Nonnus of Panopolis · Dionysiaca Διονυσιακά

Nonnus of Panopolis, Dionysiaca 48.474–652: Book 48: Dionysos' wine-spring and the sleeping Aura

Lovesick and unable to speak to the unyielding Aura, Dionysos sees the shade of Ariadne reproach him in a dream. Remembering how he won another nymph by a potion, he opens a spring of wine on the rock when Aura is parched with thirst at midday. She drinks, falls asleep, and Dionysos binds her hands and feet and takes her while she sleeps.

Lines 48.474–652 · 1724 words · click a number to copy its link
474καὶ θεὸς οὐρεσίφοιτος ἱμάσσετο μείζονι πυρσῷ· 475οὐ γὰρ ἔην ἐλάχεια παραίφασις· οὐ τότε κούρης ἐλπίδα Κυπριδίην, οὐ φάρμακον εἶχεν Ἐρώτων· ἀλλά μιν ἔφλεγε μᾶλλον Ἔρως θελξίφρονι πυρσῷ θυιάδος ὀψιτέλεστον ἀπειθέος εἰς γάμον Αὔρης. καὶ μογέων ἔκρυπτεν ἑὸν πόθον, οὐδʼ ἐνὶ λόχμαις 480Κυπριδίοις ὀάροισιν ὁμίλεεν ἐγγύθεν Αὔρης, μή μιν ἀλυσκάζειε. τί κύντερον, ἢ ὅτε μοῦνοι ἀνέρες ἱμείρουσι, καὶ οὐ ποθέουσι γυναῖκες; καὶ μέθεπε πραπίδεσσι πεπηγμένον ἰὸν Ἐρώτων, παρθένος εἰ δρόμον εἶχε κυνοσσόον ἔνδοθι λόχμης· 485Κυπριδίοις δʼ ἀνέμοισιν ἀειρομένοιο χιτῶνος μηρὸν ὀπιπεύων θηλύνετο Βάκχος ἀλήτης. ὀψὲ δὲ παφλάζοντι πόθῳ δεδονημένος Αὔρης Βάκχος ἀμηχανέων ἔπος ἴαχε λυσσάδι φωνῇ·

And the god roamed over the hills scourged with a greater fire. For there was not the smallest comfort for him. He had then no hope of the girl’s love, no physic for his passion ; but Eros burnt him more and more with the mindbewitching fire to win mad obstinate Aura at last. With hard struggles he kept his desire hidden ; he used no lover’s prattle beside Aura in the woods, for fear she might avoid him. What is more shameless, than when only men crave, and women do not desire ? Wandering Bacchos felt the arrow of love fixt in his heart if the maiden was hunting with her pack of dogs in the woods ; if he caught a glimpse of a thigh when the loving winds lifted her tunic, he became soft as a woman. At last buffeted by his tumultuous desire for Aura, desperate he cried out in mad tones —

489Πανὸς ἐγὼ δυσέρωτος ἔχω τύπον, ὅττί με φεύγει 490παρθένος ἠνεμόφοιτος, ἐρημονόμῳ δὲ πεδίλῳ πλάζεται ἀστήρικτος ἀθηήτου πλέον Ἠχοῦς. ὄλβιε, Πάν, Βρομίοιο πολὺ πλέον, ὅττι ματεύων φάρμακον εὗρες ἔρωτος ἐνὶ φρενοθελγέι φωνῇ· σὸν κτύπον ὑστερόφωνος ἀμείβεται ἄστατος Ἠχὼ 495φθεγγομένη λάλον ἦχον ὁμοίιον· αἴθε καὶ αὐτὴ ἐκ στομάτων ἕνα μῦθον ἀνήρυγε παρθένος Αὔρη. οὗτος ἔρως οὐ πᾶσιν ὁμοίιος· οὐδὲ γὰρ αὐτὴ παρθενικαῖς ἑτέρῃσιν ὁμότροπον ἦθος ἀέξει. ποῖον ἐμῆς ὀδύνης πέλε φάρμακον; ἦ ῥά ἑ θέλξω 500νεύματι Κυπριδίῳ; πότε που, πότε θέλγεται Αὔρη κινυμένοις βλεφάροισιν; ἐρωμανὲς ὄμμα τιταίνων τίς γαμίοις ὀάροισι παραπλάζει φρένας ἄρκτου εἰς Παφίην, ἐς Ἔρωτα; τίς ὡμίλησε λεαίνῃ; τίς δρυῒ μῦθον ἔλεξε; τίς ἄπνοον ἤπαφε πεύκην; 505τίς κρανέην παρέπεισε, καὶ εἰς γάμον ἤγαγε πέτρην; ποῖος ἀνὴρ θέλξειεν ἀκηλήτου νόον Αὔρης; ποῖος ἀνὴρ θέλξειεν; ἀμιτροχίτωνι δὲ κούρῃ τίς γάμον ἢ φιλότητος ἀρηγόνα κεστὸν ἐνίψῃ; τίς γλυκὺ κέντρον Ἔρωτος ἢ οὔνομα Κυπρογενείης; 510μᾶλλον Ἀθηναίη τάχα πείσεται· οὐδέ με φεύγει Ἄρτεμις ἀπτοίητος, ὅσον φιλοπάρθενος Αὔρη. αἴθε φίλοις στομάτεσσιν ἔπος τόδε μοῦνον ἐνίψῃ· Βάκχε, μάτην ποθέεις, μὴ δίζεο παρθένον Αὔρην. ἔννεπεν ἀνθεμόεντος ἔσω λειμῶνος ὁδεύων

“I am like lovelorn Pan, when the girl flees me swift as the wind, and wanders, treading the wilderness with boot more agile than Echo never seen ! You are happy, Pan, much more than Bromios, for during your search you have found a physic for love in a mindbewitching voice. Echo follows your tones and returns them, moving from place to place, and utters a sound of speaking like your voice. If only maid Aura had done the same, and let one word sound from her lips ! This love is different from all others, for the girl herself has a nature not like the ways of other maidens. What physic is there for my pain ? Shall I charm her with lovers’ nod and beck ? Ah when, ah when is Aura charmed with moving eyelids ? Who by lovemad looks or wooing whispers could seduce the heart of a she bear to the Paphian, to Eros ? Who discourses to a honess ? Who talks to an oak ? Who has beguiled a lifeless firtree ? Who ever persuaded a cornel-tree, and took a rock in marriage ? And what man could charm the mind of Aura proof against all charms ? What man could charm her — who will mention marriage, or the cestus which helps love, to this girl with no girdle to her tunic ? Who will mention the sweet sting of love or the name of Cyprogeneia ? I think Athena will listen sooner ; and not intrepid Artemis avoids me so much as prudish Aura. If she would only say as much as this with her dear lips — ‘Bacchos, your desire is vain ; seek not for maiden Aura.’

515εἰαρινοῖς ἀνέμοισι, καὶ εὐόδμῳ παρὰ μύρτῳ ἡδὺ μεσημβρίζων πόδας εὔνασεν, ἀμφὶ δὲ δένδρῳ κέκλιτο συρίζουσαν ἔχων Ζεφυρήιον αὔρην καὶ καμάτῳ καὶ ἔρωτι κατάσχετος· ἑζομένῳ δὲ ἥλικος αὐτομέλαθρος ὑπερκύψασα κορύμβου 520παρθένος ἀκρήδεμνος Ἁμαδρυὰς ἔννεπε Νύμφη, Κύπριδι πιστὰ φέρουσα καὶ ἱμερόεντι Λυαίῳ·

So he spoke to the breezes of spring, while walking in a flowery meadow. Beside a fragrant myrtle he stayed his feet for a soothing rest at midday. He leaned against a tree and listened to the west breeze whispering, overcome by fatigue and love ; and as he sat there, a Hamadryad Nymph at home in the clusters of her native tree, a maiden unveiled, peeped out and said, true both to Cypris and to loving Lyaios :

522Οὐ δύναταί ποτε Βάκχος ἄγειν ἐπὶ δέμνιον Αὔρην, εἰ μή μιν βαρύδεσμον ἀλυκτοπέδῃσι πεδήσῃ, δεσμοῖς Κυπριδίοισι πόδας καὶ χεῖρας ἑλίξας, 525ἠέ μιν ὑπνώουσαν ὑποζεύξας ὑμεναίοις παρθενικῆς ἀνάεδνον ὑποκλέψειε κορείην.

“Bacchos can never lead Aura to his bed, unless he binds her first in heavy galling fetters, and winds the bonds of Cypris round hands and feet ; or else puts her under the yoke of marriage in sleep, and steals the girl’s maidenhood without brideprice.”

527ὣς φαμένη παλίνορσος ὁμήλικι κεύθετο θάμνῳ δυσαμένη δρυόεντα πάλιν δόμον· αὐτὰρ ὁ κάμνων Βάκχος ἐρωτοτόκοισι νόον πόμπευεν ὀνείροις. 530ψυχὴ δʼ ἠνεμόφοιτος ἀποφθιμένης Ἀριάδνης, νήδυμον ὑπνώοντι παρισταμένη Διονύσῳ, ζηλήμων μετὰ πότμον ὀνειρείῳ φάτο μύθῳ·

Having spoken she hid again in the tree her agemate, and entered again her woody home ; but Bacchos distressed with lovebreeding dreams made his mind a parade : the soul of dead Ariadne borne on the wind came, and beside Dionysos sleeping sound, stood jealous after death, and spoke in the words of a dream :

533Ἀμνήμων Διόνυσε τεῶν προτέρων ὑμεναίων, αὔρης ζῆλος ἔχει σε, καὶ οὐκ ἀλέγεις Ἀριάδνης· 535ὤμοι ἐμοῦ Θησῆος, ὃν ἥρπασε πικρὸς ἀήτης, ὤμοι ἐμοῦ Θησῆος, ὃν ἔλλαχεν ἀνέρα Φαίδρη. οὐ τάχα μοι πέπρωτο φυγεῖν ψεύδορκον ἀκοίτην, εἰ γλυκὺς ὑπναλέην με λίπεν νέος, ἀντὶ δὲ κείνου νυμφεύθην δυσέρωτι καὶ ἠπεροπῆι Λυαίῳ. 540ὤμοι, ὅτʼ οὐ βροτὸν ἔσχον ἐγὼ ταχύποτμον ἀκοίτην, καί κεν ἐρωμανέοντι κορυσσομένη Διονύσῳ Λημνιάδων γενόμην καὶ ἐγὼ μία θηλυτεράων. ἀλλὰ πολυσπερέων γαμίων ἐπιβήτορα λέκτρων, νυμφίον ὁρκαπάτην, μετὰ Θησέα καὶ σὲ καλέσσω· 545εἰ δέ σε δῶρον Ἔρωτος ἀπαιτίζει σέο νύμφη, δέξό μοι ἠλακάτην, φιλοτήσιον ἕδνον Ἐρώτων, ὄφρα πόρῃς, ἀθέμιστε, φιλοσκοπέλῳ σέο νύμφῃ δῶρα τεῆς ἀλόχου Μινωίδος, ὄφρά τις εἴπῃ· δῶκε μίτον Θησῆι καὶ ἠλακάτην Διονύσῳ.

“Dionysos, you have forgotten your former bride : you long for Aura, and you care not for Ariadne. O my own Theseus, whom the bitter wind stole ! O my own Theseus, whom Phaidra got for husband ! I suppose it was fated that a perjured husband must always run from me, if the sweet boy left me while I slept, and I was married instead to Lyaios, an inconstant lover and a deceiver. Alas, that I had not a mortal husband, one soon to die ; then I might have armed myself against lovemad Dionysos and been one of the Lemnian women myself. But after Theseus, now I must call you too a perjured bridegroom, the invader of many marriage beds. If your bride asks you for a gift, take this distaff at my hands, a friendly gift of love, that you may give your mountaineering bride what your Minoian wife gave you ; then people can say — ‘She gave the thread to Theseus, and the distaff to Dionysos.’

550καὶ σὺ κατὰ Κρονίωνα λέχος μετὰ λέκτρον ἀμείβων ἔργα γυναιμανέος μιμήσαο σεῖο τοκῆος, οἶστρον ἔχων ἀκόρητον ἀμοιβαίης Ἀφροδίτης· Σιθονίης ἀλόχοιο νεοζυγέων ὑμεναίων, Παλλήνης, γάμον οἶδα, καὶ Ἀλθαίης ὑμεναίους· 555σιγήσω φιλότητα Κορωνίδος, ἧς ἀπὸ λέκτρων τρεῖς Χάριτες γεγάασιν ὁμόζυγες· ἀλλά, Μυκῆναι, πότμον ἐμὸν φθέγξασθε καὶ ἄγριον ὄμμα Μεδούσης, καὶ φθονερῆς ἐς ἔρωτα βιαζομένης Ἀριάδνης, ἠιόνες Νάξοιο, βοήσατε· νυμφίε Θησεῦ, 560Μινῴη καλέει σε χολωομένη Διονύσῳ. ἀλλὰ τί Κεκροπίης μιμνήσκομαι; εἰς Παφίην γὰρ μέμφομαι ἀμφοτέροις, καὶ Θησέι καὶ Διονύσῳ.

“You are just like Cronion changing from bed to bed, and you have imitated the doings of your womanmad father, having an insatiable passion for changing your loves. I know how you lately married your Sithonian wife Pallene, and your wedding with Althaia : I will say nothing of the love of Coronis, from whose bed were born the three Graces ever inseparable. But O Mycenai, proclaim my fate and the savage glare of Medusa ! Shores of Naxos, cry aloud of Ariadne’s lot, constrained to a hateful love, and say, ‘O bridegroom Theseus, Minos’s daughter calls you in anger against Dionysos ! ’ But why do I think of Cecropia ? To her of Paphos, I carry my plaint against them both, Theseus and Dionysos !

563ὣς φαμένη σκιόεντι πανείκελος ἔσσυτο καπνῷ. καὶ θρασὺς ἔγρετο Βάκχος ἀποσκεδάσας πτερὸν Ὕπνου, 565μυρομένην δʼ ᾤκτειρεν ὀνειρείην Ἀριάδνην. καὶ δόλον ἀλλοπρόσαλλον ἐδίζετο πομπὸν Ἐρώτων· νύμφης δʼ Ἀστακίδος προτέρων ἐμνήσατο λέκτρων, πῶς ἐρατὴν δολόεντι ποτῷ νυμφεύσατο κούρην ὕπνον ἔχων πομπῆα μεθυσφαλέων ὑμεναίων.

She spoke, and her shade flew away like shadowy smoke. Bold Bacchos awoke and shook off the wing of Sleep. He lamented the sorrow of Ariadne in his dream, and sought for some clever device which could meet all needs and lead him to love. First he remembered the bed of the Astacid nymph long before, how he had wooed the lovely nymph with a cunning potion and made sleep his guide to intoxicated bridals.

570ὄφρα μὲν ἤθελε Βάκχος ἐπεντύνειν δόλον εὐνῆς, τόφρα δὲ φοιταλέη Ληλαντιὰς ἔδραμε κούρη πίδακα μαστεύουσα, κατάσχετος αἴθοπι δίψῃ. οὐδὲ λάθεν Διόνυσον ὀρίδρομος ἄστατος Αὔρη διψαλέη· ταχινὸς δὲ θορὼν ἐπὶ πυθμένα πέτρης 575θύρσῳ γαῖαν ἄρασσε· διχαζομένη δὲ κολώνη αὐτομάτην ὤδινε μέθην εὐώδεϊ μαζῷ χεύματι πορφύροντι· χαριζόμεναι δὲ Λυαίῳ δμωίδες Ἠελίοιο κατέγραφον ἄνθεσιν Ὧραι πίδακος ἄκρα μέτωπα, καὶ εὐόδμοισιν ἀήταις 580ἀρτιφύτου λειμῶνος ἱμάσσετο νήδυμος ἀήρ· εἶχε δὲ Ναρκίσσοιο φερώνυμα φύλλα κορύμβων ἠιθέου χαρίεντος, ὃν εὐπετάλῳ παρὰ Λάτμῳ νυμφίος Ἐνδυμίων κεραῆς ἔσπειρε Σελήνης, ὃς πάρος ἠπεροπῆος ἐύχροος εἴδεϊ κωφῷ 585εἰς τύπον αὐτοτέλεστον ἰδὼν μορφούμενον ὕδωρ κάτθανε, παπταίνων σκιοειδέα φάσματα μορφῆς· καὶ φυτὸν ἔμπνοον εἶχεν Ἀμυκλαίης ὑακίνθου· εἰαρινῶν ἐλίγαινον ἀηδόνες ὑψόθι φύλλων. ἱπτάμεναι δʼ ἀγεληδὸν ἐπʼ ἀνθεμόεντι κορύμβῳ

While Bacchos would be preparing a cunning device for her bed, Lelantos’s daughter wandered about seeking a fountain, for she was possessed with parching thirst. Dionysos failed not to see how thirsting Aura ran rapidly over the hills. Quickly he leapt up and dug the earth with his wand at the foundation of a rock : the hill parted, and poured out of itself a purple stream of wine from its sweetscented bosom. The Seasons, handmaids of Helios, to do grace to Lyaios, painted with flowers the fountain’s margin, and fragrant whiffs from the newgrowing meadow beat on the balmy air. There were the clustering blooms which have the name of Narcissos the fair youth, whom horned Selene’s bridegroom Endymion begat on leafy Latmos, Narcissos who long ago gazed on his own image formed in the water, that dumb image of a beautiful deceiver, and died as he gazed on the shadowy phantom of his shape ; there was the living plant of Amyclaian iris ; there sang the nightingales over the spring blossoms, flying in troops above the clustering flowers.

590κεῖθι δὲ διψώουσα μεσημβριὰς ἔτρεχεν Αὔρη, ἀμφὶ δὲ οἱ βλεφάροισιν Ἔρως κατέχευεν ὀμίχλην. εἴ ποθι διψώουσα Διὸς χύσιν ἤ τινα πηγὴν ἢ ῥόον ἀθρήσειεν ὀρεσσιχύτου ποταμοῖο· ἀλλʼ ὅτε Βακχείην ἀπατήλιον ἔδρακε πηγήν, 595δὴ τότε οἱ βλεφάρων σκιόεν νέφος ἤλασε Πειθὼ τοῖον ἔπος βοόωσα γάμου πρωτάγγελον Αὔρῃ·

And there came running thirsty at midday Aura herself, seeking if anywhere she could find raindrops from Zeus, or some fountain, or the stream of a river pouring from the hills ; and Eros cast a mist over her eyelids : but when she saw the deceitful fountain of Bacchos, Peitho dispersed the shadowy cloud from her eyelids, and called out to Aura like a herald of her marriage —

597Παρθενική, μόλε δεῦρο, τελεσσιγάμοιο δὲ πηγῆς εἰς στόμα δέξο ῥέεθρα, καὶ εἰς σέο κόλπον ἀκοίτην.

Maiden, come this way ! Take into your lips the stream of this nuptial fountain, and into your bosom a lover.”

599κούρη δʼ ἄσμενος εἶδε· παραπροχυθεῖσα δὲ πηγῇ 600χείλεσιν οἰγομένοισιν ἀνήφυσεν ἰκμάδα Βάκχου. παρθενικὴ δὲ πιοῦσα τόσην ἐφθέγξατο φωνήν·

Gladly the maiden saw it, and throwing herself down before the fountain drew in the liquid of Bacchos with open lips. When she had drunk, the girl exclaimed :

602Νηιάδες, τί τὸ θαῦμα; πόθεν πέλε νήδυμον ὕδωρ; τίς ποτὸν ἔβλυσε τοῦτο; τίς οὐρανίη τέκε γαστήρ; ἔμπης τοῦτο πιοῦσα ποτὶ δρόμον οὐκέτι βαίνω· 605ἀλλὰ πόδες βαρύθουσι, καὶ ἡδέι θέλγομαι ὕπνῳ, καὶ σφαλερὸν στομάτων ἁπαλόθροον ἦχον ἰάλλω. εἶπε καὶ ἀστήρικτον ἑοῦ ποδὸς εἶχε πορείην·

“Naiads, what marvel is this ? Whence comes this balmy water ? Who made this bubbling drink, what heavenly womb gave him birth ? Certainly after drinking this I can run no more. No, my feet are heavy, sweet sleep bewitches me, nothing comes from my lips but a soft stammering sound.”

608ἤιε δʼ ἔνθα καὶ ἔνθα πολυπλανέεσσιν ἐρωαῖς πυκνὰ περὶ κροτάφοισι τινασσομένοιο καρήνου· 610καὶ κεφαλὴν ἔκλινεν ἐρειδομένην σχεδὸν ὤμῳ· εὗδε δʼ ὑπὲρ δαπέδοιο τανυπτόρθῳ παρὰ δένδρῳ παρθενίην ἀφύλακτον ἐπιτρέψασα χαμεύνῃ.

“She spoke, and went stumbling on her way. She moved this way and that way with erring motions, her brow shook with throbbing temples, her head leaned and lay on her shoulder, she fell asleep on the ground beside a tallbranching tree and entrusted to the bare earth her maidenhood unguarded.

613καὶ πυρόεις βαρύγουνον Ἔρως δεδοκημένος Αὔρην οὐρανόθεν κατέπαλτο, γαληναίῳ δὲ προσώπῳ 615μειδιόων ἀγόρευεν, ὁμοφρονέων Διονύσῳ·

When fiery Eros beheld Aura stumbling heavyknee, he leapt down from heaven, and smiling with peaceful countenance spoke to Dionysos with full sympathy :

616Ἀγρώσσεις, Διόνυσε· μένει δέ σε παρθένος Αὔρη.

“Are you for a hunt, Dionysos ? Virgin Aura awaits you !

617ὥς εἰπὼν ἐς Ὄλυμπον ἐπείγετο, καὶ πτερὰ πάλλων εἰαρινοῖς πετάλοισιν ἐχάζετο τοῦτο χαράξας· νυμφίε, λέκτρα τέλεσσον, ἕως ἔτι παρθένος εὕδει· 620σιγῇ ἐφʼ ἡμείων, μὴ παρθένον ὕπνος ἐάσῃ. καί μιν ἰδὼν Ἰόβακχος ἐπʼ ἀστρώτοιο χαμεύνης

With these words, he made haste away to Olympos flapping his wings, but first he had inscribed on the spring petals — “Bridegroom, complete your marriage while the maiden is still asleep; and let us be silent that sleep may not leave the maiden.”

622νυμφιδίου Ληθαῖον ἀμεργομένην πτερὸν Ὕπνου, ἄψοφος ἀκροτάτοισιν ἀσάμβαλος ἴχνεσιν ἕρπων κωφὸν ἀφωνήτοιο μετήιε δέμνιον Αὔρης· 625χειρὶ δὲ φειδομένῃ γλαφυρὴν ἀπέθηκε φαρέτρην παρθενικῆς, καὶ τόξα κατέκρυφε κοιλάδι πέτρῃ, μή μιν ὀιστεύσειε τιναξαμένη πτερὸν Ὕπνου· καὶ δεσμοῖς ἀλύτοισι πόδας σφηκώσατο κούρης, καὶ παλάμαις ἑλικηδὸν ἐπεσφρηγίσσατο σειρήν, 630μή μιν ἀλυσκάζειεν· ἐπιστορέσας δὲ κονίῃ παρθενικὴν βαρύυπνον ἑτοιμοτάτην Ἀφροδίτῃ αὔρης ὑπναλέης γαμίην ἔκλεψεν ὀπώρην. καὶ πόσις ἦν ἀνάεδνος· ὑπὲρ δαπέδοιο δὲ δειλὴ οἰνοβαρὴς ἀτίνακτος ἐνυμφεύθη Διονύσῳ· 635καὶ σκιεραῖς πτερύγεσσι περισφίγγων δέμας Αὔρης ὕπνος ἔην Βάκχοιο γαμοστόλος, ὅττι καὶ αὐτὸς πειρήθη Παφίης, καὶ ὁμόζυγός ἐστι Σελήνης, καὶ νυχίης φιλότητος ὁμόστολός ἐστιν Ἐρώτων· καὶ γάμος ὡς ὄναρ ἔσκε. πολυσκάρθμῳ δὲ χορείῃ 640εἰς χορὸν αὐτοέλικτον ἀνεσκίρτησε κολώνη, ἡμιφανὴς δʼ ἐδόνησεν Ἁμαδρυὰς ἥλικα πεύκην· μούνη δʼ ἦν ἀχόρευτος ἐν οὔρεσι παρθένος Ἠχώ, αἰδομένη δʼ ἀκίχητος ἐκεύθετο πυθμένι πέτρης, μὴ γάμον ἀθρήσειε γυναιμανέος Διονύσου. 645καὶ τελέσας ὑμέναιον ἀδουπήτων ἐπὶ λέκτρων

Then Iobacchos seeing her on the bare earth, plucking the Lethaean feather of bridal Sleep, he crept up noiseless, unshod, on tiptoe, and approached Aura where she lay without voice or hearing. With gentle hand he put away the girl’s neat quiver and hid the bow in a hole in the rock, that she might not shake off Sleep’s wing and shoot him. Then he tied the girl’s feet together with indissoluble bonds, and passed a cord round and round her hands that she might not escape him : he laid the maiden down in the dust, a victim heavy with sleep ready for Aphrodite, and stole the bridal fruit from Aura asleep. The husband brought no gift ; on the ground that hapless girl heavy with wine, unmoving, was wedded to Dionysos ; Sleep embraced the body of Aura with overshadowing wings, and he was marshal of the wedding for Bacchos, for he also had experience of love, he is yokefellow of the moon, he is companion of the Loves in nightly caresses. So the wedding was like a dream ; for the capering dances, the hill skipt and leapt of itself, the Hamadryad half-visible shook her agemate fir — only maiden Echo did not join in the mountain dance, but shamefast hid herself unapproachable under the foundations of the rock, that she might not behold the wedding of womanmad Dionysos.

646νυμφίος ἀμπελόεις, πεφυλαγμένον ἴχνος ἀείρας, νύμφης μὲν κύσε χεῖλος ἐπήρατον, ἀκλινέας δὲ λῦσε πόδας καὶ χεῖρας, ἀπὸ σκοπέλου δὲ φαρέτρην χειρὶ λαβὼν καὶ τόξα πάλιν παρακάτθετο νύμφῃ. 650καὶ Σατύρων σχεδὸν ἦλθεν ἔτι πνείων ὑμεναίων, ὑπναλέης ἀνέμοισιν ἐπιτρέψας λέχος Αὔρης. νύμφη δʼ ἐκ φιλότητος ἀνέδραμε· λυσιμελῆ δὲ

When the vinebridegroom had consummated his wedding on that silent bed, he lifted a cautious foot and kissed the bride’s lovely lips, loosed the unmoving feet and hands, brought back the quiver and bow from the rock and laid them beside his bride. He left to the winds the bed of Aura still sleeping, and returned to his Satyrs with a breath of the bridal still about him.

People and places in this passage

English translation by W. H. D. Rouse (1940). Original text: W. H. D. Rouse (ed.), Nonnos, Dionysiaca, Loeb Classical Library 344, 354, 356, London: Heinemann; Cambridge, Mass.: Harvard University Press, 1940-1942 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain (Rouse, Loeb 1940-42: US copyright not renewed; Rouse died 1950; OCR from the Internet Archive scans). Introductions, summaries and notes © GreekMythology.com.