Aristophanes · Lysistrata Λυσιστράτη

Aristophanes, Lysistrata 1189–1320: Exodos: the feast and the closing songs

The chorus invite the audience to a feast. An Athenian and a Spartan come out from the banquet, the worse for drink, and the Spartan sings and dances in honour of his country's gods while the Athenians join in. The choruses close with songs to Artemis and the other gods, and the play ends in a Spartan dance song.

Lines 1189–1320 · 921 words · click a number to copy its link

CHORUS

1189στρωμάτων δὲ ποικίλων καὶ 1190χλανιδίων καὶ ξυστίδων καὶ χρυσίων, ὅσʼ ἐστί μοι, οὐ φθόνος ἔνεστί μοι πᾶσι παρέχειν φέρειν τοῖς παισίν, ὁπόταν τε θυγάτηρ τινὶ κανηφορῇ. πᾶσιν ὑμῖν λέγω λαμβάνειν τῶν ἐμῶν 1195χρημάτων νῦν ἔνδοθεν, καὶ μηδὲν οὕτως εὖ σεσημάν- θαι τὸ μὴ οὐχὶ τοὺς ῥύπους ἀνασπάσαι, χἄττʼ ἂν ἔνδον ᾖ φορεῖν. 1200ὄψεται δʼ οὐδὲν σκοπῶν, εἰ

Gorgeous robes and golden trinkets, Shawls and mantles rich and rare, I will lend to all who need them, Lend for youths to wear, Or if any comrade’s daughter Would the Basket bear. One and all I here invite you, Freely of my goods partake, Nought is sealed so well, but boldly Ye the seals may break, And of all that lurks behind them,

Χορός 1201μή τις ὑμῶν ὀξύτερον ἐμοῦ βλέπει. εἰ δέ τῳ μὴ σῖτος ὑμῶν ἔστι, βόσκει δʼ οἰκέτας καὶ 1205σμικρὰ πολλὰ παιδία, ἔστι παρʼ ἐμοῦ λαβεῖν πυρίδια λεπτὰ μέν, ὁ δʼ ἄρτος ἀπὸ χοίνικος ἰδεῖν μάλα νεανίας. ὅστις οὖν βούλεται τῶν πενήτων ἴτω εἰς ἐμοῦ σάκκους ἔχων καὶ 1210κωρύκους, ὡς λήψεται πυ- ρούς· ὁ Μανῆς δʼ οὑμὸς αὐτοῖς ἐμβαλεῖ. πρός γε μέντοι τὴν θύραν προαγορεύω μὴ βαδίζειν 1215τὴν ἐμήν, ἀλλʼ εὐλαβεῖσθαι τὴν κύνα. Ἀθηναῖος Α ἄνοιγε τὴν θύραν· παραχωρεῖν οὐ θέλεις; ὑμεῖς τί κάθησθε; μῶν ἐγὼ τῇ λαμπάδι ὑμᾶς κατακαύσω; φορτικὸν τὸ χωρίον. οὐκ ἂν ποιήσαιμʼ. εἰ δὲ πάνυ δεῖ τοῦτο δρᾶν, 1220ὑμῖν χαρίσασθαι, προσταλαιπωρήσομεν. Ἀθηναῖος Β χἠμεῖς γε μετὰ σοῦ ξυνταλαιπωρήσομεν. Ἀθηναῖος Α οὐκ ἄπιτε; κωκύσεσθε τὰς τρίχας μακρά.

CHORUS Quick partition make. Only, if you find the treasures, Only, if the stores you spy, You must have, I tell you plainly, Keener sight than I. Is THERE any man among you, With a lot of children small, With a crowd of hungry servants, Starving in his hall? I have wheat to spare in plenty, I will feed them all. Loaves, a quart apiece, I’ll give them, Come along, whoever will, Bring your bags, and bring your wallets For my slave to fill; Manes, he’s the boy to pack them Tight and tighter still. Only you must keep your distance, Only you must needs take care, Only—don’t approach my doorway, Ware the watch-dog, ware!

IDLER Open the door there, ho!

PORTER Be off, you rascal!

IDLER What, won’t you stir? I’ve half a mind to roast you All with this torch. No, that’s a vulgar trick. I won’t do that. Still if the audience wish it, To please their tastes we’ll undertake the task.

SECOND IDLER And we, with you, will undertake the task.

PORTER Hang you, be off! what are you at? you’ll catch it.

Ἀθηναῖος Α 1223οὐκ ἄπιθʼ, ὅπως ἂν οἱ Λάκωνες ἔνδοθεν καθʼ ἡσυχίαν ἀπίωσιν εὐωχημένοι; Ἀθηναῖος Β 1225οὔπω τοιοῦτον συμπόσιον ὄπωπʼ ἐγώ. ἦ καὶ χαρίεντες ἦσαν οἱ Λακωνικοί· ἡμεῖς δʼ ἐν οἴνῳ συμπόται σοφώτατοι. Ἀθηναῖος Α ὀρθῶς γʼ, ὁτιὴ νήφοντες οὐχ ὑγιαίνομεν· ἢν τοὺς Ἀθηναίους ἐγὼ πείσω λέγων, 1230μεθύοντες ἀεὶ πανταχοῖ πρεσβεύσομεν. νῦν μὲν γὰρ ὅταν ἔλθωμεν ἐς Λακεδαίμονα νήφοντες, εὐθὺς βλέπομεν ὅ τι ταράξομεν· ὥσθʼ ὅ τι μὲν ἂν λέγωσιν οὐκ ἀκούομεν, ἃ δʼ οὐ λέγουσι, ταῦθʼ ὑπονενοήκαμεν, 1235ἀγγέλλομεν δʼ οὐ ταὐτὰ τῶν αὐτῶν πέρι. νυνὶ δʼ ἅπαντʼ ἤρεσκεν· ὥστʼ εἰ μέν γέ τις ᾄδοι Τελαμῶνος, Κλειταγόρας ᾄδειν δέον, ἐπῃνέσαμεν ἂν καὶ προσεπιωρκήσαμεν. ἀλλʼ οὑτοιὶ γὰρ αὖθις ἔρχονται πάλιν 1240ἐς ταὐτόν. οὐκ ἐρρήσετʼ ὦ μαστιγίαι; Ἀθηναῖος Β νὴ τὸν Δίʼ ὡς ἤδη γε χωροῦσʼ ἔνδοθεν. Λάκων ὦ Πολυχαρείδα λαβὲ τὰ φυσατήρια, ἵνʼ ἐγὼ διποδιάξω τε κἀείσω καλὸν ἐς τὼς Ἀσαναίως τε † καὶ ἐς ἡμᾶς ἅμα †. Ἀθηναῖος 1245λαβὲ δῆτα τὰς φυσαλλίδας πρὸς τῶν θεῶν, ὡς ἥδομαί γʼ ὑμᾶς ὁρῶν ὀρχουμένους.

FIRST ATHENIAN Come, come, begone; that these Laconians here, The banquet ended, may depart in peace.

SECOND ATHENIAN Well, if I ever saw a feast like this! What cheery fellows those Laconians were, And we were wondrous witty in our cups.

FIRST ATHENIAN Ay, ay, ’tis when we’re sober, we’re so daft. Now if the State would take a friend’s advice, ’Twould make its envoys always all get drunk. When we go dry to Sparta, all our aim Is just to see what mischief we can do. We don’t hear aught they say; and we infer A heap of things they never said at all. Then we bring home all sorts of differing tales. Now everything gives pleasure: if a man, When he should sing Cleitagora, strike up With Telamon’s song, we’d clap him on the back, And say ’twas excellent; ay, and swear it too.

PORTER Why, bless the fellows, here they come again, Crowding along. Be off, you scoundrels, will you?

IDLER By Zeus, we must: the guests are coming out.

LACONIAN O lovey mine, tak’ up the pipes an’ blaw. An’ I’se jist dance an’ sing a canty sang Anent the Athanians an’ our ainsells too.

ATHENIAN Ay, by the Powers, take up the pipes and blow. Eh, but I dearly love to see you dance.

Χορὸς Λακεδαιμονίων 1247ὅρμαον τὼς κυρσανίως ὦ Μναμοΰνα τάν τʼ ἐμὰν Μῶαν, ἅτις 1250οἶδεν ἁμὲ τώς τʼ Ἀσαναίως, ὅκα τοὶ μὲν ἐπʼ Ἀρταμιτίῳ πρὤκροον σιοείκελοι ποττὰ κᾶλα τὼς Μήδως τʼ ἐνίκων, ἁμὲ δʼ αὖ Λεωνίδας 1255ἆγεν ᾇπερ τὼς κάπρως θάγοντας οἰῶ τὸν ὀδόντα· πολὺς δʼ ἀμφὶ τὰς γένυας ἀφρὸς † ἤνσει †, πολὺς δʼ ἁμᾷ καττῶν σκελῶν ἀφρὸς ἵετο. 1260ἦν γὰρ τὤνδρες οὐκ ἐλάσσως τᾶς ψάμμας τοὶ Πέρσαι. ἀγροτέρα σηροκτόνε μόλε δεῦρο παρσένε σιὰ ποττὰς σπονδάς, 1265ὡς συνέχῃς πολὺν ἁμὲ χρόνον. νῦν δʼ αὖ φιλία τʼ αἰὲς εὔπορος εἴη ταῖς συνθήκαις, καὶ τᾶν αἱμυλᾶν ἀλωπέκων παυσαίμεθα. ὢ δεῦρʼ ἴθι δεῦρʼ ὦ 1270κυναγὲ παρσένε. Ἀθηναῖος ἄγε νυν ἐπειδὴ τἄλλα πεποίηται καλῶς, ἀπάγεσθε ταύτας ὦ Λάκωνες, τάσδε τε

LACONIAN Stir, Memory, stir the chiels Wi that auld sang o’ thine, Whilk kens what we an’ Attics did In the gran’ fechts lang syne. At Artemisium They A’ resolute an’ strang Rushed daurly to the fray, Hurtlin’ like Gudes amang The timmered ships, an’ put the Medes to rout. An’ Us Leonidas led out Like gruesome boars, I ween, Whettin’ our tuskies keen. Muckle around the chaps was the whitefreath gleamin’, Muckle adoon the legs was the white freath streamin’, For a’ unnumbered as the sands Were they, thae Persian bands. O Artemis, the pure, the chaste, The virgin Queller o’ the beasties, O come wi’ power an’ come wi’ haste, An’ come to join our friendly feasties. Come wi’ thy stoutest tether, To knit our sauls thegither, An’ gie us Peace in store, An’ Luve for evermore. Far hence, far hence depart The tod’s deceitfu’ heart! O virgin huntress, pure an’ chaste, O come wi’ power, an’ come wi’ haste.

LYSISTRATA There, all is settled, all arranged at last. Now, take your ladies; you, Laconians, those,

Ἀθηναῖος 1275ὑμεῖς· ἀνὴρ δὲ παρὰ γυναῖκα καὶ γυνὴ στήτω παρʼ ἄνδρα, κᾆτʼ ἐπʼ ἀγαθαῖς συμφοραῖς ὀρχησάμενοι θεοῖσιν εὐλαβώμεθα τὸ λοιπὸν αὖθις μὴ ʼξαμαρτάνειν ἔτι. Χορὸς Ἀθηναίων πρόσαγε χορόν, ἔπαγε δὲ Χάριτας, 1280ἐπὶ δὲ κάλεσον Ἄρτεμιν, ἐπὶ δὲ δίδυμον ἀγέχορον Ἰήιον εὔφρονʼ, ἐπὶ δὲ Νύσιον, ὃς μετὰ μαινάσι Βάκχιος ὄμμασι δαίεται, 1285Δία τε πυρὶ φλεγόμενον, ἐπί τε πότνιαν ἄλοχον ὀλβίαν· εἶτα δὲ δαίμονας, οἷς ἐπιμάρτυσι χρησόμεθʼ οὐκ ἐπιλήσμοσιν Ἡσυχίας πέρι τῆς ἀγανόφρονος, 1290ἣν ἐποίησε θεὰ Κύπρις. ἀλαλαὶ ἰὴ παιήων· αἴρεσθʼ ἄνω ἰαί, ὡς ἐπὶ νίκῃ ἰαί. εὐοῖ εὐοῖ, εὐαί εὐαί. Ἀθηναῖος 1295πρόφαινε δὴ σὺ Μοῦσαν ἐπὶ νέᾳ νέαν. Χορὸς Λακεδαιμονίων Ταΰγετον αὖτʼ ἐραννὸν ἐκλιπῶα Μῶα μόλε Λάκαινα πρεπτὸν ἁμὶν κλέωα τὸν Ἀμύκλαις σιὸν 1300καὶ χαλκίοικον Ἀσάναν, Τυνδαρίδας τʼ ἀγασώς, τοὶ δὴ πὰρ Εὐρώταν ψιάδδοντι. εἶα μάλʼ ἔμβη

ATHENIAN And you, take these; then standing side by side, Each by his partner, lead your dances out In grateful honour to the Gods, and O Be sure you nevermore offend again.

CHORUS Now for the Chorus, the Graces, the minstrelsy. Call upon Artemis, queen of the glade; Call on her brother, the Lord of festivity, Holy and gentle one, mighty to aid. Call upon Bacchus, afire with his Maenades; Call upon Zeus, in the lightning arrayed; Call on his queen, ever blessed, adorable; Call on the holy, infallible Witnesses, Call them to witness the peace and the harmony, This which divine Aphrodite has made. Allala! Lallala! Lallala, Lallala! Whoop for victory, Lallalalae! Evoi! Evoi! Lallala, Lallala! Evae! Evae! Lallalalae. Our excellent new song is done; Do you, Laconian, give us one.

LACONIAN Leave Taygety, an’ quickly Hither, Muse Laconian, come. Hymn the Gude o’ braw Amyclae, Hymn Athana, Brassin-dome. Hymn the Tyndarids, for ever Sportin’ by Eurotas river. Noo then, noo the step begin,

CHORUS OF SPARTANS

1304ὢ εἶα κοῦφα πάλλων, 1305ὡς Σπάρταν ὑμνίωμες, τᾷ σιῶν χοροὶ μέλοντι καὶ ποδῶν κτύπος, ᾇ τε πῶλοι ταὶ κόραι πὰρ τὸν Εὐρωταν 1310ἀμπάλλοντι πυκνὰ ποδοῖν ἀγκονίωαι, ταὶ δὲ κόμαι σείονθʼ ᾇπερ Βακχᾶν θυρσαδδωᾶν καὶ παιδδωᾶν. ἁγεῖται δʼ ἁ Λήδας παῖς 1315ἁγνὰ χοραγὸς εὐπρεπής. ἀλλʼ ἄγε κόμαν παραμπύκιδδε χερί, ποδοῖν τε πάδη ᾇ τις ἔλαφος· κρότον δʼ ἁμᾷ ποίει χορωφελήταν. 1320καὶ τὰν σιὰν δʼ αὖ τὰν κρατίσταν Χαλκίοικον ὕμνει τὰν πάμμαχον.

Twirlin’ licht the fleecy skin; Sae we’se join our blithesome voices, Praisin’ Sparta, loud an’ lang, Sparta wha of auld rejoices In the Choral dance an’ sang. O to watch her bonnie dochters Sport alang Eurotas’ waters! Winsome feet for ever plyin’, Fleet as fillies, wild an’ gay, Winsome tresses tossin’, flyin’, As o’ Bacchanals at play. Leda’s dochter, on before us, Pure an’ sprety, guides the Chorus. Onward go, Whilst your eager hand represses A’ the glory o’ your tresses; Whilst your eager foot is springin’ Like the roe; Whilst your eager voice is singin’ Praise to Her in might excellin’ Goddess o’ the Brassin Dwellin’.

People and places in this passage

English translation by Benjamin Bickley Rogers (1924). Original text: Greek text: F. W. Hall and W. M. Geldart (eds.), Aristophanis Comoediae, Oxford Classical Texts, Oxford: Clarendon Press, 1906-1907, as digitised by Perseus. English: Benjamin Bickley Rogers, Aristophanes, vol. III, Loeb Classical Library, London: William Heinemann, and New York: G. P. Putnam's Sons, 1924.

Greek text and translation from the Perseus Digital Library, Tufts University, Greek: CC BY-SA 4.0 (Perseus Digital Library); translation public domain (Rogers). Introductions, summaries and notes © GreekMythology.com.