Euripides · Cyclops Κύκλωψ

Euripides, Cyclops 624–662: Fifth episode: the satyrs shrink back from the brand

Odysseus calls for silence and tells the satyrs to go in and grip the red-hot brand, but one after another they find excuses, one claiming to have gone lame and another to have dust in his eyes. The Chorus offers instead a spell of Orpheus. Odysseus calls them worthless allies and says that he will use his own men, while the Chorus promises to encourage him from outside.

Lines 624–662 · 344 words · click a number to copy its link
Ὀδυσσεύς 624σιγᾶτε πρὸς θεῶν, θῆρες, ἡσυχάζετε, 625συνθέντες ἄρθρα στόματος· οὐδὲ πνεῖν ἐῶ, οὐ σκαρδαμύσσειν οὐδὲ χρέμπτεσθαί τινα, ὡς μὴ ’ξεγερθῇ τὸ κακόν, ἔστ’ ἂν ὄμματος ὄψις Κύκλωπος ἐξαμιλληθῇ πυρί. Χορός σιγῶμεν ἐγκάψαντες αἰθέρα γνάθοις. Ὀδυσσεύς 630ἄγε νυν ὅπως ἅψεσθε τοῦ δαλοῦ χεροῖν ἔσω μολόντες· διάπυρος δ’ ἐστὶν καλῶς. Χορός οὐκοῦν σὺ τάξεις οὕστινας πρώτους χρεὼν καυτὸν μοχλὸν λαβόντας ἐκκάειν τὸ φῶς Κύκλωπος, ὡς ἂν τῆς τύχης κοινώμεθα; Χορὸς α 635ἡμεῖς μέν ἐσμεν μακροτέρω πρὸ τῶν θυρῶν ἑστῶτες ὠθεῖν ἐς τὸν ὀφθαλμὸν τὸ πῦρ. Χορὸς β ἡμεῖς δὲ χωλοί γ’ ἀρτίως γεγενήμεθα. Χορὸς γ ταὐτὸν πεπόνθατ’ ἆρ’ ἐμοί· τοὺς γὰρ πόδας ἑστῶτες ἐσπάσθημεν οὐκ οἶδ’ ἐξ ὅτου. Ὀδυσσεύς 640ἑστῶτες ἐσπάσθητε; Χορὸς δ καὶ τά γ’ ὄμματα μέστ’ ἐστὶν ἡμῖν κόνεος ἢ τέφρας ποθέν. Ὀδυσσεύς ἄνδρες πονηροὶ κοὐδὲν οἵδε σύμμαχοι. Χορός ὁτιὴ τὸ νῶτον τὴν ῥάχιν τ’ οἰκτίρομεν καὶ τοὺς ὀδόντας ἐκβαλεῖν οὐ βούλομαι 645τυπτόμενος, αὕτη γίγνεται πονηρία; ἀλλ’ οἶδ’ ἐπῳδὴν Ὀρφέως ἀγαθὴν πάνυ, ὡς αὐτόματον τὸν δαλὸν ἐς τὸ κρανίον στείχονθ’ ὑφάπτειν τὸν μονῶπα παῖδα γῆς. Ὀδυσσεύς πάλαι μὲν ᾔδη σ’ ὄντα τοιοῦτον φύσει, 650νῦν δ’ οἶδ’ ἄμεινον. τοῖσι δ’ οἰκείοις φίλοις χρῆσθαί μ’ ἀνάγκη. χειρὶ δ’ εἰ μηδὲν σθένεις, ἀλλ’ οὖν ἐπεγκέλευέ γ’, ὡς εὐψυχίαν φίλων κελευσμοῖς τοῖσι σοῖς κτησώμεθα. Χορός δράσω τάδ’. ἐν τῷ Καρὶ κινδυνεύσομεν. 655κελευσμάτων δ’ ἕκατι τυφέσθω Κύκλωψ.

Odysseus Silence, ye cattle! I adjure you; close your lips; make not a sound! I’ll not let a man of you so much as breathe or wink or clear his throat, that yon pest awake not, until the sight in the Cyclops’ eye has passed through the fiery ordeal.

Chorus Silent we stand with ’bated breath.

Odysseus In then, and mind your fingers grip the brand, for it is splendidly red-hot.

Chorus Thyself ordain who first must seize the blazing bar and burn the Cyclops’ eye out, that we may share alike whate’er betides.

First Half-Chorus Standing where I am before the door, I am too far off to thrust the fire into his eye.

Second Half-Chorus I have just gone lame.

First Half-Chorus Why, then, thou art in the same plight as I; for somehow or other I sprained my ankle, standing still.

Odysseus Sprained thy ankle, standing still?

Second Half-Chorus Yes, and my eyes are full of dust or ashes from somewhere or other.

Odysseus These are sorry fellows, worthless as allies.

Chorus Because I feel for my back and spine, and express no wish to have my teeth knocked out, I am a coward, am I? Well, but I know a spell of Orpheus, a most excellent one, to make the brand enter his skull of its own accord, and set alight the one-eyed son of Earth.

Odysseus Long since I knew thou wert by nature such an one, and now I know it better; I must employ my own friends; but, though thou bring no active aid, cheer us on at any rate, that I may find my friends emboldened by thy encouragement.

Chorus That will I do; the Carian shall run the risk for us; and as far as encouragement goes, let the Cyclops smoulder.

Chorus

656ἰὼ ἰώ· γενναιότατ’ ὠ- θεῖτε σπεύδετ’. ἐκκαίετε τὰν ὀφρὺν θηρὸς τοῦ ξενοδαίτα τυφέτω, καιέτω 660τὸν Αἴτνας μηλονόμον. τόρνευ’, ἕλκε, μή σ’ ἐξοδυνηθεὶς δράσῃ τι μάταιον.

What ho! my gallants, thrust away, make haste and burn his eye-brow off, the monster’s guest-devouring. Oh! singe and scorch the shepherd of Aetna; twirl the brand and drag it round and be careful lest in his agony he treat thee to some wantonness.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.