Plato · Timaeus Τίμαιος

Plato, Timaeus 65a–68e: Pleasure, pain, tastes, smells, sounds and colours

Timaeus explains pleasure and pain as the movements that are forced on the body against nature and the return to nature, and says that the senses of taste are caused by the contraction or loosening of the veins of the tongue. He describes the kinds of taste, sour, salty, pungent, bitter, sweet, and smells, which have no names but are pleasant or unpleasant. He explains sound as a blow of air through the ear and the body to the soul, and pitch as a quick or slow movement, and harmony as the mixing of fast and slow. He describes the colours as flames that come from every body, with white, black, bright and red, and says that the mixing of colours could not be tested by anyone without being impious.

Sections 65a–68e · 1795 words · click a number to copy its link

ΤΙ. τὰ δʼ ἐκ μειζόνων μερῶν σώματα μόγις εἴκοντα τῷ δρῶντι, διαδιδόντα δὲ εἰς ὅλον τὰς κινήσεις, ἡδονὰς ἴσχει καὶ λύπας, ἀλλοτριούμενα μὲν λύπας, καθιστάμενα δὲ εἰς τὸ αὐτὸ πάλιν ἡδονάς. ὅσα δὲ κατὰ σμικρὸν τὰς ἀποχωρήσεις ἑαυτῶν καὶ κενώσεις εἴληφεν, τὰς δὲ πληρώσεις ἁθρόας καὶ κατὰ μεγάλα, κενώσεως μὲν ἀναίσθητα, πληρώσεως δὲ αἰσθητικὰ γιγνόμενα, λύπας μὲν οὐ παρέχει τῷ θνητῷ τῆς ψυχῆς, μεγίστας δὲ ἡδονάς· ἔστιν δὲ ἔνδηλα περὶ τὰς εὐωδίας. ὅσα δὲ ἀπαλλοτριοῦται μὲν ἁθρόα, κατὰ σμικρὰ δὲ μόγις τε εἰς ταὐτὸν πάλιν ἑαυτοῖς καθίσταται, τοὐναντίον τοῖς ἔμπροσθεν πάντα ἀποδίδωσιν· ταῦτα δʼ αὖ περὶ τὰς καύσεις καὶ τομὰς τοῦ σώματος γιγνόμενά ἐστιν κατάδηλα. καὶ τὰ μὲν δὴ κοινὰ τοῦ σώματος παντὸς παθήματα, τῶν τʼ ἐπωνυμιῶν ὅσαι τοῖς δρῶσιν αὐτὰ γεγόνασι, σχεδὸν εἴρηται· τὰ δʼ ἐν ἰδίοις μέρεσιν ἡμῶν γιγνόμενα, τά τε πάθη καὶ τὰς αἰτίας αὖ τῶν δρώντων, πειρατέον εἰπεῖν, ἄν πῃ δυνώμεθα. πρῶτον οὖν ὅσα τῶν χυμῶν πέρι λέγοντες ἐν τοῖς πρόσθεν ἀπελίπομεν, ἴδια ὄντα παθήματα περὶ τὴν γλῶτταν, ἐμφανιστέον ᾗ δυνατόν. φαίνεται δὲ καὶ ταῦτα, ὥσπερ οὖν καὶ τὰ πολλά, διὰ συγκρίσεών τέ τινων καὶ διακρίσεων γίγνεσθαι, πρὸς δὲ αὐταῖς κεχρῆσθαι μᾶλλόν τι τῶν ἄλλων τραχύτησί τε καὶ λειότησιν. ὅσα μὲν γὰρ εἰσιόντα περὶ τὰ φλέβια, οἷόνπερ δοκίμια τῆς γλώττης τεταμένα ἐπὶ τὴν καρδίαν, εἰς τὰ νοτερὰ τῆς σαρκὸς καὶ ἁπαλὰ ἐμπίπτοντα γήϊνα μέρη κατατηκόμενα συνάγει τὰ φλέβια καὶ ἀποξηραίνει, τραχύτερα μὲν ὄντα στρυφνά, ἧττον δὲ τραχύνοντα αὐστηρὰ φαίνεται· τὰ δὲ τούτων τε ῥυπτικὰ καὶ πᾶν τὸ περὶ τὴν γλῶτταν ἀποπλύνοντα, πέρα μὲν τοῦ μετρίου τοῦτο δρῶντα καὶ προσεπιλαμβανόμενα ὥστε ἀποτήκειν αὐτῆς τῆς φύσεως, οἷον ἡ τῶν λίτρων δύναμις, πικρὰ πάνθʼ οὕτως ὠνόμασται, τὰ δὲ ὑποδεέστερα τῆς λιτρώδους ἕξεως ἐπὶ τὸ μέτριόν τε τῇ ῥύψει χρώμενα ἁλυκὰ ἄνευ πικρότητος τραχείας καὶ φίλα μᾶλλον ἡμῖν φαντάζεται.

But those bodies which are composed of larger particles, since they yield with difficulty to the agent and transmit their motions to the whole, feel pleasures and pains— pains when they suffer alteration, and pleasures when they are restored to their original state. And all those bodies which undergo losses of substance and emptyings that are gradual, but replenishings that are intense and abundant, become insensitive to the emptyings but sensitive to the replenishings; consequently, they furnish no pains to the mortal part of the soul, but the greatest pleasures—a result which is obvious in the case of perfumes. But all those parts which undergo violent alterations, and are restored gradually and with difficulty to their original condition, produce results the opposite of those last mentioned; and it is evident that this is what occurs in the case of burnings and cuttings of the body. And now we have given a fairly complete statement of the affections which are common to the body as a whole, and of all the names which belong to the agents which produce them. Next we must try, if haply we are able, to describe what takes place in the several parts of our bodies, both the affections themselves and the agents to which they are ascribed. Firstly, then, we must endeavor to elucidate so far as possible those affections which we omitted in our previous account of the flavors, they being affections peculiar to the tongue. It is evident that these also, like most others, are brought about by means of certain contractions and dilations; and, more than other affections, they involve also conditions of roughness and smoothness. For all the earthy particles which enter in by the small veins—which, extending as far as to the heart, serve as it were for testing-instruments of the tongue,—when they strike upon the moist and soft parts of the flesh and are melted down, contract the small veins and dry them up; and these particles when more rough appear to be “astringent,” when less rough “harsh.” And such as act on these veins as detergents and wash out all the surface of the tongue, when they do this excessively and lay such hold on the tongue as to dissolve part of its substance—and such, for example, is the property of alkalies,— are all termed “bitter”; while those which have a property less strong than the alkaline, being detergent in a moderate degree, seem to us to be “saline,” and more agreeable, as being devoid of the rough bitterness.

ΤΙ. τὰ δὲ τῇ τοῦ στόματος θερμότητι κοινωνήσαντα καὶ λεαινόμενα ὑπʼ αὐτοῦ, συνεκπυρούμενα καὶ πάλιν αὐτὰ ἀντικάοντα τὸ διαθερμῆναν, φερόμενά τε ὑπὸ κουφότητος ἄνω πρὸς τὰς τῆς κεφαλῆς αἰσθήσεις, τέμνοντά τε πάνθʼ ὁπόσοις ἂν προσπίπτῃ, διὰ ταύτας τὰς δυνάμεις δριμέα πάντα τὰ τοιαῦτα ἐλέχθη. τὸ δὲ αὖ τῶν προλελεπτυσμένων μὲν ὑπὸ σηπεδόνος, εἰς δὲ τὰς στενὰς φλέβας ἐνδυομένων, καὶ τοῖς ἐνοῦσιν αὐτόθι μέρεσιν γεώδεσιν καὶ ὅσα ἀέρος συμμετρίαν ἔχοντα, ὥστε κινήσαντα περὶ ἄλληλα ποιεῖν κυκᾶσθαι, κυκώμενα δὲ περιπίπτειν τε καὶ εἰς ἕτερα ἐνδυόμενα ἕτερα κοῖλα ἀπεργάζεσθαι περιτεινόμενα τοῖς εἰσιοῦσιν— ἃ δὴ νοτίδος περὶ ἀέρα κοίλης περιταθείσης, τοτὲ μὲν γεώδους, τοτὲ δὲ καὶ καθαρᾶς, νοτερὰ ἀγγεῖα ἀέρος, ὕδατα κοῖλα περιφερῆ τε γενέσθαι, καὶ τὰ μὲν τῆς καθαρᾶς διαφανεῖς περιστῆναι κληθείσας ὄνομα πομφόλυγας, τὰ δὲ τῆς γεώδους ὁμοῦ κινουμένης τε καὶ αἰρομένης ζέσιν τε καὶ ζύμωσιν ἐπίκλην λεχθῆναι—τὸ δὲ τούτων αἴτιον τῶν παθημάτων ὀξὺ προσρηθῆναι. σύμπασιν δὲ τοῖς περὶ ταῦτα εἰρημένοις πάθος ἐναντίον ἀπʼ ἐναντίας ἐστὶ προφάσεως· ὁπόταν ἡ τῶν εἰσιόντων σύστασις ἐν ὑγροῖς, οἰκεία τῇ τῆς γλώττης ἕξει πεφυκυῖα, λεαίνῃ μὲν ἐπαλείφουσα τὰ τραχυνθέντα, τὰ δὲ παρὰ φύσιν συνεστῶτα ἢ κεχυμένα τὰ μὲν συνάγῃ, τὰ δὲ χαλᾷ, καὶ πάνθʼ ὅτι μάλιστα ἱδρύῃ κατὰ φύσιν, ἡδὺ καὶ προσφιλὲς παντὶ πᾶν τὸ τοιοῦτον ἴαμα τῶν βιαίων παθημάτων γιγνόμενον κέκληται γλυκύ. καὶ τὰ μὲν ταύτῃ ταῦτα· περὶ δὲ δὴ τὴν τῶν μυκτήρων δύναμιν, εἴδη μὲν οὐκ ἔνι. τὸ γὰρ τῶν ὀσμῶν πᾶν ἡμιγενές, εἴδει δὲ οὐδενὶ συμβέβηκεν συμμετρία πρὸς τό τινα σχεῖν ὀσμήν· ἀλλʼ ἡμῶν αἱ περὶ ταῦτα φλέβες πρὸς μὲν τὰ γῆς ὕδατός τε γένη στενότεραι συνέστησαν, πρὸς δὲ τὰ πυρὸς ἀέρος τε εὐρύτεραι, διὸ τούτων οὐδεὶς οὐδενὸς ὀσμῆς πώποτε ᾔσθετό τινος, ἀλλὰ ἢ βρεχομένων ἢ σηπομένων ἢ τηκομένων ἢ θυμιωμένων γίγνονταί τινων. μεταβάλλοντος γὰρ ὕδατος εἰς ἀέρα ἀέρος τε εἰς ὕδωρ ἐν τῷ μεταξὺ τούτων γεγόνασιν, εἰσίν τε ὀσμαὶ σύμπασαι καπνὸς ἢ ὁμίχλη, τούτων δὲ τὸ μὲν ἐξ ἀέρος εἰς ὕδωρ ἰὸν ὁμίχλη, τὸ δὲ ἐξ ὕδατος εἰς ἀέρα καπνός· ὅθεν λεπτότεραι μὲν ὕδατος, παχύτεραι δὲ ὀσμαὶ σύμπασαι γεγόνασιν ἀέρος.

And those which share in the heat of the mouth and are made smooth thereby, when they are fully inflamed and are themselves in turn burning the part which heated them, fly upwards because of their lightness towards the senses of the head and cut all the parts on which they impinge; and because of these properties all such are called “pungent.” Again, when particles already refined by putrefaction, entering into the narrow veins, are symmetrical with the particles of earth and air contained therein, so that they cause them to circulate round one another and ferment, then, in thus fermenting they change round and pass into fresh places, and thereby create fresh hollows which envelop the entering particles. By this means, the air being veiled in a moist film, sometimes of earth, sometimes of pure moisture, moist and hollow and globular vessels of air are formed; and those formed of pure moisture are the transparent globules called by the name of “bubbles,” while those of the earthy formation which moves throughout its mass and seethes are designated “boiling” and “fermenting”; and the cause of these processes is termed “acid.” An affection which is the opposite of all those last described results from an opposite condition. Whenever the composition of the particles which enter into the moist parts is naturally akin to the state of the tongue, they oil its roughened parts and smooth it, contracting the parts that are unnaturally dilated or dilating those that are contracted, and thus settling them all, so far as possible, in their natural condition; and every such remedy of the forcible affections, being pleasant and welcome to everyone, is called “sweet.” For this subject, then, let this account suffice. Next, as regards the property of the nostrils, it does not contain fixed kinds. For the whole range of smells is a half-formed class, and no kind possesses the symmetry requisite for containing any smell; for our veins in these organs are of too narrow a construction for the kinds of earth and of water and too wide for those of fire and air, so that no one has ever yet perceived any smell from any of these, but only from substances which are in process of being moistened or putrefied or melted or vaporized. For smells arise in the intermediate state, when water is changing into air or air into water, and they are all smoke or mist; and of these, the passage from air to water is mist, and the passage from water to air is smoke whence it is that all the smells are thinner than water and thicker than air.

ΤΙ. δηλοῦνται δὲ ὁπόταν τινὸς ἀντιφραχθέντος περὶ τὴν ἀναπνοὴν ἄγῃ τις βίᾳ τὸ πνεῦμα εἰς αὑτόν· τότε γὰρ ὀσμὴ μὲν οὐδεμία συνδιηθεῖται, τὸ δὲ πνεῦμα τῶν ὀσμῶν ἐρημωθὲν αὐτὸ μόνον ἕπεται. δύʼ οὖν ταῦτα ἀνώνυμα τὰ τούτων ποικίλματα γέγονεν, οὐκ ἐκ πολλῶν οὐδὲ ἁπλῶν εἰδῶν ὄντα, ἀλλὰ διχῇ τό θʼ ἡδὺ καὶ τὸ λυπηρὸν αὐτόθι μόνω διαφανῆ λέγεσθον, τὸ μὲν τραχῦνόν τε καὶ βιαζόμενον τὸ κύτος ἅπαν, ὅσον ἡμῶν μεταξὺ κορυφῆς τοῦ τε ὀμφαλοῦ κεῖται, τὸ δὲ ταὐτὸν τοῦτο καταπραῧνον καὶ πάλιν ᾗ πέφυκεν ἀγαπητῶς ἀποδιδόν. τρίτον δὲ αἰσθητικὸν ἐν ἡμῖν μέρος ἐπισκοποῦσιν τὸ περὶ τὴν ἀκοήν, διʼ ἃς αἰτίας τὰ περὶ αὐτὸ συμβαίνει παθήματα, λεκτέον. ὅλως μὲν οὖν φωνὴν θῶμεν τὴν διʼ ὤτων ὑπʼ ἀέρος ἐγκεφάλου τε καὶ αἵματος μέχρι ψυχῆς πληγὴν διαδιδομένην, τὴν δὲ ὑπʼ αὐτῆς κίνησιν, ἀπὸ τῆς κεφαλῆς μὲν ἀρχομένην, τελευτῶσαν δὲ περὶ τὴν τοῦ ἥπατος ἕδραν, ἀκοήν· ὅση δʼ αὐτῆς ταχεῖα, ὀξεῖαν, ὅση δὲ βραδυτέρα, βαρυτέραν· τὴν δὲ ὁμοίαν ὁμαλήν τε καὶ λείαν, τὴν δὲ ἐναντίαν τραχεῖαν· μεγάλην δὲ τὴν πολλήν, ὅση δὲ ἐναντία, σμικράν. τὰ δὲ περὶ συμφωνίας αὐτῶν ἐν τοῖς ὕστερον λεχθησομένοις ἀνάγκη ῥηθῆναι. τέταρτον δὴ λοιπὸν ἔτι γένος ἡμῖν αἰσθητικόν, ὃ διελέσθαι δεῖ συχνὰ ἐν ἑαυτῷ ποικίλματα κεκτημένον, ἃ σύμπαντα μὲν χρόας ἐκαλέσαμεν, φλόγα τῶν σωμάτων ἑκάστων ἀπορρέουσαν, ὄψει σύμμετρα μόρια ἔχουσαν πρὸς αἴσθησιν· ὄψεως δʼ ἐν τοῖς πρόσθεν αὐτὸ περὶ τῶν αἰτίων τῆς γενέσεως ἐρρήθη. τῇδʼ οὖν τῶν χρωμάτων πέρι μάλιστα εἰκὸς πρέποι τʼ ἂν ἐπιεικεῖ λόγῳ διεξελθεῖν· τὰ φερόμενα ἀπὸ τῶν ἄλλων μόρια ἐμπίπτοντά τε εἰς τὴν ὄψιν τὰ μὲν ἐλάττω, τὰ δὲ μείζω, τὰ δʼ ἴσα τοῖς αὐτῆς τῆς ὄψεως μέρεσιν εἶναι· τὰ μὲν οὖν ἴσα ἀναίσθητα, ἃ δὴ καὶ διαφανῆ λέγομεν, τὰ δὲ μείζω καὶ ἐλάττω, τὰ μὲν συγκρίνοντα, τὰ δὲ διακρίνοντα αὐτήν, τοῖς περὶ τὴν σάρκα θερμοῖς καὶ ψυχροῖς καὶ τοῖς περὶ τὴν γλῶτταν στρυφνοῖς, καὶ ὅσα θερμαντικὰ ὄντα δριμέα ἐκαλέσαμεν, ἀδελφὰ εἶναι, τά τε λευκὰ καὶ τὰ μέλανα, ἐκείνων παθήματα γεγονότα ἐν ἄλλῳ γένει τὰ αὐτά, φανταζόμενα δὲ ἄλλα διὰ ταύτας τὰς αἰτίας.

Their nature is made clear whenever there is some block in the respiration and a man draws in his breath forcibly; for then no accompanying smell is strained through, but the breath passes in alone by itself isolated from the smells. So for these reasons the varieties of these smells have no name, not being derived either from many or from simple forms, but are indicated by two distinctive terms only, “pleasant” and “painful” of which the one kind roughens and violently affects the whole of our bodily cavity which lies between the head and the navel, whereas the other mollifies this same region and restores it agreeably to its natural condition. The third organ of perception within us which we have to describe in our survey is that of hearing, and the causes whereby its affections are produced. In general, then, let us lay it down that sound is a stroke transmitted through the ears, by the action of the air upon the brain and the blood, and reaching to the soul; and that the motion caused thereby, which begins in the head and ends about the seat of the liver, is “hearing”; and that every rapid motion produces a “shrill” sound, and every slower motion a more “deep” sound; and that uniform motion produces an “even” and smooth sound and the opposite kind of motion a “harsh” sound; and that large motion produces “loud” sound, and motion of the opposite kind “soft” sound. The subject of concords of sounds must necessarily be treated in a later part of our exposition. We have still remaining a fourth kind of sensation, which we must divide up seeing that it embraces numerous varieties, which, as a whole, we call “colors.” This consists of a flame which issues from the several bodies, and possesses particles so proportioned to the visual stream as to produce sensation; and as regards the visual stream, we have already stated merely the causes which produced it. Concerning colors, then, the following explanation will be the most probable and worthy of a judicious account. Of the particles which fly off from the rest and strike into the visual stream some are smaller, some larger, and some equal to the particles of the stream itself; those, then, that are equal are imperceptible, and we term them “transparent”; while the larger and smaller particles—of which the one kind contracts, the other dilates the visual stream—are akin to the particles of heat and cold which affect the flesh, and to the astringent particles which affect the tongue, and to all the heating particles which we call “bitter” with these “white” and “black” are really identical affections, occurring in a separate class of sensation, although they appear different for the causes stated.

ΤΙ. οὕτως οὖν αὐτὰ προσρητέον· τὸ μὲν διακριτικὸν τῆς ὄψεως λευκόν, τὸ δʼ ἐναντίον αὐτοῦ μέλαν, τὴν δὲ ὀξυτέραν φορὰν καὶ γένους πυρὸς ἑτέρου προσπίπτουσαν καὶ διακρίνουσαν τὴν ὄψιν μέχρι τῶν ὀμμάτων, αὐτάς τε τῶν ὀφθαλμῶν τὰς διεξόδους βίᾳ διωθοῦσαν καὶ τήκουσαν, πῦρ μὲν ἁθρόον καὶ ὕδωρ, ὃ δάκρυον καλοῦμεν, ἐκεῖθεν ἐκχέουσαν, αὐτὴν δὲ οὖσαν πῦρ ἐξ ἐναντίας ἀπαντῶσαν, καὶ τοῦ μὲν ἐκπηδῶντος πυρὸς οἷον ἀπʼ ἀστραπῆς, τοῦ δʼ εἰσιόντος καὶ περὶ τὸ νοτερὸν κατασβεννυμένου, παντοδαπῶν ἐν τῇ κυκήσει ταύτῃ γιγνομένων χρωμάτων, μαρμαρυγὰς μὲν τὸ πάθος προσείπομεν, τὸ δὲ τοῦτο ἀπεργαζόμενον λαμπρόν τε καὶ στίλβον ἐπωνομάσαμεν. τὸ δὲ τούτων αὖ μεταξὺ πυρὸς γένος, πρὸς μὲν τὸ τῶν ὀμμάτων ὑγρὸν ἀφικνούμενον καὶ κεραννύμενον αὐτῷ, στίλβον δὲ οὔ· τῇ δὲ διὰ τῆς νοτίδος αὐγῇ τοῦ πυρὸς μειγνυμένου χρῶμα ἔναιμον παρασχομένῃ, τοὔνομα ἐρυθρὸν λέγομεν. λαμπρόν τε ἐρυθρῷ λευκῷ τε μειγνύμενον ξανθὸν γέγονεν· τὸ δὲ ὅσον μέτρον ὅσοις, οὐδʼ εἴ τις εἰδείη, νοῦν ἔχει τὸ λέγειν, ὧν μήτε τινὰ ἀνάγκην μήτε τὸν εἰκότα λόγον καὶ μετρίως ἄν τις εἰπεῖν εἴη δυνατός. ἐρυθρὸν δὲ δὴ μέλανι λευκῷ τε κραθὲν ἁλουργόν· ὄρφνινον δέ, ὅταν τούτοις μεμειγμένοις καυθεῖσίν τε μᾶλλον συγκραθῇ μέλαν. πυρρὸν δὲ ξανθοῦ τε καὶ φαιοῦ κράσει γίγνεται, φαιὸν δὲ λευκοῦ τε καὶ μέλανος, τὸ δὲ ὠχρὸν λευκοῦ ξανθῷ μειγνυμένου. λαμπρῷ δὲ λευκὸν συνελθὸν καὶ εἰς μέλαν κατακορὲς ἐμπεσὸν κυανοῦν χρῶμα ἀποτελεῖται, κυανοῦ δὲ λευκῷ κεραννυμένου γλαυκόν, πυρροῦ δὲ μέλανι πράσιον. τὰ δὲ ἄλλα ἀπὸ τούτων σχεδὸν δῆλα αἷς ἂν ἀφομοιούμενα μείξεσιν διασῴζοι τὸν εἰκότα μῦθον. εἰ δέ τις τούτων ἔργῳ σκοπούμενος βάσανον λαμβάνοι, τὸ τῆς ἀνθρωπίνης καὶ θείας φύσεως ἠγνοηκὼς ἂν εἴη διάφορον, ὅτι θεὸς μὲν τὰ πολλὰ εἰς ἓν συγκεραννύναι καὶ πάλιν ἐξ ἑνὸς εἰς πολλὰ διαλύειν ἱκανῶς ἐπιστάμενος ἅμα καὶ δυνατός, ἀνθρώπων δὲ οὐδεὶς οὐδέτερα τούτων ἱκανὸς οὔτε ἔστι νῦν οὔτε εἰς αὖθίς ποτε ἔσται. ταῦτα δὴ πάντα τότε ταύτῃ πεφυκότα ἐξ ἀνάγκης ὁ τοῦ καλλίστου τε καὶ ἀρίστου δημιουργὸς ἐν τοῖς γιγνομένοις παρελάμβανεν, ἡνίκα τὸν αὐτάρκη τε καὶ τὸν τελεώτατον θεὸν ἐγέννα, χρώμενος μὲν ταῖς περὶ ταῦτα αἰτίαις ὑπηρετούσαις, τὸ δὲ εὖ τεκταινόμενος ἐν πᾶσιν τοῖς γιγνομένοις αὐτός.

These, therefore, are the names we must assign to them: that which dilates the visual stream is “white” and the opposite thereof “black”; and the more rapid motion, being that of a different species of fire, which strikes upon the visual stream and dilates it as far as to the eyes, and penetrating and dissolving the very passages of the eyes causes a volume of fire and water to pour from them, which we call “tears.” And this moving body, being itself fire, meets fire from the opposite direction; and as the one firestream is leaping out like a flash, and the other passing in and being quenched in the moisture, in the resultant mixture colors of all kinds are produced. This sensation we term “dazzling” and the object which causes it “bright” or “brilliant.” Again, when the kind of fire which is midway between these reaches to the liquid of the eyes and is mingled therewith, it is not brilliant but, owing to the blending of the fire’s ray through the moisture, it gives off a sanguine color, and we give it the name of “red.” And “bright” color when blended with red and white becomes “yellow.” But in what proportions the colors are blended it were foolish to declare, even if one knew, seeing that in such matters one could not properly adduce any necessary ground or probable reason. Red blended with black and white makes “purple”; but when these colors are mixed and more completely burned, and black is blended therewith, the result is “violet.” “Chestnut” comes from the blending of yellow and grey; and “grey” from white and black; and “ochre” from white mixed with yellow. And when white is combined with “bright” and is steeped in deep black it turns into a “dark blue” color; and dark blue mixed with white becomes “light blue”; and chestnut with black becomes “green.” As to the rest, it is fairly clear from these examples what are the mixtures with which we ought to identify them if we would preserve probability in our account. But should any inquirer make an experimental test of these facts, he would evince his ignorance of the difference between man’s nature and Gods—how that, whereas God is sufficiently wise and powerful to blend the many into one and to dissolve again the one into many, there exists not now, nor ever will exist hereafter, a child of man sufficient for either of these tasks. Such, then, being the necessary nature of all these things, the Artificer of the most fair and good took them over at that time amongst things generated when He was engendering the self-sufficing and most perfect God; and their inherent properties he used as subservient causes, but Himself designed the Good in all that was being generated.

English translation by Robert Gregg Bury (1929). Original text: Robert Gregg Bury (trans.), Plato IX: Timaeus, Critias, Cleitophon, Menexenus, Epistles, Loeb Classical Library, Cambridge, MA: Harvard University Press; London: William Heinemann, 1929; Greek text: John Burnet, Platonis Opera, Oxford Classical Texts (as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.