Plutarch · Life of Alcibiades Ἀλκιβιάδης

Plutarch, Life of Alcibiades 1.1–3.1: Alcibiades' family, beauty and lisp; boyhood rivalry and the refusal of the flute

Alcibiades traces his family to Eurysaces, son of Ajax (Aias), and through his mother Deinomache to the Alcmaeonids, and after his father Cleinias dies at Coroneia he is reared as the ward of Pericles and Ariphron. Plutarch notes his beauty and his lisp, and tells how as a boy he bit an opponent in wrestling and lay down in front of a wagon in the street. He refuses to learn the flute, saying that Athena threw it away and Apollo flayed the flute-player, and the other boys follow him. Antiphon's tales of his running away to a lover and killing an attendant are dismissed as coming from a man who hated him.

Sections 1.1–3.1 · 920 words · click a number to copy its link

τὸ Ἀλκιβιάδου γένος ἄνωθεν Εὐρυσάκην τὸν Αἴαντος ἀρχηγὸν ἔχειν δοκεῖ, πρὸς δὲ μητρὸς Ἀλκμαιωνίδης ἦν, ἐκ Δεινομάχης γεγονὼς τῆς Μεγακλέους. ὁ δὲ πατὴρ αὐτοῦ Κλεινίας ἰδιοστόλῳ τριήρει περὶ Ἀρτεμίσιον ἐνδόξως ἐναυμάχησεν, ὕστερον δὲ Βοιωτοῖς μαχόμενος περὶ Κορώνειαν ἀπέθανε. τοῦ δὲ Ἀλκιβιάδου Περικλῆς καὶ Ἀρίφρων οἱ Ξανθίππου, προσήκοντες κατὰ γένος, ἐπετρόπευον.

The family of Alcibiades, it is thought, may be traced back to Eurysaces, the son of Aias, as its founder; and on his mother’s side he was an Alcmaeonid, being the son of Deinomache, the daughter of Megacles. His father, Cleinias, fitted out a trireme at his own cost and fought it gloriously at Artemisium. He was afterwards slain at Coroneia, fighting the Boeotians, and Alcibiades was therefore reared as the ward of Pericles and Ariphron, the sons of Xanthippus, his near kinsmen.

λέγεται δʼ οὐ κακῶς ὅτι τῆς Σωκράτους πρὸς αὐτὸν εὐνοίας καὶ φιλανθρωπίας οὐ μικρὰ πρὸς δόξαν ἀπέλαυσεν, εἴγε Νικίου μὲν καὶ Δημοσθένους καὶ Λαμάχου καὶ Φορμίωνος Θρασυβούλου τε καὶ Θηραμένους, ἐπιφανῶν ἀνδρῶν γενομένων κατʼ αὐτόν, οὐδενὸς οὐδʼ ἡ μήτηρ ὀνόματος τετύχηκεν, Ἀλκιβιάδου δὲ καὶ τίτθην, γένος Λάκαιναν, Ἀμύκλαν ὄνομα, καὶ Ζώπυρον παιδαγωγὸν ἴσμεν, ὧν τὸ μὲν Ἀντισθένης, τὸ δὲ Πλάτων ἱστόρηκε.

It is said, and with good reason, that the favour and affection which Socrates showed him contributed not a little to his reputation. Certain it is that Nicias, Demosthenes, Lamachus, Phormio, Thrasybulus, and Theramenes were prominent men, and his contemporaries, and yet we cannot so much as name the mother of any one of them; whereas, in the case of Alcibiades, we even know that his nurse, who was a Spartan woman, was called Amycla, and his tutor Zopyrus. The one fact is mentioned by Antisthenes, the other by Plato.

περὶ μὲν οὖν τοῦ κάλλους Ἀλκιβιάδου οὐδὲν ἴσως δεῖ λέγειν, πλὴν ὅτι καὶ παῖδα καὶ μειράκιον καὶ ἄνδρα πάσῃ συνανθῆσαν τῇ ἡλικίᾳ καὶ ὥρᾳ τοῦ σώματος ἐράσμιον καὶ ἡδὺν παρέσχεν. οὐ γάρ, ὡς Εὐριπίδης ἔλεγε, πάντων τῶν καλῶν καὶ τὸ μετόπωρον καλόν ἐστιν, ἀλλὰ τοῦτο Ἀλκιβιάδῃ μετʼ ὀλίγων ἄλλων διʼ εὐφυΐαν καὶ ἀρετὴν σώματος ὑπῆρξε.

As regards the beauty of Alcibiades, it is perhaps unnecessary to say aught, except that it flowered out with each successive season of his bodily growth, and made him, alike in boyhood, youth and manhood, lovely and pleasant. The saying of Euripides, that beauty’s autumn, too, is beautiful, is not always true. But it was certainly the case with Alcibiades, as with few besides, because of his excellent natural parts.

τῇ δὲ φωνῇ καὶ τὴν τραυλότητα ἐμπρέψαι λέγουσι καὶ τῷ λάλῳ πιθανότητα παρασχεῖν χάριν ἐπιτελοῦσαν. μέμνηται δὲ καὶ Ἀριστοφάνης αὐτοῦ τῆς τραυλότητος ἐν οἷς ἐπισκώπτει Θέωρον· εἶτʼ Ἀλκιβιάδης εἶπε πρός με τραυλίσας· / ὁλᾷς Θέωλον; τὴν κεφαλὴν κόλακος ἔχει. / ὀρθῶς γε τοῦτʼ Ἀλκιβιάδης ἐτραύλισεν. / καὶ Ἄρχιππος τὸν υἱὸν τοῦ Ἀλκιβιάδου σκώπτων· βαδίζει, φησί, διακεχλιδώς, θοἰμάτιον ἕλκων, ὅπως ἐμφερὴς μάλιστα τῷ πατρὶ δόξειεν εἶναι, κλασαυχενεύεταί τε καὶ τραυλίζεται. /

Even the lisp that he had became his speech, they say, and made his talk persuasive and full of charm. Aristophanes notices this lisp of his in the verses wherein he ridicules Theorus:— Then Alcibiades said to me with a lisp, said he, / Cwemahk Theocwus? What a cwaven’s head he has! / That lisp of Alcibiades hit the mark for once! / And Archippus, ridiculing the son of Alcibiades, says: He walks with utter wantonness, trailing his long robe behind him, that he may be thought the very picture of his father, yes, He slants his neck awry, and overworks the lisp. /

τὸ δʼ ἦθος αὐτοῦ πολλὰς μὲν ὕστερον, ὡς εἰκὸς ἐν πράγμασι μεγάλοις καὶ τύχαις πολυτρόποις, ἀνομοιότητας πρὸς αὑτὸ καὶ μεταβολὰς ἐπεδείξατο. φύσει δὲ πολλῶν ὄντων καὶ μεγάλων παθῶν ἐν αὐτῷ, τὸ φιλόνεικον ἰσχυρότατον ἦν καὶ τὸ φιλόπρωτον, ὡς δῆλόν ἐστι τοῖς παιδικοῖς ἀπομνημονεύμασιν.

His character, in later life, displayed many inconsistencies and marked changes, as was natural amid his vast undertakings and varied fortunes. He was naturally a man of many strong passions, the mightiest of which were the love of rivalry and the love of preeminence. This is clear from the stories recorded of his boyhood.

ἐν μὲν γὰρ τῷ παλαίειν πιεζούμενος, ὑπὲρ τοῦ μὴ πεσεῖν ἀναγαγὼν πρὸς τὸ στόμα τὰ ἅμματα τοῦ πιεζοῦντος, οἷος ἦν διαφαγεῖν τὰς χεῖρας. ἀφέντος δὲ τὴν λαβὴν ἐκείνου καὶ εἰπόντος· δάκνεις, ὦ Ἀλκιβιάδη, καθάπερ αἱ γυναῖκες, οὐκ ἔγωγε, εἶπεν, ἀλλʼ ὡς οἱ λέοντες. ἔτι δὲ μικρὸς ὢν ἔπαιζεν ἀστραγάλοις ἐν τῷ στενωπῷ, τῆς δὲ βολῆς καθηκούσης εἰς αὐτὸν ἅμαξα φορτίων ἐπῄει.

He was once hard pressed in wrestling, and to save himself from getting a fall, set his teeth in his opponent’s arms, where they clutched him, and was like to have bitten through them. His adversary, letting go his hold, cried: You bite, Alcibiades, as women do! Not I, said Alcibiades, but as lions do. While still a small boy, he was playing knucklebones in the narrow street, and just as it was his turn to throw, a heavy-laden wagon came along.

πρῶτον μὲν οὖν ἐκέλευε περιμεῖναι τὸν ἄγοντα τὸ ζεῦγος· ὑπέπιπτε γὰρ ἡ βολὴ τῇ παρόδῳ τῆς ἁμάξης· μὴ πειθομένου δὲ διʼ ἀγροικίαν, ἀλλʼ ἐπάγοντος, οἱ μὲν ἄλλοι παῖδες διέσχον, ὁ δʼ Ἀλκιβιάδης καταβαλὼν ἐπὶ στόμα πρὸ τοῦ ζεύγους καὶ παρατείνας ἑαυτόν, ἐκέλευεν οὕτως, εἰ βούλεται, διεξελθεῖν, ὥστε τὸν μὲν ἄνθρωπον ἀνακροῦσαι τὸ ζεῦγος ὀπίσω δείσαντα, τοὺς δʼ ἰδόντας ἐκπλαγῆναι καὶ μετὰ βοῆς συνδραμεῖν πρὸς αὐτόν.

In the first place, he bade the driver halt, since his cast lay right in the path of the wagon. The driver, however, was a boorish fellow, and paid no heed to him, but drove his team along. Whereupon, while the other boys scattered out of the way, Alcibiades threw himself flat on his face in front of the team, stretched himself out at full length, and bade the driver go on if he pleased. At this the fellow pulled up his beasts sharply, in terror; the spectators, too, were affrighted, and ran with shouts to help the boy.

ἐπεὶ δὲ εἰς τὸ μανθάνειν ἧκε, τοῖς μὲν ἄλλοις ὑπήκουε διδασκάλοις ἐπιεικῶς, τὸ δʼ αὐλεῖν ἔφευγεν ὡς ἀγεννὲς καὶ ἀνελεύθερον· πλήκτρου μὲν γὰρ καὶ λύρας χρῆσιν οὐδὲν οὔτε σχήματος οὔτε μορφῆς ἐλευθέρῳ πρεπούσης διαφθείρειν, αὐλοὺς δὲ φυσῶντος ἀνθρώπου στόματι καὶ τοὺς συνήθεις ἂν πάνυ μόλις διαγνῶναι τὸ πρόσωπον.

At school, he usually paid due heed to his teachers, but he refused to play the flute, holding it to be an ignoble and illiberal thing. The use of the plectrum and the lyre, he argued, wrought no havoc with the bearing and appearance which were becoming to a gentleman; but let a man go to blowing on a flute, and even his own kinsmen could scarcely recognize his features.

ἔτι δὲ τὴν μὲν λύραν τῷ χρωμένῳ συμφθέγγεσθαι καὶ συνᾴδειν, τὸν δʼ αὐλὸν ἐπιστομίζειν καὶ ἀποφράττειν ἕκαστον τήν τε φωνὴν καὶ τὸν λόγον ἀφαιρούμενον. αὐλείτωσαν οὖν, ἔφη, Θηβαίων παῖδες· οὐ γὰρ ἴσασι διαλέγεσθαι· ἡμῖν δὲ τοῖς Ἀθηναίοις, ὡς οἱ πατέρες λέγουσιν, ἀρχηγέτις Ἀθηνᾶ καὶ πατρῷος Ἀπόλλων ἐστίν, ὧν ἡ μὲν ἔρριψε τὸν αὐλόν, ὁ δὲ καὶ τὸν αὐλητὴν ἐξέδειρεν.

Moreover, the lyre blended its tones with the voice or song of its master; whereas the flute closed and barricaded the mouth, robbing its master both of voice and speech. Flutes, then, said he, for the sons of Thebes; they know not how to converse. But we Athenians, as our fathers say, have Athena for foundress and Apollo for patron, one of whom cast the flute away in disgust, and the other flayed the presumptuous flute-player.

τοιαῦτα παίζων ἅμα καὶ σπουδάζων ὁ Ἁλκιβιάδης αὑτόν τε τοῦ μαθήματος ἀπέστησε καὶ τοὺς ἄλλους. ταχὺ γὰρ διῆλθε λόγος εἰς τοὺς παῖδας ὡς εὖ ποιῶν ὁ Ἀλκιβιάδης βδελύττοιτο τὴν αὐλητικὴν καὶ χλευάζοι τοὺς μανθάνοντας. ὅθεν ἐξέπεσε κομιδῇ τῶν ἐλευθέρων διατριβῶν καὶ προεπηλακίσθη παντάπασιν ὁ αὐλός.

Thus, half in jest and half in earnest, Alcibiades emancipated himself from this discipline, and the rest of the boys as well. For word soon made its way to them that Alcibiades loathed the art of flute-playing and scoffed at its disciples, and rightly, too. Wherefore the flute was dropped entirely from the programme of a liberal education and was altogether despised.

ἐν δὲ ταῖς Ἀντιφῶντος λοιδορίαις γέγραπται ὅτι παῖς ὤν, ἐκ τῆς οἰκίας ἀπέδρα πρὸς Δημοκράτη τινὰ τῶν ἐραστῶν· βουλομένου δʼ αὐτὸν ἀποκηρύττειν Ἀρίφρονος, Περικλῆς οὐκ εἴασεν, εἰπών· εἰ μὲν τέθνηκεν, ἡμέρᾳ μιᾷ διὰ τὸ κήρυγμα φανεῖσθαι πρότερον, εἰ δὲ σῶς ἐστιν, ἄσωστον αὐτῷ τὸν λοιπὸν βίον ἔσεσθαι· καὶ ὅτι τῶν ἀκολουθούντων τινὰ κτείνειεν ἐν τῇ Σιβυρτίου παλαίστρᾳ ξύλῳ πατάξας. ἀλλὰ τούτοις μὲν οὐκ ἄξιον ἴσως πιστεύειν, ἅ γε λοιδορεῖσθαί τις αὐτῷ διʼ ἔχθραν ὁμολογῶν εἶπεν.

Among the calumnies which Antiphon heaps upon him it is recorded that, when he was a boy, he ran away from home to Democrates, one of his lovers, and that Ariphron was all for having him proclaimed by town crier as a castaway. But Pericles would not suffer it. If he is dead, said he, we shall know it only a day the sooner for the proclamation; whereas, if he is alive, he will, in consequence of it, be as good as dead for the rest of his life. Antiphon says also that with a blow of his stick he slew one of his attendants in the palaestra of Sibyrtius. But these things are perhaps unworthy of belief, coming as they do from one who admits that he hated Alcibiades, and abused him accordingly.

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English translation by Bernadotte Perrin (1916). Original text: Bernadotte Perrin (ed. and trans.), Plutarch's Lives, vol. 4, Loeb Classical Library, Cambridge, MA: Harvard University Press; London: William Heinemann, 1916 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.