Plutarch · Life of Numa Νομᾶς

Plutarch, Life of Numa 12.1–13.7: Burial rites, the Fetiales, and the Salii with the shield that fell from heaven

Numa has the Pontifices direct burial rites, honouring the goddess Libitina, and sets limits to mourning by age. He founds the Fetiales, who must seek justice before any war, and Plutarch tells the story of Fabius Ambustus and the Gauls. During a pestilence a bronze shield falls from heaven, and on the advice of Egeria and the Muses Numa has eleven copies made by Veturius Mamurius and appoints the Salii to carry them in a leaping dance.

Sections 12.1–13.7 · 1211 words · click a number to copy its link

οἱ δὲ Ποντίφικες καὶ τὰ περὶ τὰς ταφὰς πάτρια τοῖς χρῄζουσιν ἀφηγοῦνται, Νομᾶ διδάξαντος μηδὲν ἡγεῖσθαι μίασμα τῶν τοιούτων, ἀλλὰ καὶ τοὺς ἐκεῖ θεοὺς σέβεσθαι τοῖς νενομισμένοις, ὡς τὰ κυριώτατα τῶν ἡμετέρων ὑποδεχομένους ἐξαιρέτως δὲ τὴν προσαγορευομένην Λιβίτιναν, ἐπίσκοπον τῶν περὶ τοὺς θνήσκοντας ὁσίων θεὸν οὖσαν, εἴτε Περσεφόνην εἴτε μᾶλλον, ὡς οἱ λογιώτατοι Ῥωμαίων ὑπολαμβάνουσιν, Ἀφροδίτην, οὐ κακῶς εἰς μιᾶς δύναμιν θεοῦ τὰ περὶ τὰς γενέσεις καὶ τὰς τελευτὰς ἀνάπτοντες.

The Pontifices also explain and direct the ancestral rites of burial for those who desire it, and they were taught by Numa not to regard any such offices as a pollution, but to honour the gods below also with the customary rites, since they receive into their keeping the most sovereign part of us, and particularly the goddess called Libitina, who presides over the solemn services for the dead, whether she is Proserpina, or, as the most learned Romans maintain, Venus; thereby not inaptly connecting man’s birth and death with the power of one and the same goddess.

αὐτὸς δὲ καὶ τὰ πένθη καθʼ ἡλικίας καὶ χρόνους ἔταξεν οἷον παῖδα μὴ πενθεῖν νεώτερον τριετοῦς, μηδὲ πρεσβύτερον πλείονας μῆνας ὧν ἐβίωσεν ἐνιαυτῶν μέχρι τῶν δέκα, καὶ περαιτέρω μηδεμίαν ἡλικίαν, ἀλλὰ τοῦ μακροτάτου πένθους χρόνον εἶναι δεκαμηνιαῖον, ἐφʼ ὅσον καὶ χηρεύουσιν αἱ τῶν ἀποθανόντων γυναῖκες, ἡ δὲ πρότερον γαμηθεῖσα βοῦν ἐγκύμονα κατέθυεν ἐκείνου νομοθετήσαντος.

Numa himself also regulated the periods of mourning according to ages. For instance, over a child of less than three years there was to be no mourning at all; over one older than that, the mourning was not to last more months than it had lived years, up to ten; and no age was to be mourned longer than that, but ten months was the period set for the longest mourning. This is also the period during which women who have lost their husbands remain in widowhood, and she who took another husband before this term was out, was obliged by the laws of Numa to sacrifice a cow with calf.

πολλὰς δὲ καὶ ἄλλας Νομᾶ καταδείξαντος ἱερωσύνας ἔτι δυεῖν μνησθήσομαι, τῆς τε Σαλίων καὶ τῆς τῶν Φιτιαλέων, αἱ μάλιστα τὴν εὐσέβειαν τοῦ ἀνδρὸς ἐμφαίνουσιν. οἱ μὲν γάρ Φιτιαλεῖς εἰρηνοφύλακές τινες ὄντες, ὡς δ’ ἐμοὶ δοκεῖ, καὶ τοὔνομα λαβόντες ἀπὸ τῆς πράξεως, λόγῳ τὰ νείκη κατέπαυον, οὐκ ἐῶντες στρατεύειν πρότερον ἢ πᾶσαν ἐλπίδα δίκης ἀποκοπῆναι.

Numa also established many other orders of priesthood, of which I shall mention two, besides, those of the Salii and the Fetiales, which more than any others give evidence of the man’s reverent piety. The Fetiales were guardians of peace, so to speak, and in my opinion took their name from their office, which was to put a stop to disputes by oral conference, or parley and they would not suffer a hostile expedition to be made before every hope of getting justice had been cut off.

καὶ γὰρ εἰρήνην Γ? Ἕλληνες καλοῦσιν ὅταν λόγῳ, μὴ βίᾳ, πρὸς ἀλλήλους χρώμενοι λύσωσι τὰς διαφοράς, οἱ δὲ Ῥωμαίων Φιτιαλεῖς πολλάκις μὲν ἐβάδιζον ὡς τοὺς ἀδικοῦντας αὐτοὶ πείθοντες εὐγνωμονεῖν· ἀγνωμονούντων δὲ μαρτυράμενοι θεούς, καὶ κατευξάμενοι πολλὰ καὶ δεινὰ καθʼ αὑτῶν αὐτοὶ καὶ τῆς πατρίδος εἰ μὴ δικαίως ἐπεξίασιν, οὕτω κατήγγελλον αὐτοῖς τὸν πόλεμον.

For the Greeks call it peace when two parties settle their quarrels by mutual conference, and not by violence. And the Roman Fetiales often went to those who were doing them a wrong and made personal appeals for fair treatment; but if the unfair treatment continued, they called the gods to witness, invoked many dreadful evils upon themselves and their country in case they resorted to hostilities unjustly, and so declared war upon them.

κωλυόντων δὲ τούτων ἢ μὴ συναινούντων, οὔτε στρατιώτῃ θεμιτὸν οὔτε βασιλεῖ Ῥωμαίων ὅπλα κινεῖν, ἀλλὰ παρὰ τούτων ἔδει τὴν ἀρχὴν τοῦ πολέμου δεξάμενον ὡς δικαίου τὸν ἄρχοντα, τότε σκοπεῖν περὶ τοῦ συμφέροντος, λέγεται δὲ καὶ τὸ Κελτικὸν ἐκεῖνο πάθος τῇ πόλει γενέσθαι τούτων τῶν ἱερέων παρανομηθέντων.

But if they forbade it or withheld their consent, neither soldier nor king of Rome could lawfully take up arms. War had to begin with their verdict that it was just, and the ruler, on receiving this verdict, must then deliberate on the proper way to wage it. And it is said that the dreadful disaster which the city experienced at the hands of the Gauls was in consequence of the illegal treatment of these priests.

ἔτυχον μὲν γὰρ οἱ βάρβαροι Κλουσίνους πολιορκοῦντες· ἐπέμφθη δὲ πρεσβευτὴς Φάβιος Ἄμβουστος εἰς τὸ στρατόπεδον διαλύσεις πράξων ὑπὲρ τῶν πολιορκουμένων. λαβὼν δὲ ἀποκρίσεις οὐκ ἐπιεικεῖς καὶ πέρας σχεῖν αὑτῷ τὴν πρεσβείαν οἰόμενος, ἐνεανιεύσατο πρὸ τῶν Κλουσίνων ὅπλα λαβὼν προκαλέσασθαι τὸν ἀριστεύοντα τῶν βαρβάρων.

For when the Barbarians were besieging Clusium, Fabius Ambustus was sent from Rome to their camp to bring about a cessation of hostilities on behalf of the besieged. But on receiving an unseemly answer, he thought his office of ambassador was at an end, and committed the youthful folly of taking up arms for the Clusians and challenging the bravest of the Barbarians to single combat.

τὰ μὲν οὖν τῆς μάχης εὐτυχεῖτο καὶ καταβαλὼν ἐσκύλευσε τὸν ἄνδρα γνωρίσαντες δὲ οἱ Κελτοὶ πέμπουσιν εἰς Ῥώμην κήρυκα τοῦ Φαβίου κατηγοροῦντες ὡς ἐκσπόνδου καὶ ἀπίστου καὶ ἀκατάγγελτον ἐξενηνοχότος πρὸς αὐτοὺς πόλεμον. ἐνταῦθα τὴν μὲν σύγκλητον οἱ Φιτιαλεῖς ἔπειθον ἐκδιδόναι τὸν ἄνδρα τοῖς Κελτοῖς, καταφυγὼν δὲ ἐκεῖνος εἰς τοὺς πολλοὺς καὶ τῷ δήμῳ σπουδάζοντι χρησάμενος διεκρούσατο τὴν δίκην. μετʼ ὀλίγον δὲ ἐπελθόντες οἱ Κελτοὶ τὴν Ῥώμην πλὴν τοῦ Καπιτωλίου διεπόρθησαν. ἀλλὰ ταῦτα μὲν ἐν τοῖς περὶ Καμίλλου μᾶλλον ἀκριβοῦται.

Fabius fought successfully, unhorsed his adversary, and stripped him of his armour. But when the Gauls discovered who he was, they sent a herald to Rome denouncing Fabius for violating a truce, breaking his oath, and fighting against them before war was formally declared. At Rome the Fetiales tried to persuade the senate to deliver Fabius into the hands of the Gauls, but he took refuge with the multitude, and through the favour of the populace evaded his punishment. After a little, therefore, the Gauls came up and sacked Rome, with the exception of the Capitol. But this story is more fully given in my Life of Camillus.

τοὺς δὲ Σαλίους ἱερεῖς ἐκ τοιαύτης λέγεται συστήσασθαι προφάσεως. ἔτος ὄγδοον αὐτοῦ βασιλεύοντος λοιμώδης νόσος περιϊοῦσα τὴν Ἰταλίαν ἐστρόβησε καὶ τὴν Ῥώμην. ἀθυμούντων δὲ τῶν ἀνθρώπων ἱστορεῖται χαλκῆν πέλτην ἐξ οὐρανοῦ καταφερομένην εἰς τὰς Νομᾶ πεσεῖν χεῖρας. ἐπὶ δὲ αὐτῇ θαυμάσιόν τινα λόγον λέγεσθαι ὑπὸ τοῦ βασιλέως, ὃν Ἠγερίας τε καὶ τῶν Μουσῶν πυθέσθαι.

The priesthood of the Salii Numa is said to have been established for the following reason. In the eighth year of his reign a pestilence, which traversed Italy, distracted Rome also. The story goes that while the people were disheartened by this, a bronze buckler fell from heaven, which came into the hands of Numa, and a wonderful account of it was given by the king, which he learned from Egeria and the Muses.

τὸ μὲν γάρ ὅπλον ἥκειν ἐπὶ σωτηρίᾳ τῆς πόλεως, καὶ δεῖν αὐτὸ φρουρεῖσθαι γενομένων ἄλλων ἕνδεκα καὶ σχῆμα καὶ μέγεθος καὶ μορφὴν ἐκείνῳ παραπλησίων, ὅπως ἄπορον εἴη τῷ κλέπτῃ διʼ ὁμοιότητα τοῦ διοπετοῦς ἐπιτυχεῖν ἔτι δὲ χρῆναι Μούσαις καθιερῶσαι τὸ χωρίον ἐκεῖνο καὶ τοὺς περὶ αὐτὸ λειμῶνας, ὅπου τὰ πολλὰ φοιτῶσαι συνδιατρίβουσιν αὐτῷ. τὴν δὲ πηγὴν ἣ κατάρδει τὸ χωρίον, ὕδωρ ἱερὸν ἀποδεῖξαι ταῖς Ἑστιάσι παρθένοις, ὅπως λαμβάνουσαι καθʼ ἡμέραν ἁγνίζωσι καὶ ῥαίνωσι τὸ ἀνάκτορον.

The buckler came, he said, for the salvation of the city, and must be carefully preserved by making eleven others of like fashion, size, and shape, in order that the resemblance between them might make it difficult for a thief to distinguish the one that fell from heaven. He said further that the spot where it fell, and the adjacent meadows, where the Muses usually had converse with him, must be consecrated to them; and that the spring which watered the spot should be declared holy water for the use of the Vestal virgins, who should daily sprinkle and purify their temple with it.

τούτοις μὲν οὖν μαρτυρῆσαι λέγουσι καὶ τὰ τῆς νόσου παραχρῆμα παυσάμενα. τὴν δὲ πέλτην προθέντος αὐτοῦ καὶ κελεύσαντος ἁμιλλᾶσθαι τοὺς τεχνίτας ὑπὲρ τῆς ὁμοιότητος, τοὺς μὲν ἄλλους ἀπειπεῖν, Οὐετούριον δὲ Μαμούριον ἕνα α τῶν ἄκρων δημιουργῶν οὕτως ἐφικέσθαι τῆς ἐμφερείας, καὶ κατασκευάσαι πάσας ὁμοίας, ὥστε μηδʼ αὐτὸν ἔτι τὸν Νομᾶν διαγινώσκειν. τούτων οὖν φύλακας καὶ ἀμφιπόλους ἀπέδειξε τοὺς Σαλίους ἱερεῖς.

Moreover, they say that the truth of all this was attested by the immediate cessation of the pestilence. When Numa showed the buckler to the artificers and bade them do their best to make others like it, they all declined, except Veturius Mamurius, a most excellent workman, who was so happy in his imitation of it, and made all the eleven so exactly like it, that not even Numa himself could distinguish them. For the watch and care of these bucklers, then, he appointed the priesthood of the Salii.

σάλιοι δὲ ἐκλήθησαν, οὐχ, ὡς ἔνιοι μυθολογοῦσι, Σαμόθρᾳκος ἀνδρὸς ἢ Μαντινέως, ὄνομα Σαλίου, πρώτου τὴν ἐνόπλιον ἐκδιδάξαντος ὄρχησιν, ἀλλὰ μᾶλλον ἀπὸ τῆς ὀρχήσεως αὐτῆς, ἁλτικῆς οὔσης, ἣν ὑπορχοῦνται διαπορευόμενοι τὴν πόλιν, ὅταν τὰς ἱερὰς πέλτας ἀναλάβωσιν ἐν τῷ Μαρτίῳ μηνί, φοινικοῦς μὲν ἐνδεδυμένοι χιτωνίσκους, μίτραις δὲ χαλκαῖς ἐπεζωσμένοι πλατείαις καὶ κράνη χαλκᾶ φοροῦντες, ἐγχειριδίοις δὲ μικροῖς τὰ ὅπλα κρούοντες.

Now the Salii were so named, not, as some tell the tale, from a man of Samothrace or Mantinea, named Salius, who first taught the dance in armour; but rather from the leaping which characterized the dance itself. This dance they perform when they carry the sacred bucklers through the streets of the city in the month of March, clad in purple tunics, girt with broad belts of bronze, wearing bronze helmets on their heads, and carrying small daggers with which they strike the shields.

ἡ δὲ ἄλλη τῆς ὀρχήσεως ποδῶν ἔργον ἐστί· κινοῦνται γάρ ἐπιτερπῶς, ἑλιγμούς τινας καὶ μεταβολὰς ἐν ῥυθμῷ τάχος ἔχοντι καὶ πυκνότητα μετὰ ῥώμης καὶ κουφότητος ἀποδιδόντες.

αὐτὰς ς δὲ τὰς πέλτας ἀγκύλια καλοῦσι διὰ τὸ σχῆμα· κύκλος γάρ οὐκ ἔστιν οὐδὲ ἀποδίδωσιν, ὡς πέλτη, τὴν περιφέρειαν, ἀλλʼ ἐκτομὴν ἔχει γραμμῆς ἑλικοειδοῦς, ἧς αἱ κεραῖαι καμπὰς ἔχουσαι καὶ συνεπιστρέφουσαι τῇ πυκνότητι πρὸς ἀλλήλας ἀγκύλον τὸ σχῆμα ποιοῦσιν·

But the dance is chiefly a matter of step; for they move gracefully, and execute with vigour and agility certain shifting convolutions, in quick and oft-recurring rhythm. The bucklers themselves are called ancilia, from their shape; for this is not round, nor yet completely oval, like that of the regular shield, but has a curving indentation, the arms of which are bent back and united with each other at top and bottom this makes the shape ancylon, the Greek for curved.

ἢ διὰ τὸν ἀγκῶνα περὶ ὃν περιφέρονται, ταῦτα γάρ ὁ Ἰόβας εἴρηκε γλιχόμενος ἐξελληνίσαι τοὔνομα. δύναιτο δὲ ἂν τῆς ἀνέκαθεν φορᾶς πρῶτον ἐπώνυμον γεγονέναι, καὶ τῆς ἀκέσεως τῶν νοσούντων, καὶ τῆς τῶν αὐχμῶν λύσεως, ἔτι δὲ τῆς τῶν δεινῶν ἀνασχέσεως, καθʼ ὃ καὶ τοὺς Διοσκούρους Ἄνακας Ἀθηναῖοι προσηγόρευσαν, εἴ γε δεῖ πρὸς τὴν Ἑλληνικὴν διάλεκτον ἐξάγειν τοὔνομα.

Or, they are named from the elbow on which they are carried, which, in Greek, is ankon. This is what Juba says, who is bent on deriving the name from the Greek. But the name may come from the Greek anekathen, inasmuch as the original shield fell from on high; or from akesis, because it healed those who were sick of the plague; or from auchmon lysis, because it put an end to the drought; or, further, from anaschesis, because it brought a cessation of calamities, just as Castor and Pollux were called Anakes by the Athenians; if, that is, we are bound to derive the name from the Greek.

τῷ δὲ Μαμουρίῳ λέγουσι μισθὸν γενέσθαι τῆς τέχνης ἐκείνης μνήμην τινὰ διʼ ᾠδῆς ὑπὸ τῶν Σαλίων ἅμα τῇ πυρρίχῃ διαπεραινομένης. οἱ δὲ οὐ Οὐετούριον Μαμούριον εἶναί φασι τὸν ᾀδόμενον, ἀλλὰ οὐετέρεμ μεμορίαμ, ὅπερ ἐστί, παλαιὰν μνήμην.

We are told that Mamertius was rewarded for his wonderful art by having his name mentioned in a song which the Salii sing as they perform their war-dance. Some, however, say that the song does not commemorate Veturius Mamurius, but veterem memoriam, that is to say, ancient remembrance.

People and places in this passage

English translation by Bernadotte Perrin (1914). Original text: Bernadotte Perrin (ed. and trans.), Plutarch's Lives, vol. 1, Loeb Classical Library, Cambridge, MA: Harvard University Press; London: William Heinemann, 1914 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Life of Numa 12.1–13.7: Burial rites, the Fetiales…