Plutarch · Life of Numa Νομᾶς

Plutarch, Life of Numa 8.1–10: Numa tames Rome through religion; Pythagoras and the Muse Tacita

Numa sets out to soften a warlike city by sacrifices, processions and sacred dances, and sometimes by spreading fear of the gods. Plutarch connects his practice with the teaching of Pythagoras, noting that Numa forbade images of the gods in the form of man or beast and that most sacrifices were bloodless. He also tells of the honour paid to the Muse Tacita, and cites evidence for Numa's acquaintance with Pythagoras while remarking that the matter is much disputed.

Sections 8.1–10 · 836 words · click a number to copy its link

ταῦτα δὲ ὁ Νομᾶς ἐπʼ εὐνοίᾳ καὶ χάριτι τοῦ δήμου πολιτευσάμενος εὐθὺς ἐπεχείρει τὴν πόλιν, ὥσπερ σίδηρον, ἐκ σκληρᾶς καὶ πολεμικῆς μαλακωτέραν ποιῆσαι καὶ δικαιοτέραν. ἀτεχνῶς γὰρ ἣν Πλάτων ἀποκαλεῖ φλεγμαίνουσαν πόλιν ἐκείνη τότʼ ἦν, συστᾶσα μὲν εὐθὺς ἐξ ἀρχῆς τόλμῃ τινὶ καὶ παραβόλῳ θρασύτητι τῶν θρασυτάτων καὶ μαχιμωτάτων ἐκεῖ πανταχόθεν ὠσαμένων,

After taking such measures to secure the goodwill and favour of the people, Numa straightway attempted to soften the city, as iron is softened in the fire, and change its harsh and warlike temper into one of greater gentleness and justice. For if a city was ever in what Plato calls a feverish state, Rome certainly was at that time. It was brought into being at the very outset by the excessive daring and reckless courage of the boldest and most warlike spirits, who forced their way thither from all parts,

ταῖς δὲ πολλαῖς στρατείαις καὶ τοῖς συνεχέσι πολέμοις τροφῇ χρησαμένη καὶ αὐξήσει τῆς δυνάμεως, καὶ καθάπερ τὰ καταπηγνύμενα τῷ σείεσθαι μᾶλλον ἑδράζεται, ῥώννυσθαι δοκοῦσα διὰ τῶν κινδύνων, οὕτω δὴ μετέωρον καὶ τετραχυμένον δῆμον οὐ μικρᾶς οὐδὲ φαύλης οἰόμενος εἶναι πραγματείας μεταχειρίσασθαι καὶ μετακοσμῆσαι πρὸς εἰρήνην, ἐπηγάγετο τὴν ἀπὸ τῶν θεῶν βοήθειαν,

and in its many expeditions and its continuous wars it found nourishment and increase of its power; and just as what is planted in the earth gets a firmer seat the more it is shaken, so Rome seemed to be made strong by its very perils. And therefore Numa, judging it to be no slight or trivial undertaking to mollify and newly fashion for peace so presumptuous and stubborn a people, called in the gods to aid and assist him.

τὰ μὲν πολλὰ θυσίαις καὶ πομπαῖς καὶ χορείαις, ἃς αὐτὸς ὠργίασε καὶ κατέστησεν, ἅμα σεμνότητι διαγωγὴν ἐπίχαριν καὶ φιλάνθρωπον ἡδονὴν ἐχούσαις, δημαγωγῶν καὶ τιθασεύων τὸ θυμοειδὲς καὶ φιλοπόλεμον ἔστι δ’ ὅτε καὶ φόβους τινὰς ἀπαγγέλλων παρὰ τοῦ θεοῦ καὶ φάσματα δαιμόνων ἀλλόκοτα καὶ φωνὰς οὐκ εὐμενεῖς, ἐδούλου καὶ ταπεινὴν ἐποίει τὴν διάνοιαν αὐτῶν ὑπὸ δεισιδαιμονίας.

It was for the most part by sacrifices, processions, and religious dances, which he himself appointed and conducted, and which mingled with their solemnity a diversion full of charm and a beneficent pleasure, that he won the people’s favour and tamed their fierce and warlike tempers. At times, also, by heralding to them vague terrors from the god, strange apparitions of divine beings and threatening voices, he would subdue and humble their minds by means of superstitious fears.

ἐξ ὧν καὶ μάλιστα λόγον ἔσχεν ἡ σοφία καὶ ἡ παίδευσις τοῦ ἀνδρός, ὡς Πυθαγόρᾳ συγγεγονότος. μέγα γὰρ ἦν μέρος, ὡς ἐκείνῳ τῆς φιλοσοφίας, καὶ τούτῳ τῆς πολιτείας ἡ περὶ τὸ θεῖον ἁγιστεία καὶ διατριβή. λέγεται δὲ καὶ τὸν ἔξωθεν ὄγκον καὶ σχηματισμὸν ἀπὸ τῆς αὐτῆς Πυθαγόρᾳ διανοίας περιβαλέσθαι.

This was the chief reason why Numa’s wisdom and culture were said to have been due to his intimacy with Pythagoras; for in the philosophy of the one, and in the civil polity of the other, religious services and occupations have a large place. It is said also that the solemnity of his outward demeanour was adopted by him because he shared the feelings of Pythagoras about it.

καὶ γάρ ἐκεῖνος ἀετόν τε δοκεῖ πραῦναι, φωναῖς τισιν ἐπιστήσας καὶ καταγαγὼν ὑπεριπτάμενον, τόν τε μηρὸν ὑποφῆναι χρυσοῦν Ὀλυμπίασι διαπορευόμενος τὴν πανήγυριν· ἄλλας τε τερατώδεις μηχανὰς αὐτοῦ καὶ πράξεις ἀναγγέλλουσιν, ἐφʼ αἷς καὶ Τίμων ὁ Φλιάσιος ἔγραψε· Πυθαγόρην δὲ γόητας ἀποκλίνοντʼ ἐπὶ δόξας / θήρῃ ἐπʼ ἀνθρώπων, σεμνηγορίης ὀαριστὴν /

That philosopher, indeed, is thought to have tamed an eagle, which he stopped by certain cries of his, and brought down from his lofty flight; also to have disclosed his golden thigh as he passed through the assembled throngs at Olympia. And we have reports of other devices and performances of his which savoured of the marvellous, regarding which Timon the Phliasian wrote:— Down to a juggler’s level he sinks with his cheating devices, / Laying his nets for men, Pythagoras, lover of bombast. /

τῷ δὲ Νομᾷ δρᾶμα θεᾶς τινος ἢ νύμφης ὀρείας ἔρως ἦν καὶ συνουσία πρὸς αὐτὸν ἀπόρρητος, ὥσπερ εἴρηται, καὶ κοιναὶ μετὰ Μουσῶν διατριβαί. τὰ γὰρ· πλεῖστα τῶν μαντευμάτων εἰς Μούσας ἀνῆγε, καὶ μίαν Μοῦσαν ἰδίως καὶ διαφερόντως ἐδίδαξε σέβεσθαι τοὺς Ῥωμαίους, Τακίταν προσαγορεύσας, οἷον σιωπηλὴν ἢ ἐνεάν· ὅπερ εἶναι δοκεῖ τὴν Πυθαγόρειον ἀπομνημονεύοντος ἐχεμυθίαν καὶ τιμῶντος.

In like manner Numa’s fiction was the love which a certain goddess or mountain nymph bore him, and her secret meetings with him, as already mentioned, and his familiar converse with the Muses. For he ascribed the greater part of his oracular teachings to the Muses, and he taught the Romans to pay especial honours to one Muse in particular, whom he called Tacita, that is, the silent, or speechless one; thereby perhaps handing on and honouring the Pythagorean precept of silence.

ἔστι δὲ καὶ τὰ περὶ τῶν ἀφιδρυμάτων νομοθετήματα παντάπασιν ἀδελφὰ τῶν Πυθαγόρου δογμάτων, οὔτε γὰρ ἐκεῖνος αἰσθητὸν ἢ παθητόν, ἀόρατον δὲ καὶ ἄκτιστον καὶ νοητὸν ὑπελάμβανεν εἶναι τὸ πρῶτον, οὗτός τε διεκώλυσεν ἀνθρωποειδῆ καὶ ζῳόμορφον εἰκόνα θεοῦ Ῥωμαίους νομίζειν. οὐδʼ ἦν παρʼ αὑτοῖς οὔτε γραπτὸν οὔτε πλαστὸν εἶδος θεοῦ πρότερον,

Furthermore, his ordinances concerning images are altogether in harmony with the doctrines of Pythagoras. For that philosopher maintained that the first principle of being was beyond sense or feeling, was invisible and uncreated, and discernible only by the mind. And in like manner Numa forbade the Romans to revere an image of God which had the form of man or beast. Nor was there among them in this earlier time any painted or graven likeness of Deity,

ἀλλʼ ἐν ἑκατὸν ἑβδομήκοντα τοῖς πρώτοις ἔτεσι ναοὺς μὲν οἰκοδομού μεν οι καὶ καλιάδας ἱερὰς ἱστῶντες, ἄγαλμα δὲ οὐδὲν ἔμμορφον ποιούμενοι διετέλουν, ὡς οὔτε ὅσιον ἀφομοιοῦν τὰ βελτίονα τοῖς χείροσιν οὔτε ἐφάπτεσθαι θεοῦ δυνατὸν ἄλλως ἢ νοήσει, κομιδῆ δὲ καὶ τὰ τῶν θυσιῶν ἔχεται τῆς Πυθαγορικῆς ἁγιστείας· ἀναίμακτοι γάρ ἦσαν αἵ γε πολλαί, διʼ ἀλφίτου καὶ σπονδῆς καὶ τῶν εὐτελεστάτων πεποιημέναι.

but while for the first hundred and seventy years they were continually building temples and establishing sacred shrines, they made no statues in bodily form for them, convinced that it was impious to liken higher things to lower, and that it was impossible to apprehend Deity except by the intellect. Their sacrifices, too, were altogether appropriate to the Pythagorean worship; for most of them involved no bloodshed, but were made with flour, drink-offerings, and the least costly gifts.

χωρὶς δὲ τούτων ἑτέροις ἔξωθεν ἐπαγωνίζονται τεκμηρίοις οἱ τὸν ἄνδρα τῷ ἀνδρὶ συνοικειοῦντες. ὧν ἓν μέν ἐστιν ὅτι Πυθαγόραν Ῥωμαῖοι τῇ πολιτείᾳ προσέγραψαν, ὡς ἱστόρηκεν Ἐπίχαρμος ὁ κωμικὸς ἔν τινὶ λόγῳ πρὸς Ἀντήνορα γεγραμμένῳ, παλαιὸς ἀνήρ καὶ τῆς Πυθαγορικῆς διατριβῆς μετεσχηκώς ἕτερον δὲ ὅτι τεσσάρων υἱῶν βασιλεῖ Νομᾷ γενομένων ἕνα Μάμερκον ἐπὶ τῷ Πυθαγόρου παιδὶ προσηγόρευσεν.

And apart from these things, other external proofs are urged to show that the two men were acquainted with each other. One of these is that Pythagoras was enrolled as a citizen of Rome. This fact is recorded by Epicharmus the comic poet, in a certain treatise which he dedicated to Antenor; and Epicharmus was an ancient, and belonged to the school of Pythagoras. Another proof is that one of the four sons born to king Numa was named Mamercus, after the son of Pythagoras.

ἀπʼ ἐκείνου δὲ καὶ τὸν Αἰ μιλίων οἶκον ἀναμιχθέντα τοῖς πατρικίοις ὀνομασθῆναί φασιν, οὕτως ὑποκοριζομένου τοῦ βασιλέως τὴν ἐν τοῖς λόγοις τοῦ ἀνδρὸς αἱμυλίαν καὶ χάριν, αὐτοὶ δ’ ἀκηκόαμεν πολλῶν ἐν Ῥώμῃ διεξιόντων ὅτι χρησμοῦ ποτε Ῥωμαίοις γενομένου τὸν φρονιμώτατον καὶ τὸν ἀνδρειότατον Ἑλλήνων ἱδρύσασθαι παρʼ αὑτοῖς, ἔστησαν ἐπὶ τῆς ἀγορᾶς εἰκόνας χαλκᾶς δύο, τὴν μὲν Ἀλκιβιάδου, τὴν δὲ Πυθαγόρου. ταῦτα μὲν οὖν ἀμφισβητήσεις ἔχοντα πολλὰς καὶ τὸ κινεῖν διὰ μακροτέρων καὶ τὸ πιστοῦσθαι μειρακιώδους ἔστι φιλονεικίας.

And from him they say that the patrician family of the Aemilii took its name, Aemilius being the endearing name which the king gave him for the grace and winsomeness of his speech. Moreover, I myself have heard many people at Rome recount how, when an oracle once commanded the Romans to erect in their city monuments to the wisest and the bravest of the Greeks, they set up in the forum two statues in bronze, one of Alcibiades, and one of Pythagoras. However, since the matter of Numa’s acquaintance with Pythagoras is involved in much dispute, to discuss it at greater length, and to win belief for it, would savour of youthful contentiousness.

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English translation by Bernadotte Perrin (1914). Original text: Bernadotte Perrin (ed. and trans.), Plutarch's Lives, vol. 1, Loeb Classical Library, Cambridge, MA: Harvard University Press; London: William Heinemann, 1914 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Life of Numa 8.1–10: Numa tames Rome through religion