Plutarch · On Isis and Osiris Περὶ Ἴσιδος καὶ Ὀσίριδος

Plutarch, On Isis and Osiris 50–55: Typhon's animals; Osiris' eye and sceptre; Isis, Osiris and Horus

The ass, the crocodile and the hippopotamus are given to Typhon as the most brutal of tame and wild beasts, and his statue at Hermopolis shows a hippopotamus with a hawk fighting a snake. Osiris is represented by an eye and a sceptre, signifying forethought and power, and the festival of the birthday of the eyes of Horus falls when the sun and moon are in a line. Isis is the feminine, receptive principle of nature, Osiris an eternal soul whose body is torn apart and reassembled, and Horus the perfected world, which does not wholly destroy Typhon.

Sections 50–55 · 1727 words · click a number to copy its link

διὸ καὶ τῶν μὲν ἡμέρων ζῴων ἀπονέμουσιν αὐτῷ τὸ ἀμαθέστατον, ὄνον· τῶν δʼ ἀγρίων τὰ θηριωδέστατα, κροκόδειλον καὶ τὸν ποτάμιον ἵππον. περὶ μὲν οὖν τοῦ ὄνου προδεδηλώκαμεν. ἐν Ἑρμοῦ πόλει δὲ Τυφῶνος ἄγαλμα δεικνύουσιν ἵππον ποτάμιον· ἐφʼ οὗ βέβηκεν ἱέραξ ὄφει μαχόμενος, τῷ μὲν ἵππῳ τὸν Τυφῶνα δεικνύντες, τῷ δʼ ἱέρακι δύναμιν καὶ ἀρχήν, ἣν βίᾳ κτώμενος ὁ Τυφὼν πολλάκις οὐκ ἀνίεται ταραττόμενος ὑπὸ τῆς κακίας καὶ ταράττων. διὸ καὶ θύοντες ἑβδόμῃ τοῦ Τυβὶ μηνός, ἣν καλοῦσιν ἄφιξιν Ἴσιδος ἐκ Φοινίκης, ἐπιπλάττουσι τοῖς ποπάνοις ἵππον ποτάμιον δεδεμένον. ἐν δʼ Ἀπόλλωνος πόλει νενομισμένον ἐστὶ κροκοδείλου φαγεῖν πάντως ἕκαστον· ἡμέρᾳ δὲ μιᾷ θηρεύσαντες ὅσους ἂν δύνωνται καὶ κτείναντες ἀπαντικρὺ τοῦ ἱεροῦ προβάλλουσι, καὶ λέγουσιν ὡς ὁ Τυφὼν τὸν Ὧρον ἀπέδρα κροκόδειλος γενόμενος, πάντα καὶ ζῷα καὶ φυτὰ καὶ πάθη τὰ φαῦλα καὶ βλαβερὰ Τυφῶνος ἔργα καὶ μέρη καὶ κινήματα ποιούμενοι.

For which reason they assign him the ass, the most brutal and sottish of all the tame beasts, and the crocodile and river-horse, the most savage and fierce of all the wild beasts. Of the ass we have spoken already. They show us at Hermopolis the statue of Typhon, which is a river-horse with a hawk on his back fighting with a serpent; where they set out Typhon by the river-horse, and by the hawk that power and principle which Typhon possesses himself of by violence, and thereupon ceases not to disturb others and to be disturbed himself by his malice. For which reason also, when they are to offer sacrifice upon the seventh day of the month Tybi, at the festival which they call the Arrival of Isis out of Phoenicia, they print the river-horse bound upon their sacred cakes. Besides this, there is a constant custom at the town of Apollo, for every one to eat some part of a crocodile; and having upon a certain set day hunted down as many of them at they are able, they kill them, and throw down their carcasses before the temple. And they tell us that Typhon made his escape from Horus in the form of a crocodile for they make all bad and noxious things — whether animals, plants or passions — to be the works, the members and the motions of Typhon.

τὸν δʼ Ὄσιριν αὖ πάλιν ὀφθαλμῷ καὶ σκήπτρῳ γράφουσιν, ὧν τὸ μὲν τὴν πρόνοιαν ἐμφαίνειν, τὸ δὲ τὴν δύναμιν, ὡς Ὅμηρος τὸν ἄρχοντα καὶ βασιλεύοντα πάντων Ζῆνʼ ὕπατον καὶ μήστωρα καλῶν, ἔοικε τῷ μὲν ὑπάτῳ τὸ κράτος αὐτοῦ, τῷ δὲ μήστωρι τὴν εὐβουλίαν καὶ τὴν φρόνησιν σημαίνειν γράφουσι δὲ καὶ ἱέρακι τὸν θεὸν τοῦτον πολλάκις· εὐτονίᾳ γὰρ ὄψεως ὑπερβάλλει καὶ πτήσεως ὀξύτητι, καὶ διοικεῖν αὑτὸν ἐλαχίστῃ τροφῇ πέφυκε. λέγεται δὲ καὶ νεκρῶν ἀτάφων σώμασι γῆν ὑπερπετόμενος ἐπιβάλλειν· ὅταν δὲ πιόμενος ἐπὶ τὸν ποταμὸν καταίρῃ, τὸ πτερὸν ἵστησιν ὀρθόν· πιὼν δὲ κλίνει τοῦτο πάλιν· ᾧ δῆλός ἐστι σεσωσμένος καὶ διαπεφευγὼς τὸν κροκόδειλον· ἂν γὰρ ἁρπασθῇ, μένει τὸ πτερὸν ὥσπερ ἔστη πεπηγός. πανταχοῦ δὲ καὶ ἀνθρωπόμορφον Ὀσίριδος ἄγαλμα δεικνύουσιν, ἐξορθιάζον τῷ αἰδοίῳ διὰ τὸ γόνιμον καὶ τὸ τρόφιμον. ἀμπεχόνῃ δὲ φλογοειδεῖ στέλλουσιν αὐτοῦ τὰς εἰκόνας, ἥλιον σῶμα τῆς τἀγαθοῦ δυνάμεως ὡς ὁρατὸν οὐσίας νοητῆς ἡγούμενοι. διὸ καὶ καταφρονεῖν ἄξιόν ἐστι τῶν τὴν ἡλίου σφαῖραν Τυφῶνι προσνεμόντων, ᾧ λαμπρὸν οὐδὲν οὐδὲ σωτήριον οὐδὲ τάξις οὐδὲ γένεσις οὐδὲ κίνησις μέτρον ἔχουσα καὶ λόγον, ἀλλὰ τἀναντία προσήκει· καὶ αὐχμόν, ὃς φθείρει πολλὰ τῶν ζῴων καὶ βλαστανόντων, οὐχ ἡλίου θετέον ἔργον, ἀλλὰ τῶν ἐν γῇ καὶ ἀέρι μὴ καθʼ ὥραν κεραννυμένων πνευμάτων καὶ ὑδάτων, ὅταν ἡ τῆς ἀτάκτου καὶ ἀορίστου δυνάμεως ἀρχὴ πλημμελήσασα κατασβέσῃ τὰς ἀναθυμιάσεις.

On the other hand, they represent Osiris by an eye and a sceptre, the one whereof expresses forecast, and the other power. In like manner Homer, when he called the governor and monarch of all the world Supremest Jove, and mighty Counsellor, seems to me to denote his imperial power by supremest, and his well-advisedness and discretion by Counsellor. They also oftentimes describe this God by a hawk, because he exceeds in quickness of sight and velocity in flying, and sustains himself with very little food. He is also said to fly over the bodies of dead men that lie unburied, and to drop down earth upon their eyes. Likewise, when he alights down upon the bank of any river to assuage his thirst, he sets his feathers up on end, and after he hath done drinking, he lets them fall again. Which he plainly doth because he is now safe and escaped from the danger of the crocodile; but if he chances to be catched, his feathers then continue stiff as before. They also show us everywhere Osiris’s statue in the shape of a man, with his private part erect, to betoken unto us his faculty of generation and nutrition; and they dress up his images in a flame-colored robe, esteeming the sun as the body of the power of good, and as the visible image of intelligible substance. Wherefore we have good reason to reject those that ascribe the sun’s globe unto Typhon, to whom appertaineth nothing of a lucid or salutary nature, nor order, nor generation, nor motion attended with measure and proportion, but the clean contrary to them. Neither is that parching drought, which destroys many animals and plants, to be accounted as an effect of the sun, but of those winds and waters which in the earth and air are not tempered according to the season, at which time the principle of the unordered and interminate nature acts at random, and so stifles and suppresses those exhalations that should ascend.

ἐν δὲ τοῖς ἱεροῖς ὕμνοις τοῦ Ὀσίριδος ἀνακαλοῦνται τὸν ἐν ταῖς ἀγκάλαις κρυπτόμενον τοῦ ἡλίου, καὶ τῇ τριακάδι τοῦ Ἐπιφὶ μηνὸς ἑορτάζουσιν ὀφθαλμῶν Ὥρου γενέθλιον, ὅτε σελήνη καὶ ἥλιος ἐπὶ μιᾶς εὐθείας γεγόνασιν, ὡς οὐ μόνον τὴν σελήνην ἀλλὰ καὶ τὸν ἥλιον ὄμμα τοῦ Ὥρου καὶ φῶς ἡγούμενοι. τῇ δὲ ὀγδόῃ φθίνοντος τοῦ Φαωφὶ βακτηρίας ἡλίου γενέθλιον ἄγουσι, μετὰ φθινοπωρινὴν ἰσημερίαν, ἐμφαίνοντες οἷον ὑπερείσματος δεῖσθαι καὶ ῥώσεως, τῷ τε θερμῷ γιγνόμενον καὶ τῷ φωτὶ ἐνδεᾶ, κλινόμενον καὶ πλάγιον ἀφʼ ἡμῶν φερόμενον. ἔτι δὲ τὴν βοῦν ὑπὸ τροπὰς χειμερινὰς περὶ τὸν ναὸν περιφέρουσι· καὶ καλεῖται ζήτησις Ὀσίριδος ἡ περιδρομή, τοῦ ἡλίου τὸ ὕδωρ χειμῶνος τῆς θεοῦ ποθούσης· τοσαυτάκις δὲ περίεισιν, ὅτι τὴν ἀπὸ τροπῶν χειμερινῶν ἐπὶ τροπὰς θερινὰς πάροδον ἑβδόμῳ μηνὶ συμπεραίνει. λέγεται δὲ καὶ θῦσαι τῷ ἡλίῳ τετράδι μηνὸς ἱσταμένου πάντων πρῶτος Ὧρος ὁ Ἴσιδος, ὡς ἐν τοῖς ἐπιγραφομένοις Γενεθλίοις Ὥρου γέγραπται. καὶ μὴν ἡμέρας ἑκάστης τριχῶς ἐπιθυμιῶσι τῷ ἡλίῳ, ῥητίνην μὲν ὑπὸ τὰς ἀνατολάς, σμύρναν δὲ μεσουρανοῦντι, τὸ δὲ καλούμενον κῦφι περὶ δυσμάς· ὧν ἕκαστον ὃν ἔχει λόγον, ὕστερον ἀφηγήσομαι. τὸν δʼ ἥλιον πᾶσι τούτοις προστρέπεσθαι καὶ θεραπεύειν οἴονται. καὶ τί δεῖ πολλὰ τοιαῦτα συνάγειν; εἰσὶ γὰρ οἱ τὸν Ὄσιριν ἄντικρυς ἥλιον εἶναι καὶ ὀνομάζεσθαι Σείριον ὑφʼ Ἑλλήνων λέγοντες, εἰ καὶ παρʼ Αἰγυπτίοις ἡ πρόθεσις τοῦ ἄρθρου τοὔνομα πεποίηκεν ἀμφιγνοεῖσθαι, τὴν δʼ Ἶσιν οὐχ ἑτέραν τῆς σελήνης ἀποφαίνοντες· ὅθεν καὶ τῶν ἀγαλμάτων αὐτῆς τὰ μὲν κερασφόρα τοῦ μηνοειδοῦς γεγονέναι μιμήματα, τοῖς δὲ μελανοστόλοις ἐμφαίνεσθαι τὰς κρύψεις καὶ τοὺς περισκιασμοὺς ἐν οἷς διώκει ποθοῦσα τὸν ἥλιον. διὸ καὶ πρὸς τὰ ἐρωτικὰ τὴν σελήνην ἐπικαλοῦνται, καὶ τὴν Ἶσιν Εὔδοξός φησι βραβεύειν τὰ ἐρωτικά. καὶ τούτοις μὲν ἁμωσγέπως τοῦ πιθανοῦ μέτεστι, τῶν δὲ Τυφῶνα ποιούντων τὸν ἥλιον οὐδʼ ἀκούειν ἄξιον. ἀλλʼ ἡμεῖς αὖθις τὸν οἰκεῖον ἀναλάβωμεν λόγον.

Moreover, in the sacred hymns of Osiris they call him up who lies hidden in the arms of the sun. And upon the thirtieth day of the month Epiphi they keep a certain festival called the Birthday of the eyes of Horus, when the sun and the moon are in one direct line; as esteeming not only the moon but also the sun to be the eye and light of Horus. Likewise the three and twentieth day of the month Phaophi they make to be the nativity of the staves of the sun, which they observe after the autumnal equinox, intimating hereby that he now wants, as it were, a prop and a stay, as suffering a great diminution both of heat and light by his declining and moving obliquely from us. Besides this, they lead the sacred cow seven times about her temple at the time of the winter solstice. And this going round is called the seeking of Osiris, the Goddess being in great distress for water in winter time. And the reason of her going round so many times is because the sun finishes his passage from the winter to the summer tropic in the seventh month. It is reported also that Horus, the son of Isis, was the first that ever sacrificed to the sun upon the fourth day of the month, as we find it written in a book called the Birthdays of Horus. Moreover, they offer incense to the sun three times every day; resin at his rising, myrrh when it is in the mid-heaven, and that they call Kyphi about the time of his setting. (What each of these means, I shall after wards explain.) Now they are of opinion that the sun is atoned and pacified by all these.

But to what purpose should I heap together many things of this nature? For there are some that scruple not to say plainly that Osiris is the sun, and that he is called Sirius by the Greeks, although the Egyptians, adding the article to his name, have obscured and brought its sense into question. They also declare Isis to be no other than the moon, and say that such statues of her as are horned were made in imitation of the crescent; and that the black habit in which she so passionately pursues the sun, sets forth her disappearings and eclipses. For which reason they used to invoke the moon in love-concerns; and Eudoxus also saith that Isis presides over love-matters. Now these things have in them a show and semblance of reason; whereas they that would make Typhon to be the sun deserve not to be heard.

ἡ γὰρ Ἶσίς ἐστι μὲν τὸ τῆς φύσεως θῆλυ, καὶ δεκτικὸν ἁπάσης γενέσεως, καθὸ τιθήνη καὶ πανδεχὴς ὑπὸ τοῦ Πλάτωνος, ὑπὸ δὲ τῶν πολλῶν μυριώνυμος κέκληται, διὰ τὸ πάσας ὑπὸ τοῦ λόγου τρεπομένη μορφὰς δέχεσθαι καὶ ἰδέας. ἔχει δὲ σύμφυτον ἔρωτα τοῦ πρώτου καὶ κυριωτάτου πάντων, ὃ τἀγαθῷ ταὐτόν ἐστι κἀκεῖνο ποθεῖ καὶ διώκει· τὴν δʼ ἐκ τοῦ κακοῦ φεύγει καὶ διωθεῖται μοῖραν, ἀμφοῖν μὲν οὖσα χώρα καὶ ὕλη, ῥέπουσα δʼ ἀεὶ πρὸς τὸ βέλτιον ἐξ ἑαυτῆς καὶ παρέχουσα γεννᾶν ἐκείνῳ καὶ κατασπείρειν εἰς ἑαυτὴν ἀπορροὰς καὶ ὁμοιότητας, αἷς χαίρει καὶ γέγηθε κυισκομένη καὶ ὑποπιμπλαμένη τῶν γενέσεων. εἰκὼν γάρ ἐστιν οὐσίας ἐν ὕλῃ ἡ γένεσις καὶ μίμημα τοῦ ὄντος τὸ γιγνόμενον.

But we must again resume our proper discourse. Isis is indeed that property of Nature which is feminine and receptive of all production; in which sense she was called the nurse and the all-receiver by Plato, and the Goddess with ten thousand names by the common sort, because being transmuted by reason she receives all manner of shapes and guises. But she hath a natural love to the prime and principal of all beings (which is the good principle), and eagerly affects it and pursues after it; and she shuns and repels her part of the evil one. And although she be indeed both the receptacle and matter of either nature, yet she always of herself inclines to the better of them, and readily gives way to it to generate upon her and to sow its effluxes and resemblances into her; and she rejoices and is very glad when she is impregnated and filled with productions. For generation is the production of an image of the real substance upon matter, and what is generated is an imitation of what is in truth.

ὅθεν οὐκ ἀπὸ τρόπου μυθολογοῦσι τὴν Ὀσίριδος ψυχὴν ἀίδιον εἶναι καὶ ἄφθαρτον, τὸ δὲ σῶμα πολλάκις διασπᾶν καὶ ἀφανίζειν τὸν Τυφῶνα· τὴν δʼ Ἶσιν πλανωμένην καὶ ζητεῖν καὶ συναρμόττειν πάλιν. τὸ γὰρ ὂν καὶ νοητὸν καὶ ἀγαθὸν φθορᾶς καὶ μεταβολῆς κρεῖττόν ἐστιν· ἃς δʼ ἀπʼ αὐτοῦ τὸ αἰσθητὸν καὶ σωματικὸν εἰκόνας ἐκμάττεται , καὶ λόγους καὶ εἴδη καὶ ὁμοιότητας ἀναλαμβάνει, καθάπερ ἐν κηρῷ σφραγῖδες οὐκ ἀεὶ διαμένουσιν, ἀλλὰ καταλαμβάνει τὸ ἄτακτον αὐτὰς καὶ ταραχῶδες ἐνταῦθα τῆς ἄνω χώρας ἀπεληλαμένον καὶ μαχόμενον πρὸς τὸν Ὧρον, ὃν ἡ Ἶσις εἰκόνα τοῦ νοητοῦ κόσμου αἰσθητὸν ὄντα γεννᾷ. διὸ καὶ δίκην φεύγειν λέγεται νοθείας ὑπὸ Τυφῶνος, ὡς οὐκ ὢν καθαρὸς οὐδʼ εἰλικρινὴς οἷος ὁ πατήρ, λόγος αὐτὸς καθʼ ἑαυτὸν ἀμιγὴς καὶ ἀπαθής, ἀλλὰ νενοθευμένος τῇ ὕλῃ διὰ τὸ σωματικόν. περιγίγνεται δὲ καὶ νικᾷ, τοῦ Ἑρμοῦ, τουτέστι τοῦ λόγου, μαρτυροῦντος καὶ δεικνύοντος, ὅτι πρὸς τὸ νοητὸν ἡ φύσις μετασχηματιζομένη τὸν κόσμον ἀποδίδωσιν. ἡ μὲν γάρ, ἔτι τῶν θεῶν ἐν γαστρὶ τῆς Ῥέας ὄντων, ἐξ Ἴσιδος καὶ Ὀσίριδος γενομένη γένεσις Ἀπόλλωνος αἰνίττεται τὸ πρὶν ἐκφανῆ γενέσθαι τόνδε τὸν κόσμον καὶ συντελεσθῆναι τῷ λόγῳ τὴν ὕλην, τὴν φύσιν ἐλεγχομένην ἐφʼ αὑτῆς ἀτελῆ τὴν πρώτην γένεσιν ἐξενεγκεῖν. διὸ καί φασι τὸν θεὸν ἐκεῖνον ἀνάπηρον ὑπὸ σκότῳ γενέσθαι, καὶ πρεσβύτερον Ὧρον καλοῦσιν· οὐ γὰρ ἦν κόσμος, ἀλλʼ εἴδωλόν τι καὶ κόσμου φάντασμα μέλλοντος.

And therefore not without great consonancy do they fable that the soul of Osiris is eternal and incorruptible, but that his body is often torn in pieces and destroyed by Typhon, and that Isis wanders to and fro to look him out, and when she hath found him, puts him together again. For the permanent being, the mental nature, and the good, is itself above corruption and change; but the sensitive and corporeal part takes off certain images from it, and receives certain proportions, shapes, and resemblances, which, like impressions upon wax, do not continue always, but are swallowed up by the disorderly and tumultuous part, which is chased hither from the upper region and makes war with Horus, who is born of Isis, being the sensible image of the mental world. For which reason he is said to be prosecuted for bastardy by Typhon, as not being pure and sincere, — like his father, the pure absolute reason, unmixed and impassible, — but embased with matter by corporeity. But he gets the better of him, and carries the cause, Hermes (that is, reason) witnessing and proving that Nature produces the world by becoming herself of like form with the mental property. Moreover, the generation of Apollo by Isis and Osiris, while the Gods were yet in Rhea’s womb, hints out unto us that, before this world became visible and was completed by reason, matter, being convinced by Nature that she was imperfect alone, brought forth the first production. For which reason they also say, this deity was born a cripple in the dark, and they call him the elder Horus; for he was not the world, but a kind of a picture and phantom of the world to be afterwards.

ὁ δʼ Ὧρος οὗτος αὐτός ἐστιν ὡρισμένος καὶ τέλειος, οὐκ ἀνῃρηκὼς τὸν Τυφῶνα παντάπασιν, ἀλλὰ τὸ δραστήριον καὶ ἰσχυρὸν αὐτοῦ παρῃρημένος ὅθεν ἐν Κοπτῷ τὸ ἄγαλμα τοῦ Ὥρου λέγουσιν ἐν τῇ ἑτέρᾳ χειρὶ Τυφῶνος αἰδοῖα κατέχειν· καὶ τὸν Ἑρμῆν μυθολογοῦσιν ἐξελόντα τοῦ Τυφῶνος τὰ νεῦρα χορδαῖς χρήσασθαι, διδάσκοντες ὡς τὸ πᾶν ὁ λόγος διαρμοσάμενος σύμφωνον ἐξ ἀσυμφώνων μερῶν ἐποίησε, καὶ τὴν φθαρτικὴν οὐκ ἀπώλεσεν ἀλλʼ ἀνεπήρωσε δύναμιν. ὅθεν ἐκεῖ μὲν ἀσθενὴς καὶ ἀδρανής, ἐνταῦθα δὲ φυρομένη καὶ προσπλεκομένη τοῖς παθητικοῖς καὶ μεταβολικοῖς μέρεσι, σεισμῶν μὲν ἐν γῇ καὶ τρόμων, αὐχμῶν δʼ ἐν ἀέρι καὶ πνευμάτων ἀτόπων, αὖθις δὲ πρηστήρων καὶ κεραυνῶν δημιουργός ἐστι. φαρμάττει δὲ καὶ λοιμοῖς ὕδατα καὶ πνεύματα, καὶ μέχρι σελήνης ἀνατρέχει καὶ ἀναχαιτίζει συγχέουσα καὶ μελαίνουσα πολλάκις τὸ λαμπρόν, ὡς Αἰγύπτιοι νομίζουσι καὶ λέγουσιν, ὅτι τοῦ Ὥρου νῦν μὲν ἐπάταξε, νῦν δʼ ἐξελὼν κατέπιεν ὁ Τυφὼν τὸν ὀφθαλμόν, εἶτα τῷ ἡλίῳ πάλιν ἀπέδωκε· πληγὴν μὲν αἰνιττόμενοι τὴν κατὰ μῆνα μείωσιν τῆς σελήνης, πήρωσιν δὲ τὴν ἔκλειψιν, ἣν ὁ ἥλιος ἰᾶται διαφυγούσῃ τὴν σκιὰν τῆς γῆς εὐθὺς ἀντιλάμπων.

This Horus is terminate and complete of himself, yet hath he not quite destroyed Typhon, but only taken off his over great activity and brutal force. Whence it is they tell us that at Copto the statue of Horus holds fast in hand the privities of Typhon; and they fable that Mercury took out Typhon’s sinews and used them for harp-strings, to denote unto us that, when reason composed the universe, it made one concord out of many discords, and did not abolish but accomplish the corruptible faculty. Whence it comes that this power, being weak and feeble in the present state of things, blends and mixes with passible and mutable parts of the world, and so becomes in the earth the causer of concussions and shakings, and in the air of parching droughts and tempestuous winds, as also of hurricanes and thunders. It likewise infects both waters and winds with pestilential diseases, and runs up and insolently rages as high as the very moon, suppressing many times and blackening the lucid part, as the Egyptians believe. They relate that Typhon one while smote Horus’s eye, and another while plucked it out and swallowed it up, and afterwards gave it back to the sun; intimating by the blow the monthly diminution of the moon, and by the blinding of him its eclipse, which the sun cures again by shining presently upon it as soon as it hath escaped from the shadow of the earth.

People and places in this passage

English translation by William Baxter (1874). Original text: William W. Goodwin (ed.), Plutarch's Morals, translated from the Greek by several hands, vol. 4, Boston: Little, Brown and Company; Cambridge: Press of John Wilson and Son, 1874 (Greek text: Gregorius N. Bernardakis, Plutarchi Chaeronensis Moralia, vol. 2, Leipzig: Teubner, 1889, as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.