Virgil · Aeneid Aeneis

Virgil, Aeneid 4.393–521: Dido's despair and the pyre

Aeneas obeys the gods and the Trojans launch their ships while Dido watches from the citadel. She sends Anna to beg him for a little more time, but he stays unmoved, like an oak in a storm. Dido, resolved to die, sees dark omens at her altars and hears her dead husband's voice. She tells Anna to build a pyre holding Aeneas's arms and bed, saying a priestess has ordered it, and a rite is carried out beside it.

Lines 4.393–521 · 1346 words · click a number to copy its link
393At pius Aeneas, quamquam lenire dolentem solando cupit et dictis avertere curas, 395multa gemens magnoque animum labefactus amore, iussa tamen divom exsequitur, classemque revisit. Tum vero Teucri incumbunt, et litore celsas deducunt toto naves: natat uncta carina; frondentisque ferunt remos et robora silvis 400infabricata, fugae studio. Migrantis cernas, totaque ex urbe ruentis. Ac velut ingentem formicae farris acervum cum populant, hiemis memores, tectoque reponunt; it nigrum campis agmen, praedamque per herbas 405convectant calle angusto; pars grandia trudunt obnixae frumenta umeris; pars agmina cogunt castigantque moras; opere omnis semita fervet. Quis tibi tum, Dido, cernenti talia sensus? quosve dabas gemitus, cum litora fervere late 410prospiceres arce ex summa, totumque videres misceri ante oculos tantis clamoribus aequor? Improbe Amor, quid non mortalia pectora cogis?

Aeneas, faithful to a task divine,
though yearning sore to remedy and soothe
such misery, and with the timely word
her grief assuage, and though his burdened heart
was weak because of love, while many a groan
rose from his bosom, yet no whit did fail
to do the will of Heaven, but of his fleet
resumed command. The Trojans on the shore
ply well their task and push into the sea
the lofty ships. Now floats the shining keel,
and oars they bring all leafy from the grove,
with oak half-hewn, so hurried was the flight.
Behold them how they haste—from every gate
forth-streaming!—just as when a heap of corn
is thronged with ants, who, knowing winter nigh,
refill their granaries; the long black line
runs o'er the levels, and conveys the spoil
in narrow pathway through the grass; a part
with straining and assiduous shoulder push
the kernels huge; a part array the file,
and whip the laggards on; their busy track
swarms quick and eager with unceasing toil.
O Dido, how thy suffering heart was wrung,
that spectacle to see! What sore lament
was thine, when from the towering citadel
the whole shore seemed alive, the sea itself
in turmoil with loud cries! Relentless Love,
to what mad courses may not mortal hearts
by thee be driven?

413Ire iterum in lacrimas, iterum temptare precando cogitur, et supplex animos submittere amori, 415ne quid inexpertum frustra moritura relinquat. Anna, vides toto properari litore; circum undique convenere; vocat iam carbasus auras, puppibus et laeti nautae imposuere coronas. Hunc ego si potui tantum sperare dolorem, 420et perferre, soror, potero. Miserae hoc tamen unum exsequere, Anna, mihi. Solam nam perfidus ille te colere, arcanos etiam tibi credere sensus; sola viri mollis aditus et tempora noras. I, soror, atque hostem supplex adfare superbum: 425non ego cum Danais Troianam exscindere gentem Aulide iuravi, classemve ad Pergama misi, nec patris Anchisae cineres Manisve revelli, cur mea dicta neget duras demittere in auris. Quo ruit? Extremum hoc miserae det munus amanti: 430exspectet facilemque fugam ventosque ferentis.

Again her sorrow flies
to doleful plaint and supplication vain;
again her pride to tyrant Love bows down
lest, though resolved to die, she fail to prove
each hope of living: “O Anna, dost thou see
yon busy shore? From every side they come.
Their canvas wooes the winds, and o'er each prow
the merry seamen hang their votive flowers.
Dear sister, since I did forebode this grief,
I shall be strong to bear it. One sole boon
my sorrow asks thee, Anna! Since of thee,
thee only, did that traitor make a friend,
and trusted thee with what he hid so deep —
the feelings of his heart; since thou alone
hast known what way, what hour the man would yield
to soft persuasion—therefore, sister, haste,
and humbly thus implore our haughty foe:
‘I was not with the Greeks what time they swore
at Aulis to cut off the seed of Troy;
I sent no ships to Ilium. Pray, have I
profaned Anchises' tomb, or vexed his shade?’
Why should his ear be deaf and obdurate
to all I say? What haste? May he not make
one last poor offering to her whose love
is only pain? O, bid him but delay
till flight be easy and the winds blow fair.

431Non iam coniugium antiquum, quod prodidit, oro, nec pulchro ut Latio careat regnumque relinquat: tempus inane peto, requiem spatiumque furori, dum mea me victam doceat fortuna dolere. 435Extremam hanc oro veniam—miserere sororis— quam mihi cum dederit, cumulatam morte remittam. Talibus orabat, talisque miserrima fletus fertque refertque soror: sed nullis ille movetur fletibus, aut voces ullas tractabilis audit; 440fata obstant, placidasque viri deus obstruit auris. Ac, velut annoso validam cum robore quercum Alpini Boreae nunc hinc nunc flatibus illinc eruere inter se certant; it stridor, et altae consternunt terram concusso stipite frondes; 445ipsa haeret scopulis, et, quantum vertice ad auras aetherias, tantum radice in Tartara tendit: haud secus adsiduis hinc atque hinc vocibus heros tunditur, et magno persentit pectore curas; mens immota manet; lacrimae volvuntur inanes.

I plead no more that bygone marriage-vow
by him forsworn, nor ask that he should lose
his beauteous Latium and his realm to be.
Nothing but time I crave! to give repose
and more room to this fever, till my fate
teach a crushed heart to sorrow. I implore
this last grace. (To thy sister's grief be kind!)
I will requite with increase, till I die.”
Such plaints, such prayers, again and yet again,
betwixt the twain the sorrowing sister bore.
But no words move, no lamentations bring
persuasion to his soul; decrees of Fate
oppose, and some wise god obstructs the way
that finds the hero's ear. Oft-times around
the aged strength of some stupendous oak
the rival blasts of wintry Alpine winds
smite with alternate wrath: loud is the roar,
and from its rocking top the broken boughs
are strewn along the ground; but to the crag
steadfast it ever clings; far as toward heaven
its giant crest uprears, so deep below
its roots reach down to Tartarus:—not less
the hero by unceasing wail and cry
is smitten sore, and in his mighty heart
has many a pang, while his serene intent
abides unmoved, and tears gush forth in vain.

450Tum vero infelix fatis exterrita Dido mortem orat; taedet caeli convexa tueri. Quo magis inceptum peragat lucemque relinquat, vidit, turicremis cum dona imponeret aris, horrendum dictu, latices nigrescere sacros, 455fusaque in obscenum se vertere vina cruorem. Hoc visum nulli, non ipsi effata sorori. Praeterea fuit in tectis de marmore templum coniugis antiqui, miro quod honore colebat, velleribus niveis et festa fronde revinctum: 460hinc exaudiri voces et verba vocantis visa viri, nox cum terras obscura teneret; solaque culminibus ferali carmine bubo saepe queri et longas in fletum ducere voces; multaque praeterea vatum praedicta priorum 465terribili monitu horrificant. Agit ipse furentem in somnis ferus Aeneas; semperque relinqui sola sibi, semper longam incomitata videtur ire viam, et Tyrios deserta quaerere terra.

Then wretched Dido, by her doom appalled,
asks only death. It wearies her to see
the sun in heaven. Yet that she might hold fast
her dread resolve to quit the light of day,
behold, when on an incense-breathing shrine
her offering was laid—O fearful tale!—
the pure libation blackened, and the wine
flowed like polluting gore. She told the sight
to none, not even to her sister's ear.
A second sign was given: for in her house
a marble altar to her husband's shade,
with garlands bright and snowy fleeces dressed,
had fervent worship; here strange cries were heard
as if her dead spouse called while midnight reigned,
and round her towers its inhuman song
the lone owl sang, complaining o'er and o'er
with lamentation and long shriek of woe.
Forgotten oracles by wizards told
whisper old omens dire. In dreams she feels
cruel Aeneas goad her madness on,
and ever seems she, friendless and alone,
some lengthening path to travel, or to seek
her Tyrians through wide wastes of barren lands.

469Eumenidum veluti demens videt agmina Pentheus, 470et solem geminum et duplicis se ostendere Thebas; aut Agamemnonius scaenis agitatus Orestes armatam facibus matrem et serpentibus atris cum fugit, ultricesque sedent in limine Dirae. Ergo ubi concepit furias evicta dolore 475decrevitque mori, tempus secum ipsa modumque exigit, et, maestam dictis adgressa sororem, consilium voltu tegit, ac spem fronte serenat: Inveni, germana, viam—gratare sorori— quae mihi reddat eum, vel eo me solvat amantem. 480Oceani finem iuxta solemque cadentem ultimus Aethiopum locus est, ubi maxumus Atlas axem humero torquet stellis ardentibus aptum: hinc mihi Massylae gentis monstrata sacerdos, Hesperidum templi custos, epulasque draconi 485quae dabat, et sacros servabat in arbore ramos, spargens umida mella soporiferumque papaver. Haec se carminibus promittit solvere mentes quas velit, ast aliis duras immittere curas, sistere aquam fluviis, et vertere sidera retro;

Thus frantic Pentheus flees the stern array
of the Eumenides, and thinks to see
two noonday lights blaze oer his doubled Thebes;
or murdered Agamemnon's haunted son,
Orestes, flees his mother's phantom scourge
of flames and serpents foul, while at his door
avenging horrors wait. Now sorrow-crazed
and by her grief undone, resolved on death,
the manner and the time her secret soul
prepares, and, speaking to her sister sad,
she masks in cheerful calm her fatal will:
“I know a way—O, wish thy sister joy!—
to bring him back to Iove, or set me free.
On Ocean's bound and next the setting sun
lies the last Aethiop land, where Atlas tall
lifts on his shoulder the wide wheel of heaven,
studded with burning stars. From thence is come
a witch, a priestess, a Numidian crone,
who guards the shrine of the Hesperides
and feeds the dragon; she protects the fruit
of that enchanting tree, and scatters there
her slumb'rous poppies mixed with honey-dew.
Her spells and magic promise to set free
what hearts she will, or visit cruel woes
on men afar. She stops the downward flow
of rivers, and turns back the rolling stars;
on midnight ghosts she calls: her vot'ries hear
earth bellowing loud below, while from the hills
the ash-trees travel down.

490nocturnosque movet Manis: mugire videbis sub pedibus terram, et descendere montibus ornos. Testor, cara, deos et te, germana, tuumque dulce caput, magicas invitam accingier artes. Tu secreta pyram tecto interiore sub auras 495erige, et arma viri, thalamo quae fixa reliquit impius, exuviasque omnis, lectumque iugalem, quo perii, superimponas: abolere nefandi cuncta viri monumenta iuvat, monstratque sacerdos. Haec effata silet; pallor simul occupat ora. 500Non tamen Anna novis praetexere funera sacris germanam credit, nec tantos mente furores concipit, aut graviora timet, quam morte Sychaei: ergo iussa parat. At regina, pyra penetrali in sede sub auras 505erecta ingenti taedis atque ilice secta, intenditque locum sertis, et fronde coronat funerea; super exuvias ensemque relictum effigiemque toro locat, haud ignara futuri. Stant arae circum, et crines effusa sacerdos 510ter centum tonat ore deos, Erebumque Chaosque, tergeminamque Hecaten, tria virginis ora Dianae. Sparserat et latices simulatos fontis Averni, falcibus et messae ad lunam quaeruntur aënis pubentes herbae nigri cum lacte veneni; 515quaeritur et nascentis equi de fronte revolsus et matri praereptus amor. Ipsa mola manibusque piis altaria iuxta, unum exuta pedem vinclis, in veste recincta, testatur moritura deos et conscia fati 520sidera; tum, si quod non aequo foedere amantes curae numen habet iustumque memorque, precatur.

But, sister mine,
thou knowest, and the gods their witness give,
how little mind have I to don the garb
of sorcery. Depart in secret, thou,
and bid them build a lofty funeral pyre
inside our palalce-wall, and heap thereon
the hero's arms, which that blasphemer hung
within my chamber; every relic bring,
and chiefly that ill-omened nuptial bed,
my death and ruin! For I must blot out
all sight and token of this husband vile.
'T is what the witch commands.” She spoke no more,
and pallid was her brow. Yet Anna's mind
knew not what web of death her sister wove
by these strange rites, nor what such frenzy dares;
nor feared she worse than when Sichaeus died,
but tried her forth the errand to fulfil.
Soon as the funeral pyre was builded high
in a sequestered garden, Iooming huge
with boughs of pine and faggots of cleft oak,
the queen herself enwreathed it with sad flowers
and boughs of mournful shade; and crowning all
she laid on nuptial bed the robes and sword
by him abandoned; and stretched out thereon
a mock Aeneas;—but her doom she knew.
Altars were there; and with loose locks unbound
the priestess with a voice of thunder called
three hundred gods, Hell, Chaos, the three shapes
of triple Hecate, the faces three
of virgin Dian. She aspersed a stream
from dark Avernus drawn, she said; soft herbs
were cut by moonlight with a blade of bronze,
oozing black poison-sap; and she had plucked
that philter from the forehead of new foal
before its dam devours. Dido herself,
sprinkling the salt meal, at the altar stands;
one foot unsandalled, and with cincture free,
on all the gods and fate-instructed stars,
foreseeing death, she calls. But if there be
some just and not oblivious power on high,
who heeds when lovers plight unequal vow,
to that god first her supplications rise.

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English translation by Theodore C. Williams (1910). Original text: J. B. Greenough (ed.), The Bucolics, Aeneid, and Georgics of Virgil, Boston: Ginn and Company, 1881 (Latin text as digitised by Perseus); English: Theodore C. Williams, The Aeneid of Virgil, Boston: Houghton Mifflin, 1910.

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.