Aristophanes · Thesmophoriazusae Θεσμοφοριάζουσαι

Aristophanes, Thesmophoriazusae 1136–1231: Exodos: the bargain with the women and the rescue

After a choral song, Euripides offers the women a bargain, that he will never again abuse their sex if they will help him free his kinsman, and they agree. He lures the Scythian away with a dancing girl, who takes the archer's bow-case and runs off, and Mnesilochus slips his bonds and escapes with Euripides. The chorus send the Scythian off in the wrong direction and close the play with a prayer.

Lines 1136–1231 · 687 words · click a number to copy its link

CHORUS

1136Παλλάδα τὴν φιλόχορον ἐμοὶ δεῦρο καλεῖν νόμος ἐς χορόν, παρθένον ἄζυγα κούρην, 1140ἣ πόλιν ἡμετέραν ἔχει καὶ κράτος φανερὸν μόνη κλῃδοῦχός τε καλεῖται. φάνηθʼ ὦ τυράννους στυγοῦσʼ ὥσπερ εἰκός. 1145δῆμός τοί σε καλεῖ γυναικῶν· ἔχουσα δέ μοι μόλοις εἰρήνην φιλέορτον. ἥκετʼ εὔφρονες ἵλαοι, πότνιαι, ἄλσος ἐς ὑμέτερον, 1150οὗ δὴ ἀνδράσιν οὐ θέμις εἰσορᾶν ὄργια σεμνὰ θεοῖν, ἵνα λαμπάσι

Pallas we call upon, Chastest and purest one, Maiden and Virgin, our Revels to see: Guarding our portals Alone of Immortals, Mightily, potently, Keeping the key. Hater of Tyranny, Come, for we call thee, we Women in Chorus. Bring Peace again with thee, Jocundly, merrily, Long to reign o’er us. Sacred, unearthly ones, Awfullest Shades, Graciously, peacefully, Come to your glades. Man must not gaze on the Rites at your shrine,

Χορός 1152φαίνετον ἄμβροτον ὄψιν. μόλετον ἔλθετον, ἀντόμεθʼ ὦ Θεσμοφόρω πολυποτνία, 1155εἰ καὶ πρότερόν ποτʼ ἐπηκόω ἤλθετον, ἔλθετε νῦν, ἀφίκεσθʼ ἱκετεύομεν ἐνθάδε χἠμῖν. Εὐριπίδης 1160γυναῖκες εἰ βούλεσθε τὸν λοιπόν χρόνον σπονδὰς ποιήσασθαι πρὸς ἐμέ, νυνὶ πάρα, ἐφʼ ᾧτʼ ἀκοῦσαι μηδὲν ὑπʼ ἐμοῦ μηδαμὰ κακὸν τὸ λοιπόν. ταῦτʼ ἐπικηρυκεύομαι. Χορός χρείᾳ δὲ ποίᾳ τόνδʼ ἐπεσφέρεις λόγον; Εὐριπίδης 1165ὅδʼ ἐστὶν οὑν τῇ σανίδι κηδεστὴς ἐμός. ἢν οὖν κομίσωμαι τοῦτον, οὐδὲν μή ποτε κακῶς ἀκούσητʼ· ἢν δὲ μὴ πίθησθέ μοι, ἃ νῦν ὑποικουρεῖτε τοῖσιν ἀνδράσιν ἀπὸ τῆς στρατιᾶς παροῦσιν ὑμῶν διαβαλῶ. Χορός 1170τὰ μὲν παρʼ ἡμῶν ἴσθι σοι πεπεισμένα· τὸν βάρβαρον δὲ τοῦτον αὐτὸς πεῖθε σύ. Εὐριπίδης ἐμὸν ἔργον ἐστίν· καὶ σὸν ὦλάφιον ἅ σοι καθʼ ὁδὸν ἔφραζον ταῦτα μεμνῆσθαι ποιεῖν. πρῶτον μὲν οὖν δίελθε κἀνακάλπασον. 1175σὺ δʼ ὦ Τερηδὼν ἐπαναφύσα Περσικόν. Τοξότης τί τὸ βόμβο τοῦτο; κῶμο τίς ἀνεγεῖρί μοι Εὐριπίδης ἡ παῖς ἔμελλε προμελετᾶν ὦ τοξότα. ὀρχησομένη γὰρ ἔρχεθʼ ὡς ἄνδρας τινάς. Τοξότης ὀρκῆσι καὶ μελετῆσι, οὐ κωλύσʼ ἐγώ.

CHORUS Torch-glimmer flashing o’er Features divine. Come, for we’re pouring Imploring, adoring, Intense veneration; Dawn on your worshippers, Givers of Home and our Civilization.

EURIPIDES Ladies, I offer terms. If well and truly Your honourable sex befriend me now, I won’t abuse your honourable sex From this time forth for ever. This I offer.

CHORUS (suspiciously) But what’s your object in proposing this?

EURIPIDES That poor old man there, he’s my poor old cousin. Let him go free; and nevermore will I Traduce your worthy sex; but if you won’t, I’ll meet your husbands coming from the Wars, And put them up to all your goings-on.

CHORUS We take your terms, so far as we’re concerned, But you yourself must manage with the Scythian.

EURIPIDES I’ll manage him. Now, Hop-o’-my-thumb, come forward, (A dancing-girl enters.) And mind the things I taught you on the way. Hold up your frock: skip lightly through the dance. The Persian air, Teredon, if you please.

SCYTHIAN Vy, vat dis buzbuz? revels come dis vay?

EURIPIDES She’s going to practise, Scythian, that is all. She’s got to dance in public by-and-by.

SCYTHIAN Yesh, practish, yesh. Hoick! how se bobs about!

Τοξότης 1180ὡς ἐλαπρός, ὥσπερ ψύλλο κατὰ τὸ κῴδιο. Εὐριπίδης φέρε θοἰμάτιον ἄνωθεν ὦ τέκνον τοδί· καθιζομένη δʼ ἐπὶ τοῖσι γόνασι τοῦ Σκύθου τὼ πόδε πρότεινον, ἵνʼ ὑπολύσω. Τοξότης ναῖκι ναὶ κάτησο κάτησο, ναῖκι ναῖκι τυγάτριον. 1185οἴμʼ ὠς στέριπο τὸ τιττἴ, ὤσπερ γογγύλη. Εὐριπίδης αὔλει σὺ θᾶττον· ἔτι δέδοικας τὸν Σκύθην; Τοξότης καλό γε τὸ πυγή. κλαῦσί γʼ ἂν μὴ ʼνδον μένῃς. ἀνακύπτι καὶ παρακύπτι ἀπεψωλημένος· εἶεν· καλὴ τὸ σκῆμα περὶ τὸ πόστιον. Εὐριπίδης καλῶς ἔχει. λαβὲ θοἰμάτιον· ὥρα ʼστὶ νῷν 1190ἤδη βαδίζειν. Τοξότης οὐκὶ πιλῆσι πρῶτά με; Εὐριπίδης πάνυ γε· φίλησον αὐτόν. Τοξότης ὂ ὂ ὂ παπαπαπαῖ, ὠς γλυκερὸ τὸ γλῶσσʼ, ὤσπερ Ἀττικὸς μέλις. τί οὐ κατεύδει παρʼ ἐμέ; Εὐριπίδης χαῖρε τοξότα, οὐ γὰρ γένοιτʼ ἂν τοῦτο. Τοξότης ναὶ ναὶ γρᾴδιο. 1195ἐμοὶ κάρισο σὺ τοῦτο. Εὐριπίδης δώσεις οὖν δραχμήν; Τοξότης ναὶ ναῖκι δῶσι. Εὐριπίδης τἀργύριον τοίνυν φέρε. Τοξότης ἀλλʼ οὐκ ἔκὠδέν· ἀλλὰ τὸ συβήνην λαβέ. Εὐριπίδης ἔπειτα † κομίζεις αὐτοῖς.† Τοξότης ἀκολούτι τέκνον. σὺ δὲ τοῦτο τήρει τὴ γέροντο, γρᾴδιο. 1200ὄνομα δέ σοι τί ἔστιν; Εὐριπίδης Ἀρτεμισία. Τοξότης μεμνῆσι τοίνυν τοὔνομʼ· Ἀρταμουξία.

SCYTHIAN Now here, now dere: von vlea upon de planket.

EURIPIDES Just stop a moment; throw your mantle off; Come, sit you down beside the Scythian here, And I’ll unloose your slippers. That will do. We must be moving homeward.

SCYTHIAN May I tiss her?

EURIPIDES Once, only once.

SCYTHIAN (kissing her) O, O, vat vare sweet tiss! Dat’s vare moche sweeter dan zure Attish honies. Dooze let me tiss her tecon time, ole lady.

EURIPIDES No, Scythian, no; we really can’t allow it.

SCYTHIAN O doozy, doozy, dear ole lady, doozy.

EURIPIDES Will you give silver for one kiss?

SCYTHIAN Yesh! yesh!

EURIPIDES Well, p’raps on that consideration, Scythian, We won’t object; but give the silver first.

SCYTHIAN Silver? Vy, vere? I’se got none. Take dis bow-cus. Zu, vat I call zu?

EURIPIDES Artemisia.

SCYTHIAN Yesh. Hartomixer.

Εὐριπίδης 1202Ἑρμῆ δόλιε ταυτὶ μὲν ἔτι καλῶς ποιεῖς. σὺ μὲν οὖν ἀπότρεχε παιδάριον τουτὶ λαβών· ἐγὼ δὲ λύσω τόνδε. σὺ δʼ ὅπως ἀνδρικῶς 1205ὅταν λυθῇς τάχιστα θεύξει καὶ τενεῖς ὡς τὴν γυναῖκα καὶ τὰ παιδἴ οἴκαδε. Μνησίλοχος ἐμοὶ μελήσει ταῦτά γʼ ἢν ἅπαξ λυθῶ. Εὐριπίδης λέλυσο. σὸν ἔργον, φεῦγε πρὶν τὸν τοξότην ἥκοντα καταλαβεῖν. Μνησίλοχος ἐγὼ δὴ τοῦτο δρῶ. Τοξότης 1210ὦ γρᾴδιʼ ὠς καρίεντό σοι τὸ τυγάτριον, κοὐ δύσκολʼ ἀλλὰ πρᾶο. ποῦ τὸ γρᾴδιο; οἴμʼ ὠς ἀπόλωλο· ποῦ τὸ γέροντʼ ἐντευτενί; ὦ γρᾴδιʼ, ὦ γρᾷ. οὐκ ἐπαινῶ γρᾴδιο. Ἀρταμουξία. διέβαλλέ μʼ ηʼ γραῦς. ἀπότρεκʼ ὠς τάκιστα σύ· 1215ὀρτῶς δὲ συβήνη ʼστί· καταβηνῆσι γάρ. οἴμοι, τί δρᾶσι; ποῖ τὸ γρᾴδιʼ; Ἀρταμουξία. Χορός τὴν γραῦν ἐρωτᾷς, ἣ ʼφερεν τὰς πηκτίδας; Τοξότης ναὶ ναῖκι. εἶδες αὐτό; Χορός ταύτῃ γʼ οἴχεται αὐτή τʼ ἐκείνη καὶ γέρων τις εἵπετο. Τοξότης 1220κροκῶτʼ ἔκοντο τὴ γέροντο; Χορός φήμʼ ἐγώ. ἔτʼ ἂν καταλάβοις, εἰ διώκοις ταυτῃί. Τοξότης ὦ μιαρὸ γρᾶο· πότερα τρέξι τὴν ὀδό;

EURIPIDES Hillo, what’s that? She’s off.

SCYTHIAN I’se fetch her pack; zu, look to bad ole man.

EURIPIDES O tricky Hermes, you befriend me still. Good-bye, old Scythian; catch her if you can. Meanwhile I’ll free your prisoner: and do you (to Mn.) Run like a hero, when I’ve loosed your bonds, Straight to the bosom of your family.

MNESILOCHUS Trust me for that, so soon as these are off.

EURIPIDES There then, they are off: now run away, before The Scythian come and catch you.

MNESILOCHUS Won’t I just!

SCYTHIAN Ole lady, here’s—vy, vere’s ole lady fannish? Vere’s dat ole man? O bah, I smells de trick. Ole lady, dis vare bad o’ zu, ole lady! Me nod expex dis of zu. Bad ole lady. Hartomixer! Bow-cusses? Yesh, zu von big howcus-bowcus. Vat sall I does? vere can ole lady was? Hartomixer!

CHORUS Mean you the ancient dame who bore the lute?

SCYTHIAN Yesh, does zu saw her?

CHORUS Yes, indeed I did. She went that way: there was an old man with her.

SCYTHIAN Von yellow-shilk ole man?

CHORUS Exactly so. I think you’ll catch them if you take that road.

SCYTHIAN Vare bad ole lady, did se vich vay run? Hartomixer!

Τοξότης 1223Ἀρταμουξία. Χορός ὀρθὴν ἄνω δίωκε. ποῖ θεῖς; οὐ πάλιν τῃδὶ διώξει; σʼ τοὔμπαλιν τρέχεις σύ γε. Τοξότης 1225κακόδαιμον, ἀλλὰ τρέξι. Ἀρταμουξία. Χορός τρέχε νυν κατὰ τοὺς κόρακας ἐπουρίσας, τρέχε. ἀλλὰ πέπαισται μετρίως ἡμῖν· ὥσθʼ ὥρα δή ʼστι βαδίζειν οἴκαδʼ ἑκάστῃ. τὼ Θεσμοφόρω δʼ 1230ἡμῖν ἀγαθὴν τούτων χάριν ἀνταποδοίτην.

CHORUS Straight up the hill; no, no, not that direction. You’re going wrong: see, that’s the way she went.

SCYTHIAN O dear, O dear, but Hartomixer runnish. (He runs out the wrong way.)

CHORUS Merrily, merrily, merrily on to your own confusion go. But we’ve ended our say, and we’re going away, Like good honest women, straight home from the Play. And we trust that the twain Home-givers will deign To bless with success our performance to-day.

English translation by Benjamin Bickley Rogers (1924). Original text: Greek text: F. W. Hall and W. M. Geldart (eds.), Aristophanis Comoediae, Oxford Classical Texts, Oxford: Clarendon Press, 1906-1907, as digitised by Perseus. English: Benjamin Bickley Rogers, Aristophanes, vol. III, Loeb Classical Library, London: William Heinemann, and New York: G. P. Putnam's Sons, 1924.

Greek text and translation from the Perseus Digital Library, Tufts University, Greek: CC BY-SA 4.0 (Perseus Digital Library); translation public domain (Rogers). Introductions, summaries and notes © GreekMythology.com.