Plutarch · Life of Alcibiades Ἀλκιβιάδης

Plutarch, Life of Alcibiades 16.1–17.5: The luxury of Alcibiades; the plan to conquer Sicily

Alcibiades lives in great luxury, with trailing purple robes and a golden shield bearing an Eros armed with a thunderbolt, and the Athenians forgive him much because of his gifts, birth and eloquence. He keeps the painter Agatharchus prisoner until the house is painted, gives Taureas a box on the ear, and takes a woman of Melos as his mistress, and Timon the misanthrope says he will grow big enough to ruin the people. Alcibiades then urges the great expedition against Sicily, dreaming of Carthage and Libya, while Socrates and the astrologer Meton expect no good from it.

Sections 16.1–17.5 · 913 words · click a number to copy its link

ἐν δὲ τοιούτοις πολιτεύμασι καὶ λόγοις καὶ φρονήματι καὶ δεινότητι πολλὴν αὖ πάλιν τὴν τρυφὴν τῆς διαίτης καὶ περὶ πότους καὶ ἔρωτας ὑβρίσματα, καὶ θηλύτητας ἐσθήτων ἁλουργῶν ἑλκομένων διʼ ἀγορᾶς, καὶ πολυτέλειαν ὑπερήφανον, ἐκτομάς τε καταστρωμάτων ἐν ταῖς τριήρεσιν, ὅπως μαλακώτερον ἐγκαθεύδοι, κειρίαις, ἀλλὰ μὴ σανίσι, τῶν στρωμάτων ἐπιβαλλομένων, ἀσπίδος τε διαχρύσου ποίησιν οὐδὲν ἐπίσημον τῶν πατρίων ἔχουσαν,

But all this statecraft and eloquence and lofty purpose and cleverness was attended with great luxuriousness of life, with wanton drunkenness and lewdness, with effeminacy in dress,—he would trail long purple robes through the market place,—and with prodigal expenditures. He would have the decks of his triremes cut away that he might sleep more softly, his bedding being slung on cords rather than spread on the hard planks. He had a golden shield made for himself, bearing no ancestral device,

ἀλλʼ Ἔρωτα κεραυνοφόρον, ἅπερ ὁρῶντες οἱ μὲν ἔνδοξοι μετὰ τοῦ βδελύττεσθαι καὶ δυσχεραίνειν ἐφοβοῦντο τὴν ὀλιγωρίαν αὐτοῦ καὶ παρανομίαν, ὡς τυραννικὰ καὶ ἀλλόκοτα, τοῦ δὲ δήμου τὸ πάθος τὸ πρὸς αὐτὸν οὐ κακῶς ἐξηγούμενος ὁ Ἀριστοφάνης ταῦτʼ εἴρηκε· ποθεῖ μέν, ἐχθαίρει δέ, βούλεται δʼ ἔχειν, / ἔτι δὲ μᾶλλον τῇ ὑπονοίᾳ πιέζων· μάλιστα μὲν λέοντα μὴ νʼ πόλει τρέφειν· / ἢν δʼ ἐκτρέφῃ τις, τοῖς τρόποις ὑπηρετεῖν. /

but an Eros armed with a thunderbolt. The reputable men of the city looked on all these things with loathing and indignation, and feared his contemptuous and lawless spirit. They thought such conduct as his tyrant-like and monstrous. How the common folk felt towards him has been well set forth by Aristophanes in these words:— It yearns for him, and hates him too, but wants him back; / and again, veiling a yet greater severity in his metaphor:— A lion is not to be reared within the state; / But, once you’ve reared him up, consult his every mood. /

ἐπιδόσεις γὰρ καὶ χορηγίαι καὶ φιλοτιμήματα πρὸς τὴν πόλιν ὑπερβολὴν μὴ ἀπολείποντα καὶ δόξα προγόνων καὶ λόγου δύναμις καὶ σώματος εὐπρέπεια καὶ ῥώμη μετʼ ἐμπειρίας τῶν πολεμικῶν καὶ ἀλκῆς πάντα τἆλλα συγχωρεῖν ἐποίει καὶ φέρειν μετρίως τοὺς Ἀθηναίους, ἀεὶ τὰ πρᾳότατα τῶν ὀνομάτων τοῖς ἁμαρτήμασι τιθεμένους, παιδιὰς καὶ φιλοτιμίας.

And indeed, his voluntary contributions of money, his support of public exhibitions, his unsurpassed munificence towards the city, the glory of his ancestry, the power of his eloquence, the comeliness and vigor of his person, together with his experience and prowess in war, made the Athenians lenient and tolerant towards everything else; they were forever giving the mildest of names to his transgressions, calling them the product of youthful spirits and ambition.

οἷον ἦν καὶ τὸ Ἀγάθαρχον εἷρξαι τὸν ζωγράφον, εἶτα γράψαντα τὴν οἰκίαν ἀφεῖναι δωρησάμενον· καὶ Ταυρέαν ἀντιχορηγοῦντα ῥαπίσαι φιλοτιμούμενον ὑπὲρ τῆς νίκης· καὶ τὸ Μηλίαν γυναῖκα ἐκ τῶν αἰχμαλώτων ἐξελόμενον καὶ συνόντα θρέψαι παιδάριον ἐξ αὐτῆς.

For instance, he once imprisoned the painter Agatharchus in his house until he had adorned it with paintings for him, and then dismissed his captive with a handsome present. And when Taureas was supporting a rival exhibition, he gave him a box on the ear, so eager was he for the victory. And he picked out a woman from among the prisoners of Melos to be his mistress, and reared a son she bore him.

καὶ γὰρ τοῦτο φιλάνθρωπον ἐκάλουν· πλὴν ὅτι τοὺς Μηλίους ἡβηδὸν ἀποσφαγῆναι τὴν πλείστην αἰτίαν ἔσχε, τῷ ψηφίσματι συνειπών.

Ἀριστοφῶντος δὲ Νεμέαν γράψαντος ἐν ταῖς ἀγκάλαις αὑτῆς καθήμενον Ἀλκιβιάδην ἔχουσαν, ἐθεῶντο καὶ συνέτρεχον χαίροντες. οἱ δὲ πρεσβύτεροι καὶ τούτοις ἐδυσχέραινον ὡς τυραννικοῖς καὶ παρανόμοις. ἐδόκει δὲ καὶ Ἀρχέστρατος οὐκ ἀπὸ τρόπου λέγειν ὡς ἡ Ἑλλὰς οὐκ ἂν ἤνεγκε δύο Ἀλκιβιάδας.

This was an instance of what they called his kindness of heart, but the execution of all the grown men of Melos was chiefly due to him, since he supported the decree therefor. Aristophon painted Nemea with Alcibiades seated in her arms; whereat the people were delighted, and ran in crowds to see the picture. But the elders were indignant at this too; they said it smacked of tyranny and lawlessness. And it would seem that Archestratus, in his verdict on the painting, did not go wide of the mark when he said that Hellas could not endure more than one Alcibiades.

ἐπεὶ δὲ Τίμων ὁ μισάνθρωπος εὐημερήσαντα τὸν Ἀλκιβιάδην καὶ προπεμπόμενον ἀπὸ τῆς ἐκκλησίας ἐπιφανῶς οὐ παρῆλθεν οὐδʼ ἐξέκλινεν, ὥσπερ εἰώθει τοὺς ἄλλους, ἀλλʼ ἀπαντήσας καὶ δεξιωσάμενος, εὖ γʼ, ἔφη, ποιεῖς αὐξόμενος, ὦ παῖ· μέγα γὰρ αὔξῃ κακὸν ἅπασι τούτοις, οἱ μὲν ἐγέλων, οἱ δʼ ἐβλασφήμουν, ἐνίους δὲ καὶ πάνυ τὸ λεχθὲν ἐπέστρεφεν. οὕτως ἄκριτος ἦν ἡ δόξα περὶ αὐτοῦ διὰ τὴν τῆς φύσεως ἀνωμαλίαν.

Timon the misanthrope once saw Alcibiades, after a successful day, being publicly escorted home from the assembly. He did not pass him by nor avoid him, as his custom was with others, but met him and greeted him, saying: It’s well you’re growing so, my child; you’ll grow big enough to ruin all this rabble. At this some laughed, and some railed, and some gave much heed to the saying. So undecided was public opinion about Alcibiades, by reason of the unevenness of his nature.

Σικελίας δὲ καὶ Περικλέους ἔτι ζῶντος ἐπεθύμουν Ἀθηναῖοι, καὶ τελευτήσαντος ἥπτοντο, καὶ τὰς λεγομένας βοηθείας καὶ συμμαχίας ἔπεμπον ἑκάστοτε τοῖς ἀδικουμένοις ὑπὸ Συρακουσίων ἐπιβάθρας τῆς μείζονος στρατείας τιθέντες.

On Sicily the Athenians had cast longing eyes even while Pericles was living; and after his death they actually tried to lay hands upon it. The lesser expeditions which they sent thither from time to time, ostensibly for the aid and comfort of their allies on the island who were being wronged by the Syracusans, they regarded merely as stepping stones to the greater expedition of conquest.

ὁ δὲ παντάπασι τὸν ἔρωτα τοῦτον ἀναφλέξας αὐτῶν, καὶ πείσας μὴ κατὰ μέρος μηδὲ κατὰ μικρόν, ἀλλὰ μεγάλῳ στόλῳ πλεύσαντας ἐπιχειρεῖν καὶ καταστρέφεσθαι τὴν νῆσον, Ἀλκιβιάδης ἦν, τόν τε δῆμον μεγάλα πείσας ἐλπίζειν, αὐτός τε μειζόνων ὀρεγόμενος. ἀρχὴν γὰρ εἶναι, πρὸς ἃ ἠλπίκει, διενοεῖτο τῆς στρατείας, οὐ τέλος, ὥσπερ οἱ λοιποί, Σικελίαν.

But the man who finally fanned this desire of theirs into flame, and persuaded them not to attempt the island any more in part and little by little, but to sail thither with a great armament and subdue it utterly, was Alcibiades; he persuaded the people to have great hopes, and he himself had greater aspirations still. Such were his hopes that he regarded Sicily as a mere beginning, and not, like the rest, as an end of the expedition.

καὶ Νικίας μὲν ὡς χαλεπὸν ἔργον ὂν τὰς Συρακούσας ἑλεῖν ἀπέτρεπε τὸν δῆμον, Ἀλκιβιάδης δὲ Καρχηδόνα καὶ Λιβύην ὀνειροπολῶν, ἐκ δὲ τούτων προσγενομένων Ἰταλίαν καὶ Πελοπόννησον ἤδη περιβαλλόμενος, ὀλίγου δεῖν ἐφόδια τοῦ πολέμου Σικελίαν ἐποιεῖτο. καὶ τοὺς μὲν νέους αὐτόθεν εἶχεν ἤδη ταῖς ἐλπίσιν ἐπηρμένους, τῶν δὲ πρεσβυτέρων ἠκροῶντο πολλὰ θαυμάσια περὶ τῆς στρατείας περαινόντων, ὥστε πολλοὺς ἐν ταῖς παλαίστραις καὶ τοῖς ἡμικυκλίοις καθέζεσθαι τῆς τε νήσου τὸ σχῆμα καὶ θέσιν Λιβύης καὶ Καρχηδόνος ὑπογράφοντας.

So while Nicias was trying to divert the people from the capture of Syracuse as an undertaking too difficult for them, Alcibiades was dreaming of Carthage and Libya, and, after winning these, of at once encompassing Italy and Peloponnesus. He almost regarded Sicily as the ways and means provided for his greater war. The young men were at once carried away on the wings of such hopes, and their elders kept recounting in their ears many wonderful things about the projected expedition. Many were they who sat in the palaestras and lounging-places mapping out in the sand the shape of Sicily and the position of Libya and Carthage.

Σωκράτη μέντοι τὸν φιλόσοφον καὶ Μέτωνα τὸν ἀστρολόγον οὐδὲν ἐλπίσαι τῇ πόλει χρηστὸν ἀπὸ τῆς στρατείας ἐκείνης λέγουσιν, ὁ μέν, ὡς ἔοικε, τοῦ συνήθους δαιμονίου γενομένου καὶ προσημαίνοντος, ὁ δὲ Μέτων εἴτε δείσας ἐκ λογισμοῦ τὸ μέλλον εἴτε μαντικῆς τινι τρόπῳ χρησάμενος ἐσκήψατο μεμηνέναι, καὶ λαβὼν δᾷδα καιομένην οἷος ἦν αὑτοῦ τὴν οἰκίαν ὑφάπτειν.

Socrates the philosopher, however, and Meton the astrologer, are said to have had no hopes that any good would come to the city from this expedition; Socrates, as it is likely, because he got an inkling of the future from the divine guide who was his familiar. Meton—whether his fear of the future arose from mere calculation or from his use of some sort of divination—feigned madness, and seizing a blazing torch, was like to have set fire to his own house.

ἔνιοι δέ φασι προσποίημα μὲν μανίας μηδὲν ἐσκευάσθαι τὸν Μέτωνα, καταπρῆσαι δὲ τὴν οἰκίαν νύκτωρ, εἶθʼ ἕωθεν προελθόντα δεῖσθαι καὶ ἀντιβολεῖν ἐπὶ συμφορᾷ τηλικαύτῃ τὸν υἱὸν αὐτῷ παρεθῆναι τῆς στρατείας. ἐκεῖνος μὲν οὖν ἔτυχεν ὧν ἠξίου, παρακρουσάμενος τοὺς πολίτας.

Some say, however, that Meton made no pretence of madness, but actually did burn his house down in the night, and then, in the morning, came before the people begging and praying that, in view of his great calamity, his son might be released from the expedition. At any rate, he succeeded in cheating his fellow citizens, and obtained his desire.

People and places in this passage

English translation by Bernadotte Perrin (1916). Original text: Bernadotte Perrin (ed. and trans.), Plutarch's Lives, vol. 4, Loeb Classical Library, Cambridge, MA: Harvard University Press; London: William Heinemann, 1916 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.