekMythology.com, 05 Oct. 2026, https://www.greekmythology.com/sources/aeschylus/fragments/uncertain-plays-3. Accessed 05 October 2026.
Aeschylus. "Fragments 189–207." Translated by Herbert Weir Smyth (1926). GreekMythology.com, October 05, 2026. https://www.greekmythology.com/sources/aeschylus/fragments/uncertain-plays-3.