Aristophanes · The Wasps Σφῆκες

Aristophanes, The Wasps 1450–1537: Exodos: Philocleon dances against the tragedians

The chorus sing of the old man's change of life, and Xanthias reports that he is dancing mad. Philocleon challenges all tragedians to dance against him, and the sons of the poet Carcinus, called crabs, come on one after another to compete, while the chorus make room and lead the play out in a dance.

Lines 1450–1537 · 622 words · click a number to copy its link

CHORUS

1450ζηλῶ γε τῆς εὐτυχίας τὸν πρέσβυν οἷ μετέστη ξηρῶν τρόπων καὶ βιοτῆς· ἕτερα δὲ νῦν ἀντιμαθὼν ἦ μέγα τι μεταπεσεῖται 1455ἐπὶ τὸ τρυφῶν καὶ μαλακόν. τάχα δʼ ἂν ἴσως οὐκ ἐθέλοι. τὸ γὰρ ἀποστῆναι χαλεπὸν φύσεος, ἣν ἔχοι τις ἀεί. καίτοι πολλοὶ ταῦτʼ ἔπαθον· 1460ξυνόντες γνώμαις ἑτέρων μετεβάλοντο τοὺς τρόπους. πολλοῦ δʼ ἐπαίνου παρʼ ἐμοὶ καὶ τοῖσιν εὖ φρονοῦσιν

I envy much his fortune As he changes from his dry Ungenial life and manners, Another path to try. Now all to soft indulgence His eager soul will take, And yet perchance it will not, For, ah! ’tis hard to break From all your lifelong habits; Yet some the change have made, With other minds consorting, By other counsels swayed.

Χορός 1464τυχὼν ἄπεισιν διὰ τὴν 1465φιλοπατρίαν καὶ σοφίαν ὁ παῖς ὁ Φιλοκλέωνος. οὐδενὶ γὰρ οὕτως ἀγανῷ ξυνεγενόμην, οὐδὲ τρόποις ἐπεμάνην οὐδʼ ἐξεχύθην. 1470τί γὰρ ἐκεῖνος ἀντιλέγων οὐ κρείττων ἦν, βουλόμενος τὸν φύσαντα σεμνοτέροις κατακοσμῆσαι πράγμασιν; Ξανθίας νὴ τὸν Διόνυσον ἄπορά γʼ ἡμῖν πράγματα 1475δαίμων τις ἐσκεκύκληκεν ἐς τὴν οἰκίαν. ὁ γὰρ γέρων ὡς ἔπιε διὰ πολλοῦ χρόνου ἤκουσέ τʼ αὐλοῦ, περιχαρὴς τῷ πράγματι ὀρχούμενος τῆς νυκτὸς οὐδὲν παύεται τἀρχαἶ ἐκεῖνʼ οἷς Θέσπις ἠγωνίζετο· 1480καὶ τοὺς τραγῳδούς φησιν ἀποδείξειν κρόνους τοὺς νῦν διορχησάμενος ὀλίγον ὕστερον. Φιλοκλέων τίς ἐπʼ αὐλείοισι θύραις θάσσει; Ξανθίας τουτὶ καὶ δὴ χωρεῖ τὸ κακόν. Φιλοκλέων κλῇθρα χαλάσθω τάδε. καὶ δὴ γὰρ 1485σχήματος ἀρχὴ — Ξανθίας μᾶλλον δέ γʼ ἴσως μανίας ἀρχή. Φιλοκλέων πλευρὰν λυγίσαντος ὑπὸ ῥώμης· οἶον μυκτὴρ μυκᾶται καὶ σφόνδυλος ἀχεῖ. Ξανθίας πῖθʼ ἑλλέβορον. Φιλοκλέων 1490πτήσσει Φρύνιχος ὥς τις ἀλέκτωρ—

CHORUS For filial love and genius In this affair has won. Such sweet and gracious manners I never saw before, Nor ever with such fondness My doting heart gushed o’er. Where proved he not the victor In all this wordy strife, Seeking to raise his father To higher paths of life?

XANTHIAS O Dionysus! here’s a pretty mess Into our house some power has whirligigged. Soon as the old man heard the pipe, and drank The long untasted wine, he grew so merry He won’t stop dancing all the whole night through Those strange old dances such as Thespis taught; And your new bards he’ll prove old fools, he says, Dancing against them in the lists directly.

PHILOCLEON Who sits, who waits at the entrance gates?

XANTHIAS More and more is this evil advancing!

PHILOCLEON Be the bolts undone, we have just begun; This, this is the first evolution of dancing.

XANTHIAS First evolution of madness, I think.

PHILOCLEON With the strong contortion the ribs twist round, And the nostril snorts, and the joints resound, And the tendons crack.

XANTHIAS O, hellebore drink!

PHILOCLEON Cocklike, Phrynichus crouches and cowers,

Ξανθίας 1491τάχα βαλλήσεις. Φιλοκλέων σκέλος οὐράνιόν γʼ ἐκλακτίζων. πρωκτὸς χάσκει. Ξανθίας κατὰ σαυτὸν ὅρα. Φιλοκλέων νῦν γὰρ ἐν ἄρθροις τοῖς ἡμετέροις 1495στρέφεται χαλαρὰ κοτυληδών. οὐκ εὖ; Βδελυκλέων μὰ Δίʼ οὐ δῆτʼ, ἀλλὰ μανικὰ πράγματα. Φιλοκλέων θέρε νυν ἀνείπω κἀνταγωνιστὰς καλῶ. εἴ τις τραγῳδός φησιν ὀρχεῖσθαι καλῶς, ἐμοὶ διορχησόμενος ἐνθάδʼ εἰσίτω. 1500φησίν τις ἢ οὐδείς; Ξανθίας εἶς γʼ ἐκεινοσὶ μόνος. Φιλοκλέων τίς ὁ κακοδαίμων ἐστίν; Ξανθίας υἱὸς Καρκίνου ὁ μέσατος. Φιλοκλέων ἀλλʼ οὗτός γε καταποθήσεται· ἀπολῶ γὰρ αὐτὸν ἐμμελείᾳ κονδύλου. ἐν τῷ ῥυθμῷ γὰρ οὐδέν ἐστʼ. Ξανθίας ἀλλʼ ᾠζυρὲ 1505ἕτερος τραγῳδὸς Καρκινίτης ἔρχεται, ἀδελφὸς αὐτοῦ. Φιλοκλέων νὴ Δίʼ ὠψώνηκʼ ἄρα. Ξανθίας μὰ τὸν Δίʼ οὐδέν γʼ ἄλλο πλήν γε καρκίνους· προσέρχεται γὰρ ἕτερος αὖ τῶν Καρκίνου. Φιλοκλέων τουτὶ τί ἦν τὸ προσέρπον; ὀξὶς ἢ φάλαγξ; Ξανθίας 1510ὁ πινοτήρης οὗτός ἐστι τοῦ γένους, ὁ σμικρότατος, ὃς τὴν τραγῳδίαν ποιεῖ.

XANTHIAS You’ll strike by and by.

PHILOCLEON Then he kicks his leg to the wondering sky,

XANTHIAS O look to yourself, look out, look out.

PHILOCLEON For now in these sinewy joints of ours The cup-like socket is twirled about.

BDELYCLEON It won’t do, by Zeus: ’twon’t do: ’tis downright madness.

PHILOCLEON Come on, I challenge all the world to dance. Now what tragedian thinks he dances well, Let him come in and dance a match with me. Well, is there one, or none?

BDELYCLEON Here’s only one.

PHILOCLEON Who’s he, poor devil?

BDELYCLEON ’Tis the midmost son Of poet Carcinus, the Crabbe.

PHILOCLEON I’ll eat him. ’Sdeath! I’ll destroy him with a knuckle-dance. He’s a born fool at rhythm.

BDELYCLEON Nay, but look here! Here comes a brother crab, another son Of Carcinus.

PHILOCLEON ’Faith, I’ve got crab enough.

BDELYCLEON Nothing but crabs! ’fore Zeus, nothing but crabs! Here creeps a third of Carcinus’s brood.

PHILOCLEON Heyday! what’s this? a vinaigrette, or spider?

BDELYCLEON This is the Pinnoteer, of all the tribe The tiniest crab: a tragic poet too!

Φιλοκλέων 1512ὦ Καρκίνʼ ὦ μακάριε τῆς εὐπαιδίας, ὅσον τὸ πλῆθος κατέπεσεν τῶν ὀρχίλων. ἀτὰρ καταβατέον γʼ ἐπʼ αὐτούς μʼ· ᾠζυρέ, 1515ἅλμην κύκα τούτοισιν, ἢν ἐγὼ κρατῶ. Χορός φέρε νυν ἡμεῖς αὐτοῖς ὀλίγον ξυγχωρήσωμεν ἅπαντες, ἵνʼ ἐφʼ ἡσυχίας ἡμῶν πρόσθεν βεμβικίζωσιν ἑαυτούς. ἄγʼ ὦ μεγαλώνυμα τέκνα τοῦ θαλασσίου θεοῦ, 1520πηδᾶτε παρὰ ψάμαθον καὶ θῖνʼ ἁλὸς ἀτρυγέτου, καρίδων ἀδελφοί· ταχὺν πόδα κυκλοσοβεῖτε, καὶ τὸ Φρυνίχειον 1525ἐκλακτισάτω τις, ὅπως ἰδόντες ἄνω σκέλος ὤζωσιν οἱ θεαταί. στρόβει, παράβαινε κύκλῳ καὶ γάστρισον σεαυτόν, 1530ῥῖπτε σκέλος οὐράνιον· βέμβικες ἐγγενέσθων. καὐτὸς γὰρ ὁ ποντομέδων ἄναξ πατὴρ προσέρπει ἡσθεὶς ἐπὶ τοῖσιν ἑαυτοῦ παισὶ τοῖς τριόρχοις. 1535ἀλλʼ ἐξάγετʼ, εἴ τι φιλεῖτʼ ὀρχούμενοι, θύραζε ἡμᾶς ταχύ· τοῦτο γὰρ οὐδείς πω πάρος δέδρακεν, ὀρχούμενον ὅστις ἀπήλλαξεν χορὸν τρυγῳδῶν.

PHILOCLEON O Carcinus! O proud and happy father! Here’s a fine troop of wrynecks settling down. Well, I must gird me to the fight: and you, Mix pickles for these crabs, in case I beat them.

CHORUS Come draw we aside, and leave them a wide, a roomy and peaceable exercise-ground, That before us therein like tops they may spin, revolving and whirling and twirling around. O lofty-titled sons of the ocean-roving sire, Ye brethren of the shrimps, come and leap On the sand and on the strand of the salt and barren deep. Whisk nimble feet around you; kick out, till all admire, The Phrynichean kick to the sky; That the audience may applaud, as they view your leg on high. On, on, in mazy circles; hit your stomach with your heel Fling legs aloft to heaven, as like spinning-tops you wheel. Your Sire is creeping onward, the Ruler of the Sea, He gazes with delight at his hobby-dancers three. Come, dancing as you are, if you like it, lead away, For never yet, I warrant, has an actor till to-day Led out a chorus, dancing, at the ending of the Play.

People and places in this passage

English translation by Benjamin Bickley Rogers (1924). Original text: Greek text: F. W. Hall and W. M. Geldart (eds.), Aristophanis Comoediae, Oxford Classical Texts, Oxford: Clarendon Press, 1906-1907, as digitised by Perseus. English: Benjamin Bickley Rogers, Aristophanes, vol. I, Loeb Classical Library, London: William Heinemann, and New York: G. P. Putnam's Sons, 1924.

Greek text and translation from the Perseus Digital Library, Tufts University, Greek: CC BY-SA 4.0 (Perseus Digital Library); translation public domain (Rogers). Introductions, summaries and notes © GreekMythology.com.