Pausanias · Description of Greece Ἑλλάδος Περιήγησις

Pausanias, Description of Greece 1.8.1–6: Athens: Attalus of Pergamum, Demosthenes and the temple of Ares

Pausanias gives the history of Attalus of Pergamum, nephew of Philetaerus, who forced the Gauls back from the coast. Statues near the Agora include Lycurgus, Callias and Demosthenes, whose exile and death by poison at Calauria he recounts. He also describes the temple of Ares with works by Alcamenes and the sons of Praxiteles, statues of Calades and Pindar, the group of Harmodius and Aristogiton, and the Egyptian kings’ statues before the Music Hall.

Sections 1.8.1–6 · 545 words · click a number to copy its link

ἀπαιτεῖ δὲ ὁ λόγος δηλῶσαι καὶ τὰ ἐς Ἄτταλον ἔχοντα, ὅτι καὶ οὗτος τῶν ἐπωνύμων ἐστὶν Ἀθηναίοις. ἀνὴρ Μακεδὼν Δόκιμος ὄνομα, στρατηγὸς Ἀντιγόνου, Λυσιμάχῳ παραδοὺς ὕστερον αὑτὸν καὶ τὰ χρήματα, Φιλέταιρον Παφλαγόνα εἶχεν εὐνοῦχον. ὅσα μὲν δὴ Φιλεταίρῳ πεπραγμένα ἐς τὴν ἀπόστασίν ἐστι τὴν ἀπὸ Λυσιμάχου καὶ ὡς Σέλευκον ἐπηγάγετο, ἔσται μοι τῶν ἐς Λυσίμαχον παρενθήκη· ὁ δὲ Ἄτταλος Ἀττάλου μὲν παῖς ὤν, ἀδελφιδοῦς δὲ Φιλεταίρου, τὴν ἀρχὴν Εὐμένους παραδόντος ἔσχεν ἀνεψιοῦ. μέγιστον δέ ἐστίν οἱ τῶν ἔργων· Γαλάτας γὰρ ἐς τὴν γῆν, ἣν ἔτι καὶ νῦν ἔχουσιν, ἀναφυγεῖν ἠνάγκασεν ἀπὸ θαλάσσης.

μετὰ δὲ τὰς εἰκόνας τῶν ἐπωνύμων ἐστὶν ἀγάλματα θεῶν, Ἀμφιάραος καὶ Εἰρήνη φέρουσα Πλοῦτον παῖδα. ἐνταῦθα Λυκοῦργός τε κεῖται χαλκοῦς ὁ Λυκόφρονος καὶ Καλλίας, ὃς πρὸς Ἀρταξέρξην τὸν Ξέρξου τοῖς Ἕλλησιν, ὡς Ἀθηναίων οἱ πολλοὶ λέγουσιν, ἔπραξε τὴν εἰρήνην· ἔστι δὲ καὶ Δημοσθένης, ὃν ἐς Καλαυρείαν Ἀθηναῖοι τὴν πρὸ Τροιζῆνος νῆσον ἠνάγκασαν ἀποχωρῆσαι, δεξάμενοι δὲ ὕστερον διώκουσιν αὖθις μετὰ τὴν ἐν Λαμίᾳ πληγήν.

Δημοσθένης δέ ὡς τὸ δεύτερον ἔφυγε, περαιοῦται καὶ τότε ἐς τὴν Καλαυρείαν, ἔνθα δὴ πιὼν φάρμακον ἐτελεύτησεν· φυγάδα τε Ἕλληνα μόνον τοῦτον Ἀντιπάτρῳ καὶ Μακεδόσιν οὐκ ἀνήγαγεν Ἀρχίας. ὁ δὲ Ἀρχίας οὗτος Θούριος ὢν ἔργον ἤρατο ἀνόσιον· ὅσοι Μακεδόσιν ἔπραξαν ἐναντία πρὶν ἢ τοῖς Ἕλλησι τὸ πταῖσμα τὸ ἐν Θεσσαλίᾳ γενέσθαι, τούτους ἦγεν Ἀρχίας Ἀντιπάτρῳ δώσοντας δίκην. Δημοσθένει μὲν ἡ πρὸς Ἀθηναίους ἄγαν εὔνοια ἐς τοῦτο ἐχώρησεν· εὖ δέ μοι λελέχθαι δοκεῖ ἄνδρα ἀφειδῶς ἐκπεσόντα ἐς πολιτείαν καὶ πιστὰ ἡγησάμενον τὰ τοῦ δήμου μήποτε καλῶς τελευτῆσαι.

τῆς δὲ τοῦ Δημοσθένους εἰκόνος πλησίον Ἄρεώς ἐστιν ἱερόν, ἔνθα ἀγάλματα δύο μὲν Ἀφροδίτης κεῖται, τὸ δὲ τοῦ Ἄρεως ἐποίησεν Ἀλκαμένης, τὴν δὲ Ἀθηνᾶν ἀνὴρ Πάριος, ὄνομα δὲ αὐτῷ Λόκρος. ἐνταῦθα καὶ Ἐνυοῦς ἄγαλμά ἐστιν, ἐποίησαν δὲ οἱ παῖδες οἱ Πραξιτέλους· περὶ δὲ τὸν ναὸν ἑστᾶσιν Ἡρακλῆς καὶ Θησεὺς καὶ Ἀπόλλων ἀναδούμενος ταινίᾳ τὴν κόμην, ἀνδριάντες δὲ Καλάδης Ἀθηναίοις ὡς λέγεται νόμους γράψας καὶ Πίνδαρος ἄλλα τε εὑρόμενος παρὰ Ἀθηναίων καὶ τὴν εἰκόνα, ὅτι σφᾶς ἐπῄνεσεν ᾆσμα ποιήσας.

οὐ πόρρω δὲ ἑστᾶσιν Ἁρμόδιος καὶ Ἀριστογείτων οἱ κτείναντες Ἵππαρχον· αἰτία δὲ ἥτις ἐγένετο καὶ τὸ ἔργον ὅντινα τρόπον ἔπραξαν, ἑτέροις ἐστὶν εἰρημένα. τῶν δὲ ἀνδριάντων οἱ μέν εἰσι Κριτίου τέχνη, τοὺς δὲ ἀρχαίους ἐποίησεν Ἀντήνωρ· Ξέρξου δέ, ὡς εἷλεν Ἀθήνας ἐκλιπόντων τὸ ἄστυ Ἀθηναίων, ἀπαγαγομένου καὶ τούτους ἅτε λάφυρα, κατέπεμψεν ὕστερον Ἀθηναίοις Ἀντίοχος.

τοῦ θεάτρου δὲ ὃ καλοῦσιν Ὠιδεῖον ἀνδριάντες πρὸ τῆς ἐσόδου βασιλέων εἰσὶν Αἰγυπτίων. ὀνόματα μὲν δὴ κατὰ τὰ αὐτὰ Πτολεμαῖοί σφισιν, ἄλλη δὲ ἐπίκλησις ἄλλῳ· καὶ γὰρ Φιλομήτορα καλοῦσι καὶ Φιλάδελφον ἕτερον, τὸν δὲ τοῦ Λάγου Σωτῆρα παραδόντων Ῥοδίων τὸ ὄνομα. τῶν δὲ ἄλλων ὁ μὲν Φιλάδελφός ἐστιν οὗ καὶ πρότερον μνήμην ἐν τοῖς ἐπωνύμοις ἐποιησάμην, πλησίον δέ οἱ καὶ Ἀρσινόης τῆς ἀδελφῆς ἐστιν εἰκών.

The subject requires that I should relate also the history of Attalus, for he is another of the eponymous heroes of Athens. A Macedonian named Docimus, a general of Antigonus, who afterwards surrendered himself and his treasures to Lysimachus, had a Paphlagonian eunuch Philetaerus. How Philetaerus revolted from Lysimachus and drew Seleucus over to his side, I shall take occasion to mention when I treat of Lysimachus.

Attalus was the son of Attalus, and nephew of Philetaerus, and he succeeded to the dominion which his cousin Eumenes transmitted to him. His greatest achievement was compelling the Gauls to retreat from the coast into the territory which they still occupy.

After the statues of the eponymous heroes, there are images of gods, to wit, Amphiaraus, and Peace carrying the child Wealth. Here is a bronze statue of Lycurgus, son of Lycophron, and another of Callias, who, as most of the Athenians relate, negotiated the peace between the Greeks and Artaxerxes, son of Xerxes.

There is also a statue of Demosthenes, whom the Athenians forced to withdraw to Calauria, the island off Troezen: afterwards they received him back, but banished him again after the defeat at Lamia. In his second exile Demosthenes crossed once more to Calauria, where he drank poison and died: he was the only Greek exile whom Archias did not deliver up to Antipater and the Macedonians. This Archias was a native of Thurii, and did a foul deed: he brought to Antipater for punishment all who had sided against the Macedonians before the overthrow of the Greeks in Thessaly. Such was the end of the great love that Demosthenes bore his country. Well, methinks, has it been said that the man who throws himself heart and soul into a political career and puts his trust in the people never yet came to a good end.

Near the statue of Demosthenes is a sanctuary of Ares, where are two images of Aphrodite: the image of Ares was made by Alcamenes, that of Athena by a native of Paros named Locrus. Here, too, is an image of Enyo, made by the sons of Praxiteles. Round about the temple stand images of Hercules, Theseus, and Apollo binding his hair with a fillet; and there are statues of Calades, who is said to have drawn up laws for the Athenians, and of Pindar, who received this statue and other honours from the Athenians, because he praised them in a song. Not far off stand statues of Harmodius and Aristogiton, who slew Hipparchus: the cause and the manner of the deed have been told by others. These statues are by Critias ; but the old ones were made by Antenor. Xerxes carried them off with other booty when he captured Athens after its evacuation by the Athenians ; but Antiochus afterwards sent them back to Athens. Before the entrance of the theatre which they call the Music Hall, are statues of Egyptian kings. All bear the name of Ptolemy, but each has a surname of his own: one they call Philometer, another Philadelphus, while another, the son of Lagus, is called Soter (‘saviour’), a name bestowed upon him by the Rhodians. Philadelphus is he whom I mentioned among the eponymous heroes. Near him is a statue of his sister Arsinoe.

People and places in this passage

English translation by Sir James George Frazer (1898). Original text: Friedrich Spiro (ed.), Pausaniae Graeciae descriptio, 3 vols., Leipzig: Teubner, 1903 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain (OCR from the Internet Archive scan). Introductions, summaries and notes © GreekMythology.com.