Aristophanes · The Wasps Σφῆκες

Aristophanes, The Wasps 1265–1325: Choral song and Xanthias's report

The chorus sing a light-hearted song, mocking Amynias and Ariphrades and praising Automenes' sons, and recalling the poet's ill-treatment under Cleon. Xanthias comes out, bruised, to tell how the old man at the dinner got drunk and rowdy, whinnied like a donkey, slapped the slaves and exchanged insults with Lysistratus and Theophrastus, and has now set off on his way home.

Lines 1265–1325 · 526 words · click a number to copy its link

CHORUS

1265πολλάκις δὴ ʼδοξʼ ἐμαυτῷ δεξειὸς πεφυκέναι καὶ σκαιὸς οὐδεπώποτε· ἀλλʼ Ἀμυνίας ὁ Σέλλου μᾶλλον οὑκ τῶν Κρωβύλων,

Often have I deemed myself exceeding bright, acute, and clever, Dull, obtuse, and awkward never. That is what Amynias is, of Curling-borough, Sellus’ son;

CHORUS

1268οὗτος ὅν γʼ ἐγώ ποτʼ εἶδον ἀντὶ μήλου καὶ ῥοᾶς δειπνοῦντα μετὰ Λεωγόρου· 1270πεινῇ γὰρ ᾗπερ Ἀντιφῶν· ἀλλὰ πρεσβεύων γὰρ ἐς Φάρσαλον ᾤχετʼ, εἶτʼ ἐκεῖ μόνος μόνοις τοῖς Πενέσταισι ξυνῆν τοῖς Θετταλῶν, αὐτὸς πενέστης ὢν ἔλαττων οὐδενός. 1275ὦ μακάριʼ Αὐτόμενες ὥς σε μακαρίζομεν, παῖδας ἐφύτευσας ὅτι χειροτεχνικωτάτους· πρῶτα μὲν ἅπασι φίλον ἄνδρα τε σοφώτατον, τὸν κιφαραοιδότατον, ᾧ χάρις ἐφέσπετο· τὸν δʼ ὑποκριτὴν ἕτερον ἀργαλέον ὡς σοφόν· 1280εἶτʼ Ἀριφράδην πολύ τι θυμοσοφικώτατον, ὅντινά ποτʼ ὤμοσε μαθόντα παρὰ μηδενός, ἀλλʼ ἀπὸ σοφῆς φύσεος αὐτόματον ἐκμαθεῖν γλωττοποιεῖν ἐς τὰ πορνεῖʼ εἰσιόνθʼ ἑκάστοτε. […] εἰσί τινες οἵ μʼ ἔλεγον ὡς καταδιηλλάγην, 1285ἡνίκα Κλέων μʼ ὑπετάραττεν ἐπικείμενος † καί με κακίσταις † ἔκνισε· κᾆθʼ ὅτʼ ἀπεδειρόμην, οὑκτὸς ἐγέλων μέγα κεκραγότα θεώμενοι, οὐδὲν ἄρʼ ἐμοῦ μέλον, ὅσον δὲ μόνον εἰδέναι σκωμμάτιον εἴποτέ τι θλιβόμενος ἐκβαλῶ.

Him who now upon an apple and pomegranate dines, I saw At Leogoras’s table Eat as hard as he was able, Goodness, what a hungry maw! Pinched and keen as Antiphon. Once he travelled to Pharsalus, our ambassador to be, There a solitary guest, he Stayed with only the Penestae, Coming from the tribe himself, the kindred tribe, of Penury. Fortunate Automenes, we envy your felicity; Every son of yours is of an infinite dexterity: First the Harper, known to all, and loved of all excessively, Grace and wit attend his steps, and elegant festivity, Next the Actor, shrewd of wit beyond all credibility: Last of all Ariphrades, that soul of ingenuity, He who of his native wit, with rare originality, Hit upon an undiscovered trick of bestiality: All alone, the father tells us, striking out a novel line. Some there are who said that I was reconciled in amity, When upon me Cleon pressed, and made me smart with injury, Currying and tanning me: then as the stripes fell heavily Th’ outsiders laughed to see the sport, and hear me squalling lustily, Caring not a whit for me, but only looking merrily, To know if squeezed and pressed I chanced to drop some small buffoonery.

Χορός 1290ταῦτα κατιδὼν ὑπό τι μικρὸν ἐπιθήκισα· εἶτα νῦν ἐξηπάτησεν ἡ χάραξ τὴν ἄμπελον. Ξανθίας ἰὼ χελῶναι μακάριαι τοῦ δέρματος, καὶ τρὶς μακάριαι τοῦ ʼπὶ ταῖς πλευραῖς τέγους. ὡς εὖ κατηρέψασθε καὶ νουβυστικῶς 1295κεράμῳ τὸ νῶτον ὥστε τὰς πληγὰς στέγειν. ἐγὼ δʼ ἀπόλωλα στιζόμενος βακτηρίᾳ. Χορός τί δʼ ἔστιν ὦ παῖ; παῖδα γάρ, κἂν ᾖ γέρων, καλεῖν δίκαιον ὅστις ἂν πληγὰς λάβῃ. Ξανθίας οὐ γὰρ ὁ γέρων ἀτηρότατον ἄρʼ ἦν κακὸν 1300καὶ τῶν ξυνόντων πολὺ παροινικώτατος; καίτοι παρῆν Ἵππυλλος Ἀντιφῶν Λύκων Λυσίστρατος Θούφραστος οἱ περὶ Φρύνιχον. τούτων ἁπάντων ἦν ὑβριστότατος μακρῷ. εὐθὺς γὰρ ὡς ἐνέπλητο πολλῶν κἀγαθῶν, 1305ἐνήλατʼ ἐσκίρτα ʼπεπόρδει κατεγέλα ὥσπερ καχρύων ὀνίδιον εὐωχημένον κἄτυπτεν ἐμὲ νεανικῶς παῖ παῖ καλῶν. εἶτʼ αὐτὸν ὡς εἶδʼ ᾔκασεν Λυσίστρατος· ἔοικας ὦ πρεσβῦτα νεοπλούτῳ τρυγὶ 1310κλητῆρί τʼ εἰς ἀχυρμὸν ἀποδεδρακότι. ὁ δʼ ἀνακραγὼν ἀντῄκασʼ αὐτὸν πάρνοπι τὰ θρῖα τοῦ τρίβωνος ἀποβεβληκότι, Σθενέλῳ τε τὰ σκευάρια διακεκαρμένῳ. οἱ δʼ ἀνεκρότησαν, πλήν γε Θουφράστου μόνου· 1315οὗτος δὲ διεμύλλαινεν ὡς δὴ δεξιός.

CHORUS Seeing this, I played the ape a little bit undoubtedly. So then, after all, the Vine-pole proved unfaithful to the Vine.

XANTHIAS O lucky tortoises, to have such skins, Thrice lucky for the case upon your ribs: How well and cunningly your backs are roofed With tiling strong enough to keep out blows: Whilst I, I’m cudgelled and tattooed to death.

CHORUS How now, my boy? for though a man be old, Still, if he’s beaten, we may call him boy.

XANTHIAS Was not the old man the most outrageous nuisance, Much the most drunk and riotous of all? And yet we’d Lycon, Antiphon, Hippyllus, Lysistratus, Theophrastus, Phrynichus; But he was far the noisiest of the lot. Soon as he’d gorged his fill of the good cheer, He skipped, he leapt, and laughed, and frisked, and whinnied, Just like a donkey on a feed of corn: And slapped me youthfully, calling Boy! Boy! So then Lysistratus compared him thus: Old man, says he, you’re like new wine fermenting, Or like a sompnour, scampering to its bran. But he shrieked back, And you, you’re like a locust That has just shed the lappets of its cloak, Or Sthenelus, shorn of his goods and chattels. At this all clapped, save Theophrast; but he Made a wry face, being forsooth a wit.

XANTHIAS

1316ὁ γέρων δὲ τὸν Θούφραστον ἤρετʼ· ʼεἰπέ μοι, ἐπὶ τῷ κομᾷς καὶ κομψὸς εἶναι προσποιεῖ, κωμῳδολοιχῶν περὶ τὸν εὖ πράττοντʼ ἀεί;ʼ τοιαῦτα περιύβριζεν αὐτοὺς ἐν μέρει, 1320σκώπτων ἀγροίκως καὶ προσέτι λόγους λέγων ἀμαθέστατʼ οὐδὲν εἰκότας τῷ πράγματι. ἔπειτʼ ἐπειδὴ ʼμέθυεν, οἴκαδʼ ἔρχεται τύπτων ἅπαντας, ἤν τις αὐτῷ ξυντύχῃ. ὁδὶ δὲ καὶ δὴ σφαλλόμενος προσέρχεται. 1325ἀλλʼ ἐκποδὼν ἄπειμι πρὶν πληγὰς λαβεῖν.

And pray, the old man asked him, what makes you Give yourself airs, and think yourself so grand, You grinning flatterer of the well-to-do? Thus he kept bantering every guest in turn, Making rude jokes, and telling idle tales, In clownish fashion, relevant to nothing. At last, well drunk, homeward he turns once more, Aiming a blow at every one he meets. Ah! here he’s coming; stumbling, staggering on. Methinks I’ll vanish ere I’m slapped again.

English translation by Benjamin Bickley Rogers (1924). Original text: Greek text: F. W. Hall and W. M. Geldart (eds.), Aristophanis Comoediae, Oxford Classical Texts, Oxford: Clarendon Press, 1906-1907, as digitised by Perseus. English: Benjamin Bickley Rogers, Aristophanes, vol. I, Loeb Classical Library, London: William Heinemann, and New York: G. P. Putnam's Sons, 1924.

Greek text and translation from the Perseus Digital Library, Tufts University, Greek: CC BY-SA 4.0 (Perseus Digital Library); translation public domain (Rogers). Introductions, summaries and notes © GreekMythology.com.