Plutarch · Life of Caesar Καῖσαρ

Plutarch, Life of Caesar 9.1–10.7: The Bona Dea scandal: Clodius in Caesar's house

Plutarch describes the women's rites of Bona, whom the Romans call a Dryad nymph and wife of Faunus and the Greeks one of the mothers of Dionysus, celebrated by night in booths covered with vine-branches beside a sacred serpent, with no men present. At the festival Clodius, in love with Caesar's wife Pompeia, enters dressed as a lute-girl, but an attendant of Aurelia recognises him by his voice, and Aurelia stops the rites and has the house searched. Clodius is indicted for sacrilege; Caesar divorces Pompeia but testifies that he knows nothing of the charges, explaining that his wife ought not even to be under suspicion, and Clodius is acquitted by jurors who write their verdicts illegibly.

Sections 9.1–10.7 · 831 words · click a number to copy its link

οὐ μὴν ἀπέβη τι ταραχῶδες ἀπʼ αὐτῆς, ἀλλὰ καὶ τύχη τις ἄχαρις τῷ Καίσαρι συνηνέχθη περὶ τὸν οἶκον. Πόπλιος Κλώδιος ἦν ἀνὴρ γένει μὲν εὐπατρίδης καὶ πλούτῳ καὶ λόγῳ λαμπρός, ὕβρει δὲ καὶ θρασύτητι τῶν ἐπὶ βδελυρίᾳ περιβοήτων οὐδενὸς δεύτερος.

However, there were no disturbances in consequence of Caesar’s praetorship, but an unpleasant incident happened in his family. Publius Clodius was a man of patrician birth, and conspicuous for wealth and eloquence, but in insolence and effrontery he surpassed all the notorious scoundrels of his time.

οὗτος ἤρα Πομπηΐας τῆς Καίσαρος γυναικός οὐδὲ αὐτῆς ἀκούσης, ἀλλὰ φυλακαί τε τῆς γυναικωνίτιδος ἀκριβεῖς ἦσαν, ἥ τε μήτηρ τοῦ Καίσαρος Αὐρηλία, γυνὴ σώφρων, περιέπουσα τὴν νύμφην ἀεὶ χαλεπὴν καὶ παρακεκινδυνευμένην αὐτοῖς ἐποίει τὴν ἔντευξιν.

This man was in love with Pompeia the wife of Caesar, and she was not unwilling. But close watch was kept upon the women’s apartments, and Aurelia, Caesar’s mother, a woman of discretion, would never let the young wife out of her sight, and made it difficult and dangerous for the lovers to have an interview.

ἔστι δὲ Ῥωμαίοις θεὸς ἣν Ἀγαθὴν ὀνομάζουσιν, ὥσπερ Ἕλληνες Γυναικείαν. καὶ Φρύγες μὲν οἰκειούμενοι Μίδα μητέρα τοῦ βασιλέως γενέσθαι φασί, Ῥωμαῖοι δὲ νύμφην δρυάδα Φαύνῳ συνοικήσασαν, Ἕλληνες δὲ τῶν Διονύσου μητέρων τὴν ἄρρητον. ὅθεν ἀμπελίνοις τε τὰς σκηνὰς κλήμασιν ἑορτάζουσαι κατερέφουσι, καὶ δράκων ἱερὸς παρακαθίδρυται τῇ θεῷ κατὰ τὸν μῦθον. ἄνδρα δὲ προσελθεῖν οὐ θέμις οὐδʼ ἐπὶ τῆς οἰκίας γενέσθαι τῶν ἱερῶν ὀργιαζομένων αὐταὶ δὲ καθʼ ἑαυτὰς αἱ γυναῖκες πολλὰ τοῖς Ὀρφικοῖς ὁμολογοῦντα δρᾶν λέγονται περὶ τὴν ἱερουργίαν.

Now, the Romans have a goddess whom they call Bona, corresponding to the Greek Gynaeceia. The Phrygians claim this goddess as their own, and say that she was the mother of King Midas; the Romans say she was a Dryad nymph and the wife of Faunus; the Greeks that she was the unnameable one among the mothers of Dionysus. And this is the reason why the women cover their booths with vine-branches when they celebrate her festival, and why a sacred serpent is enthroned beside the goddess in conformity with the myth. It is not lawful for a man to attend the sacred ceremonies, nor even to be in the house when they are celebrated; but the women, apart by themselves, are said to perform many rites during their sacred service which are Orphic in their character.

ὅταν οὖν ὁ τῆς ἑορτῆς καθήκῃ χρόνος, ὑπατεύοντος ἢ στρατηγοῦντος ἀνδρός, αὐτὸς μὲν ἐξίσταται καὶ πᾶν τὸ ἄρρεν, ἡ δὲ γυνὴ τὴν οἰκίαν παραλαβοῦσα διακοσμεῖ, καὶ τὰ μέγιστα νύκτωρ τελεῖται, παιδιᾶς ἀναμεμιγμένης ταῖς παννυχίσι καὶ μουσικῆς ἅμα πολλῆς παρούσης.

Accordingly, when the time for the festival is at hand, the consul or praetor at whose house it is to be held goes away, and every male with him, while his wife takes possession of the premises and puts them in due array. The most important rites are celebrated by night, when mirth attends the revels, and much music, too, is heard.

ταύτην τότε τὴν ἑορτὴν τῆς Πομπηΐας ἐπιτελούσης, ὁ Κλώδιος οὔπω γενειῶν καὶ διὰ τοῦτο λήσειν οἰόμενος ἐσθῆτα καὶ σκευὴν ψαλτρίας ἀναλαβὼν ἐχώρει, νέᾳ γυναικὶ τὴν ὄψιν ἐοικώς. καὶ ταῖς θύραις ἐπιτυχὼν ἀνεῳγμέναις εἰσήχθη μὲν ἀδεῶς ὑπὸ τῆς συνειδυίας θεραπαινίδος,

At the time of which I speak, Pompeia was celebrating this festival, and Clodius, who was still beardless and on this account thought to pass unnoticed, assumed the dress and implements of a lute-girl and went to the house, looking like a young woman. He found the door open, and was brought in safely by the maid-servant there, who was in the secret;

ἐκείνης δὲ προδραμούσης ὡς τῇ Πομπηΐᾳ φράσειε, καὶ γενομένης διατριβῆς, περιμένειν μὲν ὅπου κατελείφθη τῷ Κλωδίῳ μὴ καρτεροῦντι, πλανωμένῳ δʼ ἐν οἰκίᾳ μεγάλῃ καὶ περιφεύγοντι τὰ φῶτα προσπεσοῦσα τῆς Αὐρηλίας ἀκόλουθος ὡς δὴ γυνὴ γυναῖκα παίζειν προὐκαλεῖτο, καὶ μὴ βουλόμενον εἰς τὸ μέσον εἷλκε, καὶ τίς ἐστι καὶ πόθεν ἐπυνθάνετο.

but after she had run on ahead to tell Pompeia and some time had elapsed, Clodius had not the patience to wait where he had been left, and so, as he was wandering about in the house (a large one) and trying to avoid the lights, an attendant of Aurelia came upon him and asked him to play with her, as one woman would another, and when he refused, she dragged him forward and asked who he was and whence he came.

τοῦ δὲ Κλωδίου φήσαντος Ἅβραν περιμένειν Πομπηΐας, αὐτὸ τοῦτο καλουμένην, καὶ τῇ φωνῇ γενομένου καταφανοῦς, ἡ μὲν ἀκόλουθος εὐθὺς ἀπεπήδησε κραυγῇ πρὸς τὰ φῶτα καὶ τὸν ὄχλον, ἄνδρα πεφωρακέναι βοῶσα, τῶν δὲ γυναικῶν διαπτοηθεισῶν ἡ Αὐρηλία τὰ μὲν ὄργια τῆς θεοῦ κατέπαυσε καὶ συνεκάλυψεν, αὐτὴ δὲ τὰς θύρας ἀποκλεῖσαι κελεύσασα περιῄει τὴν οἰκίαν ὑπὸ λαμπάδων, ζητοῦσα τὸν Κλώδιον.

Clodius answered that he was waiting for Pompeia’s Abra (this was the very name by which the maid was called), and his voice betrayed him. The attendant of Aurelia at once sprang away with a scream to the lights and the throng, crying out that she had caught a man. The women were panic-stricken, and Aurelia put a stop to the mystic rites of the goddess and covered up the emblems. Then she ordered the doors to be closed and went about the house with torches, searching for Clodius.

εὑρίσκεται δʼ εἰς οἴκημα παιδίσκης ᾗ συνεισῆλθε καταπεφευγώς καὶ γενόμενος φανερὸς ὑπὸ τῶν γυναικῶν ἐξελαύνεται διὰ τῶν θυρῶν, τὸ δὲ πρᾶγμα καὶ νυκτὸς εὐθὺς αἱ γυναῖκες ἀπιοῦσαι τοῖς αὑτῶν ἔφραζον ἀνδράσι, καὶ μεθʼ ἡμέραν ἐχώρει διὰ τῆς πόλεως λόγος ὡς ἀθέσμοις ἐπικεχειρηκότος τοῦ Κλώδιον καὶ δίκην οὐ τοῖς ὑβρισμένοις μόνον, ἀλλὰ καὶ τῇ πόλει καὶ τοῖς θεοῖς ὀφείλοντος.

He was found where he had taken refuge, in the chamber of the girl who had let him into the house; and when they saw who he was, the women drove him out of doors. Then at once, and in the night, they went off and told the matter to their husbands, and when day came a report spread through the city that Clodius had committed sacrilege and owed satisfaction, not only to those whom he had insulted, but also to the city and to the gods.

ἐγράψατο μὲν οὖν τὸν Κλώδιον εἷς τῶν δημάρχων ἀσεβείας, καὶ συνέστησαν ἐπʼ αὐτὸν οἱ δυνατώτατοι τῶν ἀπὸ τῆς βουλῆς, ἄλλας τε δεινὰς ἀσελγείας καταμαρτυροῦντες καὶ μοιχείαν ἀδελφῆς, ἣ Λευκούλλῳ συνῳκήκει. πρὸς δὲ τὰς τούτων σπουδὰς ὁ δῆμος ἀντιτάξας ἑαυτὸν ἤμυνε τῷ Κλωδίῳ, καὶ μέγα πρὸς τοὺς δικαστὰς ὄφελος ἦν ἐκπεπληγμένους καὶ δεδοικότας τὸ πλῆθος.

Accordingly, one of the tribunes of the people indicted Clodius for sacrilege, and the most influential senators leagued themselves together and bore witness against him that, among other shocking abominations, he had committed adultery with his sister, who was the wife of Lucullus. But against the eager efforts of these men the people arrayed themselves in defence of Clodius, and were of great assistance to him with the jurors in the case, who were terror-stricken and afraid of the multitude.

ὁ δὲ Καῖσαρ ἀπεπέμψατο μὲν εὐθὺς τὴν Πομπηΐαν, μάρτυς δὲ πρὸς τὴν δίκην κληθείς οὐδὲν ἔφη τῶν λεγομένων κατὰ τοῦ Κλωδίου γιγνώσκειν. ὡς δὲ τοῦ λόγου παραδόξου φανέντος ὁ κατήγορος ἠρώτησε, πῶς οὖν ἀπεπέμψω τὴν γυναῖκα; ὃτι, ἔφη, τὴν ἐμὴν ἠξίουν μηδὲ ὑπονοηθῆναι. ταῦτα οἱ μὲν οὕτω φρονοῦντα τὸν Καίσαρα λέγουσιν εἰπεῖν, οἱ δὲ τῷ δήμῳ χαριζόμενον ὡρμημένῳ σῴζειν τὸν Κλώδιον.

Caesar divorced Pompeia at once, but when he was summoned to testify at the trial, he said he knew nothing about the matters with which Clodius was charged. His statement appeared strange, and the prosecutor therefore asked, Why, then, didst thou divorce thy wife? Because, said Caesar, I thought my wife ought not even to be under suspicion.. Some say that Caesar made this deposition honestly; but according to others it was made to gratify the people, who were determined to rescue Clodius.

ἀποφεύγει δʼ οὖν τὸ ἔγκλημα τῶν πλείστων δικαστῶν συγκεχυμένοις τοῖς γράμμασι τὰς γνώμας ἀποδόντων, ὅπως μήτε παρακινδυνεύσωσιν ἐν τοῖς πολλοῖς καταψηφισάμενοι μήτε ἀπολύσαντες ἀδοξήσωσι παρὰ τοῖς ἀρίστοις.

At any rate, Clodius was acquitted of the charge, the majority of the jurors giving their verdicts in illegible writing, in order that they might neither risk their lives with the populace by condemning him nor get a bad name among the nobility by acquitting him.

People and places in this passage

English translation by Bernadotte Perrin (1919). Original text: Bernadotte Perrin (ed. and trans.), Plutarch's Lives, vol. 7, Loeb Classical Library, Cambridge, MA: Harvard University Press; London: William Heinemann, 1919 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.