ἔστιν ἐφʼ ἡμῶν ἐν τῇ Μεσσηνίᾳ τῆς νάπης τῆς Χοιρίου στάδια εἴκοσι μάλιστα ἀπέχουσα Ἀβία ἐπὶ θαλάσσῃ πόλις. ταύτην Ἴρην καλεῖσθαι πάλαι καὶ τῶν ἑπτά φασιν εἶναι πόλεων, ἃς Ἀχιλλεῖ πεποίηκεν Ὅμηρος Ἀγαμέμνονα ὑπισχνούμενον. Ὕλλου δὲ καὶ Δωριέων μάχῃ κρατηθέντων ὑπὸ Ἀχαιῶν, ἐνταῦθα Ἀβίαν Γλήνου τοῦ Ἡρακλέους τροφὸν ἀποχωρῆσαι λέγουσιν ἐς τὴν Ἴρην καὶ οἰκῆσαί τε αὐτόθι καὶ Ἡρακλέους ἱερὸν ἱδρύσασθαι, καί οἱ διὰ ταῦτα ὕστερον Κρεσφόντην ἄλλα τε γέρα νεῖμαι καὶ τῇ πόλει μεταθέσθαι τὸ ὄνομα ἀπὸ τῆς Ἀβίας. Ἡρακλεῖον δὲ ἦν αὐτόθι ἐπιφανὲς καὶ Ἀσκληπιεῖον.
Φαραὶ δὲ ἀφεστήκασιν Ἀβίας σταδίους ἑβδομήκοντα, καὶ ὕδωρ κατὰ τὴν ὁδόν ἐστιν ἁλμυρόν· βασιλεὺς δὲ Αὔγουστος τοὺς ἐν Φαραῖς Μεσσηνίους συντελεῖν ἀπέταξεν ἐς τὸ Λακωνικόν. τὸν δὲ οἰκιστὴν Φᾶριν Ἑρμοῦ τε καὶ Φυλοδαμείας λέγουσιν εἶναι τῆς Δαναοῦ· Φάρει δὲ ἄρρενας μὲν οὔ φασι γενέσθαι, θυγατέρα δὲ Τηλεγόνην. τοὺς δὲ ἐφεξῆς ἐγενεαλόγησεν Ὅμηρος ἐν Ἰλιάδι διδύμους Κρήθωνα καὶ Ὀρτίλοχον εἶναι Διοκλεῖ, Διοκλέα δὲ αὐτὸν Ὀρτιλόχου τοῦ Ἀλφειοῦ· τὰ δὲ ἐς Τηλεγόνην παρεῖδεν, αὕτη γὰρ λόγῳ τῷ Μεσσηνίων ἐστὶν ἡ τεκοῦσα Ἀλφειῷ τὸν Ὀρτίλοχον.
καὶ τάδε ἄλλα ἤκουσα ἐν Φαραῖς, Διοκλεῖ θυγατέρα ἐπὶ τοῖς διδύμοις παισὶν Ἀντίκλειαν γενέσθαι, τῆς δὲ Νικόμαχόν τε εἶναι καὶ Γόργασον, πατρὸς δὲ Μαχάονος τοῦ Ἀσκληπιοῦ· τούτους καταμεῖναί τε αὐτοῦ καὶ ὡς ὁ Διοκλῆς ἐτελεύτησε τὴν βασιλείαν ἐκδέξασθαι. διαμεμένηκε δὲ αὐτοῖς καὶ ἐς τόδε ἔτι νοσήματά τε καὶ τοὺς πεπηρωμένους τῶν ἀνθρώπων ἰᾶσθαι· καί σφισιν ἀντὶ τούτων θυσίας ἐς τὸ ἱερὸν καὶ ἀναθήματα ἄγουσιν. ἔστι δὲ καὶ Τύχης ναὸς Φαραιάταις καὶ ἄγαλμα ἀρχαῖον.
πρῶτος δὲ ὧν οἶδα ἐποιήσατο ἐν τοῖς ἔπεσιν Ὅμηρος Τύχης μνήμην· ἐποιήσατο δὲ ἐν ὕμνῳ τῷ ἐς τὴν Δήμητρα ἄλλας τε τῶν Ὠκεανοῦ θυγατέρας καταριθμούμενος, ὡς ὁμοῦ Κόρῃ τῇ Δήμητρος παίζοιεν, καὶ Τύχην ὡς Ὠκεανοῦ καὶ ταύτην παῖδα οὖσαν· καὶ οὕτως ἔχει τὰ ἔπη· ἡμεῖς μὲν μάλα πᾶσαι ἀνʼ ἱμερτὸν λειμῶνα, / Λευκίππη Φαινώ τε καὶ Ἠλέκτρη καὶ Ἰάνθη / Μηλόβοσίς τε Τύχη τε καὶ Ὠκυρόη καλυκῶπις. /
πέρα δὲ ἐδήλωσεν οὐδὲν ἔτι, ὡς ἡ θεός ἐστιν αὕτη μεγίστη θεῶν ἐν τοῖς ἀνθρωπίνοις πράγμασι καὶ ἰσχὺν παρέχεται πλείστην, ὥσπερ γε ἐν Ἰλιάδι ἐποίησεν Ἀθηνᾶν μὲν καὶ Ἐνυὼ πολεμούντων ἡγεμονίαν ἔχειν, Ἄρτεμιν δὲ γυναικῶν ὠδῖσιν εἶναι φοβερὰν, Ἀφροδίτῃ δὲ τὰ ἔργα μέλειν τῶν γάμων. ἀλλʼ οὗτος μὲν οὐδὲν ἄλλο ἐποίησεν ἐς τὴν Τύχην·
Βούπαλος δέ, ναούς τε οἰκοδομήσασθαι καὶ ζῷα ἀνὴρ ἀγαθὸς πλάσαι, Σμυρναίοις ἄγαλμα ἐργαζόμενος Τύχης πρῶτος ἐποίησεν ὧν ἴσμεν πόλον τε ἔχουσαν ἐπὶ τῇ κεφαλῇ καὶ τῇ ἑτέρᾳ χειρὶ τὸ καλούμενον Ἀμαλθείας κέρας ὑπὸ Ἑλλήνων. οὗτος μὲν ἐπὶ τοσοῦτο ἐδήλωσε τῆς θεοῦ τὰ ἔργα· ᾖσε δὲ καὶ ὕστερον Πίνδαρος ἄλλα τε ἐς τὴν Τύχην καὶ δὴ καὶ Φερέπολιν ἀνεκάλεσεν αὐτήν.
There is at present in Messenia a town Abia on the coast, just twenty furlongs from the Choerius glen. They say that of old it was called Ire, and that it was one of the seven towns which Homer makes Agamemnon promise to Achilles. They say that when the Dorians under Hyllus were conquered by the Achaeans, Abia, nurse of Glenus, son of Hercules, went away to Ire and dwelt there, and founded a sanctuary of Hercules, and hence Cresphontes afterwards gave the town a new name after her, and assigned her various other honours. There was a famous sanctuary of Hercules at Abia and another of Aesculapius.
Pharae is seventy furlongs from Abia: there is a salt spring by the way. The Emperor Augustus separated Pharae from Messenia, and attached it to Laconia. They say that its founder Pharis was a son of Hermes and Phylodamia, daughter of Danaus, and that he had a daughter Telegone, but no sons. The family is traced farther down by Homer in the Iliad, who mentions that Diocles had twin sons, Crethon and Ortilochus, and that Diocles himself was a son of Ortilochus, the son of Alpheus. But Homer omits Telegone: she it was, according to the Messenian legend, who bore Ortilochus to Alpheus. I was further told at Pharae, that besides his twin sons Diocles had a daughter Anticlea, who had two sons, Nicomachus and Gorgasus, by Machaon, son of Aesculapius, and these two latter (I was told) remained at Pharae, and when Diocles died they succeeded him in the kingdom. They have retained down to this day the power of healing the sick and the maimed, and in return people bring them sacrifices and votive offerings to the sanctuary. There is also a temple of Fortune at Pharae with an ancient image.
Homer was the first, so far as I know, to mention Fortune. The passage is in the hymn to Demeter, where in the list of the daughters of Ocean who sported with the Maid, the daughter of Demeter, he mentions Fortune as one of Ocean’s daughters. The verses run thus :— We all in the sweet meadow, Leucippe and Phaeno and Electra and Ianthe, And Melobosis and Fortune and Ocyroe, fair as a budding flower. But he adds nothing about her being the mightiest of the divinities, and wielding the greatest influence over human affairs, as in the Iliad he represents Athena and Enyo as paramount in war, Artemis as dreaded by women in childbed, and Aphrodite as busied with marriages. With regard to Fortune, however, he adds not a word.
But Bupalus, a clever architect and sculptor, in making an image of Fortune for the Smyrnaeans, was the first, so far as we know, to represent her with a firmament (polos) on her head, and bearing in one hand what the Greeks call the horn of Amalthea. Thus far he indicated the functions of the goddess. Pindar afterwards sang of Fortune, and in particular he called her Pherepolis (‘city-supporter’).
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