Aeschylus · Seven against Thebes Ἑπτὰ ἐπὶ Θήβας

Aeschylus, Seven against Thebes 288–368: First stasimon: the Chorus fear the capture of Thebes

The Chorus sing that fear will not leave their hearts, and describe the horrors of a captured city, with the houses burned, women and girls dragged off, and the streets filled with blood and smoke. They end by calling on the gods to prevent the capture of Thebes.

Lines 288–368 · 494 words · click a number to copy its link

Chorus

288μέλει, φόβῳ δʼ οὐχ ὑπνώσσει κέαρ· γείτονες δὲ καρδίας 290μέριμναι ζωπυροῦσι τάρβος τὸν ἀμφιτειχῆ λεών, δράκοντας ὥς τις τέκνων ὑπερδέδοικεν λεχαίων δυσευνάτορας πάντρομος πελειάς. 295τοὶ μὲν γὰρ ποτὶ πύργους πανδαμεὶ πανομιλεὶ στείχουσιν. τί γένωμαι; τοὶ δʼ ἐπʼ ἀμφιβόλοισιν ἰάπτουσι πολίταις 300χερμάδʼ ὀκριόεσσαν. παντὶ τρόπῳ, Διογενεῖς θεοί, πόλιν καὶ στρατὸν Καδμογενῆ ῥύεσθε.

I heed him, but through terror my heart finds no repose. Anxieties border upon my heart and kindle my fear of the army surrounding our walls, as a trembling dove fears for her children in the nest because of snakes that are dangerous bed-fellows. For against our fortifications some are advancing with all their men, all in formation. Ah, what will become of me? Others are hurling jagged boulders at the citizens on all sides. O Gods born of Zeus, by every means rescue our city and people, sprung from Cadmus!

Chorus

304ποῖον δʼ ἀμείψεσθε γαίας πέδον 305τᾶσδʼ ἄρειον, ἐχθροῖς ἀφέντες τὰν βαθύχθονʼ αἶαν, ὕδωρ τε Διρκαῖον, εὐ- τραφέστατον πωμάτων ὅσων ἵησιν Ποσει- 310δᾶν ὁ γαιάοχος Τηθύος τε παῖδες. πρὸς τάδʼ, ὦ πολιοῦχοι θεοί, τοῖσι μὲν ἔξω πύργων ἀνδρολέτειραν 315κῆρα, ῥίψοπλον ἄταν, ἐμβαλόντες ἄροισθε κῦδος τοῖσδε πολίταις. καὶ πόλεως ῥύτορες ἔστʼ εὔεδροί τε στάθητʼ 320ὀξυγόοις λιταῖσιν.

What more fertile plain will you find in place of ours, if you abandon to the enemy this deep-soiled land and the water of Dirce which is the most nourishing of the streams that earth-encircling Poseidon and Tethys’ children pour forth? Therefore, divine guardians of the city, hurl murderous destruction on the men outside our walls and panic that makes them throw away their weapons, and so win glory for these citizens. Defend the city and remain in possession of your home and throne in answer to our shrill, wailing prayers!

Chorus

321οἰκτρὸν γὰρ πόλιν ὧδʼ ὠγυγίαν Ἀίδᾳ προϊάψαι, δορὸς ἄγραν δουλίαν ψαφαρᾷ σποδῷ ὑπʼ ἀνδρὸς Ἀχαιοῦ θεόθεν 325περθομέναν ἀτίμως, τὰς δὲ κεχειρωμένας ἄγεσθαι, ἒ ἔ, νέας τε καὶ παλαιὰς ἱππηδὸν πλοκάμων, περιρ- ρηγνυμένων φαρέων. βοᾷ 330δʼ ἐκκενουμένα πόλις, λαΐδος ὀλλυμένας μιξοθρόου· βαρείας τοι τύχας προταρβῶ.

It is a great cause for grief to hurl a primeval city to Hades in this way, quarry and slave of the spear, ravaged shamefully in the dusty ashes by an Argive man through divine will. And grief, too, to let the women be led away captive—ah me!—young and old, dragged by the hair, like horses, with their cloaks torn off them. A city, emptied, shouts out as the human booty perishes with mingled cries. A heavy fate, indeed, my fear anticipates.

Chorus

333κλαυτὸν δʼ ἀρτιτρόποις ὠμοδρόποις νομίμων προπάροιθεν διαμεῖψαι 335δωμάτων στυγερὰν ὁδόν· τί; τὸν φθίμενον γὰρ προλέγω βέλτερα τῶνδε πράσσειν· πολλὰ γάρ, εὖτε πτόλις δαμασθῇ, ἒ ἔ, δυστυχῆ τε πράσσει. 340ἄλλος δʼ ἄλλον ἄγει, φονεύ- ει, τὰ δὲ πυρφορεῖ· καπνῷ χραίνεται πόλισμʼ ἅπαν· μαινόμενος δʼ ἐπιπνεῖ λαοδάμας μιαίνων εὐσέβειαν Ἄρης.

It is a lamentable thing that modest girls should be plucked unripe, before the customary rites, and should make a loathsome journey from their homes. What? I declare that the dead will do better than the captives; for when a city is subdued—ah, ah!—many and miserable are its sufferings. Man drags off man, or kills, or sets fires; the whole city is defiled with smoke. Mad Ares storms, subduing the people and polluting reverence.

Chorus

345κορκορυγαὶ δʼ ἀνʼ ἄστυ, προτὶ δʼ ὁρκάνα πυργῶτις· πρὸς ἀνδρὸς δʼ ἀνὴρ ἀμφὶ δορὶ κλίνεται· βλαχαὶ δʼ αἱματόεσσαι τῶν ἐπιμαστιδίων 350ἀρτιτρεφεῖς βρέμονται. ἁρπαγαὶ δὲ διαδρομᾶν ὁμαίμονες· ξυμβολεῖ φέρων φέροντι, καὶ κενὸς κενὸν καλεῖ, ξύννομον θέλων ἔχειν, 355οὔτε μεῖον οὔτʼ ἴσον λελιμμένοι. τἀκ τῶνδʼ εἰκάσαι λόγος πάρα.

Tumults swell through the town, and against it a towering net is advancing. Man falls before man beneath the spear. Sobs and wails over gore-covered babes, just nursed at their mothers’ breasts, resound. Rape and pillage of those fleeing through the city are the deeds of one’s own blood. Plunderer joins up with plunderer; the empty-handed calls to the empty-handed, wishing to have a partner, each greedy for neither less nor equal share. Reason exists for imagining what will come after this.

Chorus

357παντοδαπὸς δὲ καρπὸς χαμάδις πεσὼν ἀλγύνει κυρήσας· πικρὸν δʼ ὄμμα θαλαμηπόλων· 360πολλὰ δʼ ἀκριτόφυρτος γᾶς δόσις οὐτιδανοῖς ἐν ῥοθίοις φορεῖται. δμωίδες δὲ καινοπήμονες νέαι· τλάμονʼ εὐνὰν αἰχμάλωτον 365ἀνδρὸς εὐτυχοῦντος ὣς δυσμενοῦς ὑπερτέρου ἐλπίς ἐστι νύκτερον τέλος μολεῖν, παγκλαύτων ἀλγέων ἐπίρροθον.

The earth’s varied fruits, fallen to the ground, give pain, a bitter sight for the maid-servants. In jumbled confusion the abundant gifts of earth are carried away by reckless looting waves. Young women, enslaved, suffer a new evil: a bed of misery, prize of the conquering enemy’s spear, as though of a prospering husband— they can expect the coming of the nightly rite, which gives aid to tears and anguish!

People and places in this passage

English translation by Herbert Weir Smyth (modernised by Perseus) (1922). Original text: Greek text: Herbert Weir Smyth (ed. and trans.), Aeschylus, Loeb Classical Library, London: William Heinemann, 1922, as digitised by Perseus. English: Herbert Weir Smyth, Aeschylus, Loeb Classical Library, London: William Heinemann, 1922 (Perseus's modernised version of Smyth's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.