Callimachus · Hymns Ὕμνοι

Callimachus, Hymns 2.1–113: Hymn to Apollo

The laurel and the temple tremble as Apollo approaches, and the profane are told to depart while the young men prepare to sing and dance. The poet praises the god's golden gear, his youth, his healing and music, and the altar of horns he built at the age of four in Ortygia. He tells how Apollo guided Battus to found Cyrene, how the Carneian festival is kept there, and how the god killed the serpent at Pytho. The hymn ends with Apollo spurning Envy with his foot.

Lines 2.1–113 · 1165 words · click a number to copy its link
1οἷον ὁ τὠπόλλωνος ἐσείσατο δάφνινος ὅρπηξ, οἷα δʼ ὅλον τὸ μέλαθρον· ἑκάς, ἑκὰς ὅστις ἀλιτρός. καὶ δή που τὰ θύρετρα καλῷ ποδὶ Φοῖβος ἀράσσει· οὐχ ὁράᾳς; ἐπένευσεν ὁ Δήλιος ἡδύ τι φοῖνιξ 5ἐξαπίνης, ὁ δὲ κύκνος ἐν ἠέρι καλὸν ἀείδει. αὐτοὶ νῦν κατοχῆες ἀνακλίνεσθε πυλάων, αὐταὶ δὲ κληῖδες· ὁ γὰρ θεὸς οὐκέτι μακρήν· οἱ δὲ νέοι μολπήν τε καὶ ἐς χορὸν ἐντύνεσθε. ὡπόλλων οὐ παντὶ φαείνεται, ἀλλʼ ὅ τις ἐσθλός· 10ὅς μιν ἴδῃ, μέγας οὗτος, ὃς οὐκ ἴδε, λιτὸς ἐκεῖνος. ὀψόμεθʼ, ὦ Ἑκάεργε, καὶ ἐσσόμεθʼ οὔποτε λιτοί. μήτε σιωπηλὴν κίθαριν μήτʼ ἄψοφον ἴχνος τοῦ Φοίβου τοὺς παῖδας ἔχειν ἐπιδημήσαντος, εἰ τελέειν μέλλουσι γάμον πολιήν τε κερεῖσθαι, 15ἑστήξειν δὲ τὸ τεῖχος ἐπʼ ἀρχαίοισι θεμέθλοις.

How the laurel branch of Apollo trembles! how trembles all the shrine! Away, away, he that is sinful! Now surely Phoebus knocketh at the door with his beautiful foot. See’st thou not? the Delian palm nods pleasantly of a sudden and the swan in the air sings sweetly. Of yourselves now ye bolts be pushed back, pushed back of yourselves; ye bars! The god is no longer far away. And ye, young men, prepare ye for song and for the dance.

Not unto everyone doth Apollo appear, but unto him that is good. Whoso hath seen Apollo, he is great; whoso hath not seen him, he is of low estate. We shall see thee, O Archer, and we shall never be lowly. Let not the youths keep silent lyre or noiseless step, when Apollo visits his shrine, if they think to accomplish marriage and to cut the locks of age, and if the wall is to stand upon its old foundations.

16ἠγασάμην τοὺς παῖδας, ἐπεὶ χέλυς οὐκέτʼ ἀεργός. εὐφημεῖτʼ ἀίοντες ἐπʼ Ἀπόλλωνος ἀοιδῇ. εὐφημεῖ καὶ πόντος, ὅτε κλείουσιν ἀοιδοὶ ἢ κίθαριν ἢ τόξα, Λυκωρέος ἔντεα Φοίβου. 20οὐδὲ Θέτις Ἀχιλῆα κινύρεται αἴλινα μήτηρ, ὁππόθʼ ἱὴ παιῆον ἱὴ παιῆον ἀκούσῃ. καὶ μὲν ὁ δακρυόεις ἀναβάλλεται ἄλγεα πέτρος, ὅστις ἐνὶ Φρυγίῃ διερὸς λίθος ἐστήρικται, μάρμαρον ἀντὶ γυναικὸς ὀιζυρόν τι χανούσης. 25ἱὴ ἱὴ φθέγγεσθε· κακὸν μακάρεσσιν ἐρίζειν. ὃς μάχεται μακάρεσσιν, ἐμῷ βασιλῆι μάχοιτο· ὅστις ἐμῷ βασιλῆι, καὶ Ἀπόλλωνι μάχοιτο. τὸν χορὸν ὡπόλλων, ὅ τι οἱ κατὰ θυμὸν ἀείδει, τιμήσει· δύναται γάρ, ἐπεὶ Διὶ δεξιὸς ἧσται. 30οὐδʼ ὁ χορὸς τὸν Φοῖβον ἐφʼ ἓν μόνον ἦμαρ ἀείσει, ἔστι γὰρ εὔυμνος· τίς ἂν οὐ ῥέα Φοῖβον ἀείδοι; χρύσεα τὠπόλλωνι τό τʼ. ἐνδυτὸν ἥ τʼ ἐπιπορπὶς ἥ τε λύρη τό τʼ ἄεμμα τὸ Λύκτιον ἥ τε φαρέτρη, χρύσεα καὶ τὰ πέδιλα· πολύχρυσος γὰρ Ἀπόλλων. 35καὶ δὲ πολυκτέανος· Πυθῶνί κε τεκμήραιο. καὶ μὲν ἀεὶ καλὸς καὶ ἀεὶ νέος· οὔποτε Θοίβου

Well done the youths, for that the shell is no longer idle.

Be hushed, ye that hear, at the song to Apollo; yea, hushed is even the sea when the minstrels celebrate the lyre or the bow, the weapons of Lycoreian Phoebus. Neither doth Thetis his mother wail her dirge for Achilles, when she hears Hië Paeëon, Hië Paeëon.

Yea, the tearful rock defers its pain, the wet stone that is set in Phrygia, a marble rock like a woman open-mouthed in some sorrowful utterance. Say ye Hie! Hië! an ill thing it is to strive with the Blessed Ones. He who fights with the Blessed Ones would fight with my King; he who fights with my King, would fight even with Apollo. Apollo will honour the choir, since it sings according to his heart; for Apollo hath power, for that he sitteth on the right hand of Zeus. Nor will the choir sing of Phoebus for one day only. He is a copious theme of song; who would not readily sing of Phoebus?

Golden is the tunic of Apollo and golden his mantle, his lyre and his Lyctian bow and his quiver: golden too are his sandals; for rich in gold is Apollo, rich also in possessions: by Pytho mightst thou guess. And ever beautiful is he and ever young: never on the girl cheeks of Apollo hath come so much as the down of manhood.

37θηλείῃσʼ οὐδʼ ὅσσον ἐπὶ χνόος ἦλθε παρειαῖς. αἱ δὲ κόμαι θυόεντα πέδῳ λείβουσιν ἔλαια· οὐ λίπος Ἀπόλλωνος ἀποστάζουσιν ἔθειραι, 40ἀλλʼ αὐτὴν πανάκειαν· ἐν ἄστεϊ δʼ ᾧ κεν ἐκεῖναι πρῶκες ἔραζε πέσωσιν ἀκήρια πάντʼ ἐγένοντο. τέχνῃ δʼ ἀμφιλαφὴς οὔ τις τόσον ὅσσον Ἀπόλλων· κεῖνος ὀιστευτὴν ἔλαχʼ ἀνέρα, κεῖνος ἀοιδὸν (Φοίβῳ γὰρ καὶ τόξον ἐπιτρέπεται καὶ ἀοιδή), 45κείνου δὲ θριαὶ καὶ μάντιες· ἐκ δέ νυ Φοίβου ἰητροὶ δεδάασιν ἀνάβλησιν θανάτοιο. Φοῖβον καὶ Νόμιον κικλήσκομεν ἐξέτι κείνου, ἐξότʼ ἐπʼ Ἀμφρυσσῷ ζευγίτιδας ἔτρεφεν ἵππους ἠιθέου ὑπʼ ἔρωτι κεκαυμένος Ἀδμήτοιο. 50ῥεῖά κε βουβόσιον τελέθοι πλέον, οὐδέ κεν αἶγες δεύοιντο βρεφέων ἐπιμηλάδες ᾗδιν Ἀπόλλων βοσκομένῃσʼ ὀφθαλμὸν ἐπήγαγεν· οὐδʼ ἀγάλακτες οἴιες οὐδʼ ἄκυθοι, πᾶσαι δέ κεν εἶεν ὕπαρνοι, ἡ δέ κε μουνοτόκος διδυμητόκος αἶψα γένοιτο. 55Φοίβῳ δʼ ἑσπόμενοι πόλιας διεμετρήσαντο ἄνθρωποι· Φοῖβος γὰρ ἀεὶ πολίεσσι φιληδεῖ κτιζομένῃσʼ, αὐτὸς δὲ θεμείλια Φοῖβος ὑφαίνει. τετραέτης τὰ πρῶτα θεμείλια Φοῖβος ἔπηξε καλῇ ἐν Ὀρτυγίῃ περιηγέος ἐγγύθι λίμνης. 60Ἄρτεμις ἀγρώσσουσα καρήατα συνεχὲς αἰγῶν Κυνθιάδων φορέεσκεν, ὁ δʼ ἔπλεκε βωμὸν Ἀπόλλων.

His locks distil fragrant oils upon the ground; not oil of fat do the locks of Apollo distil but very Healing of All. And in whatsoever city those dews fall upon the ground, in that city all things are free from harm.

None is so abundant in skill as Apollo. To him belongs the archer, to him the minstrel; for unto Apollo is given in keeping alike archery and song. His are the lots of the diviner and his the seers; and from Phoebus do leeches know the deferring of death.

Phoebus and Nomius we call him, ever since the time when by Amphrysus he tended the yoke-mares, fired with love of young Admetus. Lightly would the herd of cattle wax larger, nor would the she-goats of the flock lack young, whereon as they feed Apollo casts his eye; nor without milk would the ewes be nor barren, but all would have lambs at foot; and she that bare one would soon be the mother of twins.

And Phoebus it is that men follow when they map out cities. For Phoebus evermore delights in the founding of cities, and Phoebus himself doth weave their foundations. Four years of age was Phoebus when he framed his first foundations in fair Ortygia near the round lake.

Artemis hunted and brought continually the heads of Cynthian goats and Phoebus plaited an altar.

62δείματο μὲν κεράεσσιν ἐδέθλια, πῆξε δὲ βωμὸν ἐκ κεράων, κεραοὺς δὲ πέριξ ὑπεβάλλετο τοίχους. ὧδʼ ἔμαθεν τὰ πρῶτα θεμείλια Φοῖβος ἐγείρειν. 65Φοῖβος καὶ βαθύγειον ἐμὴν πόλιν ἔφρασε Βάττῳ καὶ Λιβύην ἐσιόντι κόραξ ἡγήσατο λαῷ δεξιὸς οἰκιστῆρι καὶ ὤμοσε τείχεα δώσειν ἡμετέροις βασιλεῦσιν· ἀεὶ δʼ εὔορκος Ἀπόλλων. ὤπολλον, πολλοί σε Βοηδρόμιον καλέουσι, 70πολλοὶ δὲ Κλάριον, πάντη δέ τοι οὔνομα πογλύ· αὐτὰρ ἐγὼ Καρνεῖον· ἐμοὶ πατρώιον οὕτω. Σπάρτη τοι, Καρνεῖε, τὸ δὴ πρώτιστον ἔδεθλον, δεύτερον αὖ Θήρη, τρίτατόν γε μὲν ἄστυ Κυρήνης. ἐκ μέν σε Σπάρτης ἕκτον γένος Οἰδιπόδαο 75ἤγαγε Θηραίην ἐς ἀπόκτισιν· ἐκ δέ σε Θήρης οὖλος Ἀριστοτέλης Ἀσβυστίδι πάρθετο γαίῃ, δεῖμε δέ τοι μάλα καλὸν ἀνάκτορον, ἐν δὲ πόληι θῆκε τελεσφορίην ἐπετήσιον, ᾗ ἐνὶ πολλοὶ ὑστάτιον πίπτουσιν ἐπʼ ἰσχίον, ὦ ἄνα, ταῦροι. 80ἱὴ ἱὴ Καρνεῖε πολύλλιτε, σεῖο δὲ βωμοὶ ἄνθεα μὲν φορέουσιν ἐν εἴαρι τόσσα περ Ὧραι

With horns builded he the foundations, and of horns framed he the altar, and of horns were the walls he built around. Thus did Phoebus learn to raise his first foundations. Phoebus, too, it was who told Battus of my own city of fertile soil, and in guise of a raven—auspicious to our founder—led his people as they entered Libya and sware that he would vouchsafe a walled city to our kings. And the oath of Apollo is ever sure. O Apollo! many there be that call thee Boédromius, and many there be that call thee Clarius: everywhere is thy name on the lips of many. But I call thee Carneius; for such is the manner of my fathers. Sparta, O Carneius! was thy first foundation; and next Thera; but third the city of Cyrene. From Sparta the sixth generation of the sons of Oedipus brought thee to their colony of Thera; and from Thera lusty Aristoteles set thee by the Asbystian land, and builded thee a shrine exceeding beautiful, and in the city established a yearly festival wherein many a bull, O Lord, falls on his haunches for the last time. Hië, Hië, Carneius! Lord of many prayers,—thine altars wear flowers in spring, even all the pied flowers which the Hours lead forth when Zephyrus breathes dew, and in winter the sweet crocus.

82ποικίλʼ ἀγινεῦσι ζεφύρου πνείοντος ἐέρσην, χείματι δὲ κρόκον ἡδύν· ἀεὶ δέ τοι ἀέναον πῦρ, οὐδέ ποτε χθιζὸν περιβόσκεται ἄνθρακα τέφρη. 85ἦ ῥʼ ἐχάρη μέγα Φοῖβος, ὅτε ζωστῆρες Ἐνυοῦς ἀνέρες ὠρχήσαντο μετὰ ξανθῇσι Λιβύσσαις, τέθμιαι εὖτέ σφιν Καρνειάδες ἤλυθον ὧραι. οἱ δʼ οὔπω πηγῇσι Καρνειάδες ἤλυθον ὧραι. Δωριέες, πυκινὴν δὲ νάπαις Ἄζιλιν ἔναιον. 90τοὺς μὲν ἄναξ ἴδεν αὐτός, ἑῇ δʼ ἐπεδείξατο νύμφῃ στὰς ἐπὶ Μυρτούσσης κερατώδεος, ἧχι λέοντα Ὑψηὶς κατέπεφνε βοῶν σίνιν Εὐρυπύλοιο. οὐ κείνου χορὸν εἶδε θεώτερον ἄλλον Ἀπόλλων, οὐδὲ πόλει τόσʼ ἔνειμεν ὀφέλσιμα, τόσσα Κυρήνῃ, 95μνωόμενος προτέρης ἁρπακτύος. οὐδὲ μὲν αὐτοὶ Βαττιάδαι Φοίβοιο πλέον θεὸν ἄλλον ἔτεισαν. ἱὴ ἱὴ παιῆον ἀκούομεν, οὕνεκα τοῦτο Δελφός τοι πρώτιστον ἐφύμνιον εὕρετο λαός, ἦμος ἑκηβολίην χρυσέων ἐπεδείκνυσο τόξων. 100Πυθώ τοι κατιόντι συνήντετο δαιμόνιος θήρ, αἰνὸς ὄφις. τὸν μὲν σὺ κατήναρες ἄλλον ἐπʼ ἄλλῳ βάλλων ὠκὺν ὀιστόν, ἐπηύτησε δὲ λαός, ἱὴ ἱὴ παιῆον, ἵει βέλος. εὐθύ σε μήτηρ γείνατʼ ἀοσσητῦρα, τὸ δʼ ἐξέτι κεῖθεν ἀείδῃ. 105ὁ Φθόνος Ἀπόλλωνος ἐπʼ οὔατα λάθριος εἶπεν

Undying evermore is thy fire, nor ever doth the ash feed about the coals of yester-even. Greatly, indeed, did Phoebus rejoice as the belted warriors of Enyo danced with the yellow-haired Libyan women, when the appointed season of the Carnean feast came round. But not yet could the Dorians approach the fountains of Cyre, but dwelt in Azilis thick with wooded dells. These did the Lord himself behold and showed them to his bride as he stood on horned Myrtussa where the daughter of Hypseus slew the lion that harried the kine of Eurypylus. No other dance more divine hath Apollo beheld, nor to any city hath he given so many blessings as he hath given to Cyrene, remembering his rape of old. Nor, again, is there any other god whom the sons of Battus have honoured above Phoebus.

Hië, Hië, Paeëon, we hear—since this refrain did the Delphian folk first invent, what time thou didst display the archery of thy golden bow. As thou wert going down to Pytho, there met thee a beast unearthly, a dread snake. And him thou didst slay, shooting swift arrows one upon the other; and the folk cried “Hië, Hië, Paeëon, shoot an arrow!” A helper from the first thy mother bare thee, and ever since that is thy praise.

Spake Envy privily in the ear of Apollo: “I admire not the poet who singeth not things for number as the sea.

106οὐκ ἄγαμαι τὸν ἀοιδὸν ὃς οὐδʼ ὅσα πόντος ἀείδει. τὸν Φθόνον ὡπόλλων ποδί τʼ ἤλασεν ὧδέ τʼ ἔειπεν· Ἀσσυρίου ποταμοῖο μέγας ῥόος, ἀλλὰ τὰ πολλὰ λύματα γῆς καὶ πολλὸν ἐφʼ ὕδατι συρφετὸν ἕλκει. 110Δηοῖ δʼ οὐκ ἀπὸ παντὸς ὕδωρ φορέουσι Μέλισσαι, ἀλλʼ ἥτις καθαρή τε καὶ ἀχράαντος ἀνέρπει πίδακος ἐξ ἱερῆς ὀλίγη λιβὰς ἄκρον ἄωτον. χαῖρε ἄναξ· ὁ δὲ Μῶμος, ἵνʼ ὁ Φθόνος, ἔνθα νέοιτο.

Apollo spurned Envy with his foot and spake thus: “Great is the stream of the Assyrian river, but much filth of earth and much refuse it carries on its waters. And not of every water do the Melissae carry to Deo, but of the trickling stream that springs from a holy fountain, pure and undefiled, the very crown of waters.”

Hail, O Lord, but Blame—let him go where Envy dwells!

People and places in this passage

English translation by A. W. Mair (1921). Original text: A. W. Mair and G. R. Mair (eds. and trs.), Callimachus and Lycophron, Aratus, Loeb Classical Library, London: Heinemann; New York: Putnam, 1921 (Greek text as digitised by Perseus, tlg0533.tlg015-tlg020 perseus-grc3).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain (OCR from the Internet Archive scan). Introductions, summaries and notes © GreekMythology.com.