Aeschylus · Seven against Thebes Ἑπτὰ ἐπὶ Θήβας

Aeschylus, Seven against Thebes 792–874: Fourth episode: the Messenger announces the deaths

A Messenger tells the Chorus that the city is saved, since the attackers at six of the gates have been beaten, but that the two brothers have killed each other at the seventh gate, as their father's curse foretold. The Chorus, torn between joy and grief, sing a short lament for the dead princes and the fulfilment of the curse. They then see Antigone and Ismene coming to mourn their brothers.

Lines 792–874 · 675 words · click a number to copy its link
Ἄγγελος 792θαρσεῖτε, παῖδες μητέρων τεθραμμέναι. πόλις πέφευγεν ἥδε δούλιον ζυγόν· πέπτωκεν ἀνδρῶν ὀβρίμων κομπάσματα· 795πόλις δʼ ἐν εὐδίᾳ τε καὶ κλυδωνίου πολλαῖσι πληγαῖς ἄντλον οὐκ ἐδέξατο. στέγει δὲ πύργος, καὶ πύλας φερεγγύοις ἐφραξάμεσθα μονομάχοισι προστάταις· καλῶς ἔχει τὰ πλεῖστʼ, ἐν ἓξ πυλώμασι· 800τὰς δʼ ἑβδόμας ὁ σεμνὸς ἑβδομαγέτης ἄναξ Ἀπόλλων εἵλετʼ, Οἰδίπου γένει κραίνων παλαιὰς Λαΐου δυσβουλίας. Χορός τί δʼ ἔστι πρᾶγμα νεόκοτον πόλει πλέον; Ἄγγελος πόλις σέσωσται· βασιλέες δʼ ὁμόσποροι— Χορός 805τίνες; τί δʼ εἶπας; παραφρονῶ φόβῳ λόγου. Ἄγγελος φρονοῦσα νῦν ἄκουσον· Οἰδίπου τόκοι — Χορός οἲ ʼγὼ τάλαινα, μάντις εἰμὶ τῶν κακῶν. Ἄγγελος οὐδʼ ἀμφιλέκτως μὴν κατεσποδημένοι— Χορός ἐκεῖθι κεῖσθον ; βαρέα δʼ οὖν ὅμως φράσον. Ἄγγελος 810ἅνδρες τεθνᾶσιν ἐκ χερῶν αὐτοκτόνων. Χορός οὕτως ἀδελφαῖς χερσὶν ἠναίρονθʼ ἅμα ; οὕτως ὁ δαίμων κοινὸς ἦν ἀμφοῖν ἄγαν. αὐτὸς δʼ ἀναλοῖ δῆτα δύσποτμον γένος. τοιαῦτα χαίρειν καὶ δακρύεσθαι πάρα· 815πόλιν μὲν εὖ πράσσουσαν, οἱ δʼ ἐπιστάται, δισσὼ στρατηγώ, διέλαχον σφυρηλάτῳ Σκύθῃ σιδήρῳ κτημάτων παμπησίαν. ἕξουσι δʼ ἣν λάβωσιν ἐν ταφῇ χθονός, πατρὸς κατʼ εὐχὰς δυσπότμως φορούμενοι.

Messenger Take heart, you daughters who were nurtured by your mother. Our city has escaped the yoke of slavery; the boasts of the powerful men have fallen to the ground. The city enjoys fair weather and has taken on no water even though it has been buffeted by many waves. The walls hold, and we have fortified the gates with champions fully capable in single-handed combat. For the most part all is well, at six of the gates. But lord Apollo, the reverend leader of the seventh, took for himself the seventh gate, accomplishing upon the children of Oedipus the ancient follies of Laius.

Chorus What novel happening will further affect the city?

Messenger The city is saved, but the kings born of the same seed—

Chorus Who? What did you say? I am out of my mind with fear of your report.

Messenger Control yourself now and listen. The sons of Oedipus—

Chorus Ah, miserable me, I am prophet of these evils.

Messenger In truth, beyond all question, struck down in the dust—

Chorus Are they lying out there? This is hard to bear, but say it just the same.

Messenger The men are dead, murdered by their very own hands.

Chorus Then with hands so fraternal did they each kill the other together?

Messenger Yes, so all too equal was their destiny to them both. All alone, in truth, it consumes the ill-fated family. We have cause in this for joy and tears— the one because the city fares well, the other because the leaders, the two generals, have divided the whole of their property with hammered Scythian steel. They will possess only that land they take in burial, swept away as they were in accordance with their father’s curses.

Chorus

822ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι δαίμονες, οἳ δὴ Κάδμου πύργους τούσδε ῥύεσθε, 825πότερον χαίρω κἀπολολύξω πόλεως ἀσινεῖ σωτῆρι . ., ἢ τοὺς μογεροὺς καὶ δυσδαίμονας 830ἀτέκνους κλαύσω πολεμάρχους; οἳ δῆτʼ ὀρθῶς κατʼ ἐπωνυμίαν καὶ πολυνεικεῖς ὤλοντʼ ἀσεβεῖ διανοίᾳ.

O great Zeus and the divine powers that guard our city, you who indeed protect these walls of Cadmus, should I rejoice and shout in triumph for the unharmed safety of the city, or should I lament our leaders in war, now wretched, ill-fated and childless? Indeed, in exact accordance with their name and as men of much strife, they have perished through their impious intent.

Chorus

833ὦ μέλαινα καὶ τελεία γένεος Οἰδίπου τʼ ἀρά, κακόν με καρδίαν τι περιπίτνει κρύος. 835ἔτευξα τύμβῳ μέλος Θυιὰς αἱματοσταγεῖς νεκροὺς κλύουσα δυσμόρως θανόντας· ἦ δύσορνις ἅ- δε ξυναυλία δορός.

O black curse on the family, Oedipus’ curse, now brought to fulfillment! A chill of horror falls about my heart. In frenzy like a maenad I make my song for the grave as I hear of their corpses dripping with blood, how they died through the workings of cruel fate. This song of the spear, sung to the flute, is indeed born of an ill omen.

Chorus

840ἐξέπραξεν, οὐδʼ ἀπεῖπεν πατρόθεν εὐκταία φάτις· βουλαὶ δʼ ἄπιστοι Λαΐου διήρκεσαν. μέριμνα δʼ ἀμφὶ πτόλιν· θέσφατʼ οὐκ ἀμβλύνεται. 845ἰὼ πολύστονοι, τόδʼ ἠρ- γάσασθʼ ἄπιστον· ἦλθε δʼ αἰ- ακτὰ πήματʼ οὐ λόγῳ.

The curseful utterance of their father has done its work and not fallen short. Laius’ plans, made in disobedience, have kept their force. I am anxious for our city; divine decrees do not lose their edge. O bringers of immense grief, you have done in this a deed beyond belief, yet lamentable troubles have indeed come.

Chorus

848τάδʼ αὐτόδηλα, προῦπτος ἀγγέλου λόγος· διπλαῖ μέριμναι, διδυμάνορα 850κάκʼ αὐτοφόνα, δίμοιρα τέ- λεια τάδε πάθη. τί φῶ; τί δʼ ἄλλο γʼ ἢ πόνοι πόνων δόμων ἐφέστιοι; ἀλλὰ γόων, ὦ φίλαι, κατʼ οὖρον 855ἐρέσσετʼ ἀμφὶ κρατὶ πόμπιμον χεροῖν πίτυλον, ὃς αἰὲν διʼ Ἀχέροντʼ ἀμείβεται τὰν ἄστολον μελάγκροκον θεωρίδα, τὰν ἀστιβῆ Ἀπόλλωνι, τὰν ἀνάλιον 860πάνδοκον εἰς ἀφανῆ τε χέρσον. ἀλλὰ γὰρ ἥκουσʼ αἵδʼ ἐπὶ πρᾶγος πικρὸν Ἀντιγόνη τʼ ἠδʼ Ἰσμήνη, θρῆνον ἀδελφοῖν· οὐκ ἀμφιβόλως οἶμαί σφʼ ἐρατῶν ἐκ βαθυκόλπων 865στηθέων ἥσειν ἄλγος ἐπάξιον. ἡμᾶς δὲ δίκη πρότερον φήμης τὸν δυσκέλαδόν θʼ ὕμνον Ἐρινύος ἰαχεῖν Ἀίδα τʼ 870ἐχθρὸν παιᾶνʼ ἐπιμέλπειν. ἰώ, δυσαδελφόταται πασῶν ὁπόσαι στρόφον ἐσθῆσιν περιβάλλονται, κλαίω, στένομαι, καὶ δόλος οὐδεὶς μὴ ʼκ φρενὸς ὀρθῶς με λιγαίνειν.

The events are self-evident; the messenger’s report is plain to see. Twofold is our distress—double disaster of kindred murder, this double suffering has come to fulfillment. What shall I say? What else indeed than that sorrow born of sorrows surround this house’s hearth? But sail upon the wind of lamentation, my friends, and about your head row with your hands’ rapid stroke in conveyance of the dead, that stroke which always causes the sacred slack-sailed, black-clothed ship to pass over Acheron to the unseen land where Apollo does not walk, the sunless land that receives all men. But here come Antigone and Ismene to do their bitter duty, the dirge over their brothers both. With all sincerity, I think, will they pour forth their fitting grief from their lovely, deep-bosomed breasts. But it is right for us, before their singing, to cry out the awful hymn of the Erinys and thereafter sing the hated victory song of Hades. Ah, sisters most unfortunate in your kin of all women who clasp their girdle about their robes, I weep, I groan, and there is no feigning in the shrill cries that come straight from my heart.

People and places in this passage

English translation by Herbert Weir Smyth (modernised by Perseus) (1922). Original text: Greek text: Herbert Weir Smyth (ed. and trans.), Aeschylus, Loeb Classical Library, London: William Heinemann, 1922, as digitised by Perseus. English: Herbert Weir Smyth, Aeschylus, Loeb Classical Library, London: William Heinemann, 1922 (Perseus's modernised version of Smyth's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.