Aristophanes · Lysistrata Λυσιστράτη

Aristophanes, Lysistrata 1014–1071: Choral interlude: the two choruses make friends

The two choruses exchange verses on the temper of the opposite sex, and then make peace, the women helping the old men to dress again and removing an insect from an old man's eye. They join in a song inviting the audience to a feast.

Lines 1014–1071 · 547 words · click a number to copy its link

CHORUS OF MEN

1014οὐδέν ἐστι θηρίον γυναικὸς ἀμαχώτερον,

There is nothing so resistless as a woman in her ire,

Χορὸς γερόντων 1015οὐδὲ πῦρ, οὐδʼ ὧδʼ ἀναιδὴς οὐδεμία πόρδαλις. Χορὸς Γυναικῶν ταῦτα μέντοι σὺ ξυνιεὶς εἶτα πολεμεῖς ἐμοί, ἐξὸν ὦ πόνηρε σοὶ βέβαιον ἔμʼ ἔχειν φίλην; Χορὸς γερόντων ὡς ἐγὼ μισῶν γυναῖκας οὐδέποτε παύσομαι. Χορὸς Γυναικῶν ἀλλʼ ὅταν βούλῃ σύ· νῦν δʼ οὖν οὔ σε περιόψομαι 1020γυμνὸν ὄνθʼ οὕτως. ὁρῶ γὰρ ὡς καταγέλαστος εἶ. ἀλλὰ τὴν ἐξωμίδʼ ἐνδύσω σε προσιοῦσʼ ἐγώ. Χορὸς γερόντων τοῦτο μὲν μὰ τὸν Δίʼ οὐ πονηρὸν ἐποιήσατε· ἀλλʼ ὑπʼ ὀργῆς γὰρ πονηρᾶς καὶ τότʼ ἀπέδυν ἐγώ. Χορὸς Γυναικῶν πρῶτα μὲν φαίνει γʼ ἀνήρ, εἶτʼ οὐ καταγέλαστος εἶ. 1025κεἴ με μὴ ʼλύπεις, ἐγώ σου κἂν τόδε τὸ θηρίον τοὐπὶ τὠφθαλμῷ λαβοῦσʼ ἐξεῖλον ἂν ὃ νῦν ἔνι. Χορὸς γερόντων τοῦτʼ ἄρʼ ἦν με τοὐπιτρῖβον, δακτύλιος οὑτοσί· ἐκσκάλευσον αὐτό, κᾆτα δεῖξον ἀφελοῦσά μοι· ὡς τὸν ὀφθαλμόν γέ μου νὴ τὸν Δία πάλαι δάκνει. Χορὸς Γυναικῶν 1030ἀλλὰ δράσω ταῦτα· καίτοι δύσκολος ἔφυς ἀνήρ. ἦ μέγʼ ὦ Ζεῦ χρῆμʼ ἰδεῖν τῆς ἐμπίδος ἔνεστί σοι.

CHORUS OF MEN She is wilder than a leopard, she is fiercer than a fire,

CHORUS OF WOMEN And yet you’re so daft as with women to contend, When ’tis in your power to win me and have me as a friend.

CHORUS OF MEN I’ll never, never cease all women to detest.

CHORUS OF WOMEN That’s as you please hereafter: meanwhile you’re all undressed. I really can’t allow it, you are getting quite a joke; Permit me to approach you and to put you on this cloak.

CHORUS OF MEN Now that’s not so bad or unfriendly I declare; It was only from bad temper that I stripped myself so bare.

CHORUS OF WOMEN There, now you look a man: and none will joke and jeer you: And if you weren’t so spiteful that no one can come near you, I’d have pulled out the insect that is sticking in your eye.

CHORUS OF MEN Ay, that is what’s consuming me, that little biter-fly. Yes, scoop it out and show me, when you’ve got him safe away: The plaguy little brute, he’s been biting me all day.

CHORUS OF WOMEN I’ll do it, sir, I’ll do it: but you’re a cross one, you. O Zeus! here’s a monster I am pulling forth to view.

Χορὸς Γυναικῶν 1032οὐχ ὁρᾷς; οὐκ ἐμπίς ἐστιν ἥδε Τρικορυσία; Χορὸς γερόντων νὴ Δίʼ ὤνησάς γέ μʼ, ὡς πάλαι γέ μʼ ἐφρεωρύχει, ὥστʼ ἐπειδὴ ʼξῃρέθη, ῥεῖ μου τὸ δάκρυον πολύ. Χορὸς Γυναικῶν 1035ἀλλʼ ἀποψήσω σʼ ἐγώ, καίτοι πάνυ πονηρὸς εἶ, καὶ φιλήσω. Χορὸς γερόντων μὴ φιλήσῃς. Χορὸς Γυναικῶν ἤν τε βούλῃ γʼ ἤν τε μή. Χορὸς γερόντων ἀλλὰ μὴ ὥρασʼ ἵκοισθʼ· ὡς ἐστὲ θωπικαὶ φύσει, κἄστʼ ἐκεῖνο τοὔπος ὀρθῶς κοὐ κακῶς εἰρημένον, οὔτε σὺν πανωλέθροισιν οὔτʼ ἄνευ πανωλέθρων. 1040ἀλλὰ νυνὶ σπένδομαί σοι, καὶ τὸ λοιπὸν οὐκέτι οὔτε δράσω φλαῦρον οὐδὲν οὔθʼ ὑφʼ ὑμῶν πείσομαι. ἀλλὰ κοινῇ συσταλέντες τοῦ μέλους ἀρξώμεθα. Χορός οὐ παρασκευαζόμεσθα τῶν πολιτῶν οὐδένʼ ὦνδρες 1045φλαῦρον εἰπεῖν οὐδὲ ἕν. ἀλλὰ πολὺ τοὔμπαλιν πάντʼ ἀγαθὰ καὶ λέγειν καὶ δρᾶν· ἱκανὰ γὰρ τὰ κακὰ καὶ τὰ παρακείμενα. ἀλλʼ ἐπαγγελλέτω πᾶς ἀνὴρ καὶ γυνή, 1050εἴ τις ἀργυρίδιον δεῖται λαβεῖν μνᾶς ἢ δύʼ ἢ τρεῖς, ὡς † πόλλʼ ἔσω ʼστὶν†

CHORUS OF WOMEN Just look! don’t you think ’tis a Tricorysian gnat?

CHORUS OF MEN And he’s been dig, dig, digging (so I thank you much for that) Till the water, now he’s gone, keeps running from my eye

CHORUS OF WOMEN But although you’ve been so naughty, I’ll come and wipe it dry, And I’ll kiss you.

CHORUS OF MEN No, not kiss me!

CHORUS OF WOMEN Will you, nill you, it must be.

CHORUS OF MEN Get along, a murrain on you. Tcha! what coaxing rogues are ye! That was quite a true opinion which a wise man gave about yon; We can’t live with such tormentors, no, by Zeus, nor yet without you. Now we’ll make a faithful treaty, and for evermore agree, I will do no harm to women, they shall do no harm to me. Join our forces, come along: one and all commence the song

CHORUS Not to objurgate and scold you, Not unpleasant truths to say, But with words and deeds of bounty Come we here to-day. Ah, enough of idle quarrels, Now attend, I pray. Now whoever wants some money, Minas two or minas three,

CHORUS

1053κἄχομεν βαλλάντια. κἄν ποτʼ εἰρήνη φανῇ, 1055ὅστις ἂν νυνὶ δανείσηται παρʼ ἡμῶν, ἃν λάβῃ μηκέτʼ ἀποδῷ. ἑστιᾶν δὲ μέλλομεν ξένους τινὰς Καρυστίους, ἄν- 1060δρας καλούς τε κἀγαθούς. κἄστιν ἔτʼ ἔτνος τι· καὶ δελφάκιον ἦν τί μοι, καὶ τοῦτο τέθυχʼ, ὡς τὰ κρέʼ ἔδεσθʼ ἁπαλὰ καὶ καλά. ἥκετʼ οὖν εἰς ἐμοῦ τήμερον· πρῲ δὲ χρὴ τοῦτο δρᾶν λελουμένους αὔ- 1065τούς τε καὶ τὰ παιδίʼ, εἶτʼ εἴσω βαδίζειν, μηδʼ ἐρέσθαι μηδένα, ἀλλὰ χωρεῖν ἄντικρυς ὥσπερ οἴκαδʼ εἰς ἑαυτῶν 1070γεννικῶς, ὡς ἡ θύρα κεκλῄσεται.

Let them say so, man and woman, Let them come with me. Many purses, large and—empty, In my house they’ll see. Only you must strictly promise, Only you indeed must say That whenever Peace re-greet us, You will—not repay. Some Carystian friends are coming, Pleasant gentlemen, to dine; And I’ve made some soup, and slaughtered Such a lovely swine; Luscious meat ye’ll have and tender At this feast of mine. Come along, yourselves and children, Come to grace my board to-day; Take an early bath, and deck you In your best array; Then walk in and ask no questions, Take the readiest way. Come along, like men of mettle; Come as though ’twere all for you: Come, you’ll find my only entrance Locked and bolted too.

People and places in this passage

English translation by Benjamin Bickley Rogers (1924). Original text: Greek text: F. W. Hall and W. M. Geldart (eds.), Aristophanis Comoediae, Oxford Classical Texts, Oxford: Clarendon Press, 1906-1907, as digitised by Perseus. English: Benjamin Bickley Rogers, Aristophanes, vol. III, Loeb Classical Library, London: William Heinemann, and New York: G. P. Putnam's Sons, 1924.

Greek text and translation from the Perseus Digital Library, Tufts University, Greek: CC BY-SA 4.0 (Perseus Digital Library); translation public domain (Rogers). Introductions, summaries and notes © GreekMythology.com.