ὁ δὲ Ἑλισσὼν οὗτος ἀρχόμενος ἐκ κώμης ὁμωνύμου —καὶ γὰρ τῇ κώμῃ τὸ ὄνομα Ἑλισσών ἐστι—τήν τε Διπαιέων καὶ τὴν Λυκαιᾶτιν χώραν, τρίτα δὲ αὐτὴν διεξελθὼν Μεγάλην πόλιν, εἴκοσι σταδίοις ἀπωτέρω Μεγαλοπολιτῶν τοῦ ἄστεως κάτεισιν ἐς τὸν Ἀλφειόν. πλησίον δὲ ἤδη τῆς πόλεως Ποσειδῶνός ἐστιν Ἐπόπτου ναός· ἐλείπετο δὲ τοῦ ἀγάλματος ἡ κεφαλή.
διαιροῦντος δὲ τὴν Μεγάλην πόλιν τοῦ ποταμοῦ τοῦ Ἑλισσόντος, καθὰ δὴ καὶ Κνίδον καὶ Μιτυλήνην δίχα οἱ εὔριποι νέμουσιν, ἐν μέρει τῷ πρὸς ἄρκτους, δεξιῷ δὲ κατὰ τὸ μετέωρον τοῦ ποταμοῦ, πεποίηταί σφισιν ἀγορά. περίβολος δέ ἐστιν ἐν ταύτῃ λίθων καὶ ἱερὸν Λυκαίου Διός, ἔσοδος δὲ ἐς αὐτὸ οὐκ ἔστι· τὰ γὰρ ἐντός ἐστι δὴ σύνοπτα, βωμοί τέ εἰσι τοῦ θεοῦ καὶ τράπεζαι δύο καὶ ἀετοὶ ταῖς τραπέζαις ἴσοι καὶ ἄγαλμα Πανὸς λίθου πεποιημένον·
ἐπίκλησις δὲ Σινόεις ἐστὶν αὐτῷ, τήν τε ἐπίκλησιν γενέσθαι τῷ Πανὶ ἀπὸ νύμφης Σινόης λέγουσι, ταύτην δὲ σὺν ἄλλαις τῶν νυμφῶν καὶ ἰδίᾳ γενέσθαι τροφὸν τοῦ Πανός. ἔστι δὲ πρὸ τοῦ τεμένους τούτου χαλκοῦν ἄγαλμα Ἀπόλλωνος θέας ἄξιον, μέγεθος μὲν ἐς πόδας δώδεκα, ἐκομίσθη δὲ ἐκ τῆς Φιγαλέων συντέλεια ἐς κόσμον τῇ Μεγάλῃ πόλει.
τὸ δὲ χωρίον ἔνθα τὸ ἄγαλμα ἵδρυτο ἐξ ἀρχῆς ὑπὸ Φιγαλέων, ὀνομάζεται Βᾶσσαι· τῷ θεῷ δὲ ἡ ἐπίκλησις ἠκολούθηκε μὲν ἐκ τῆς Φιγαλέων, ἐφʼ ὅτῳ δὲ ὄνομα ἔσχεν Ἐπικούριος, δηλώσει μοι τὰ ἐς Φιγαλέας τοῦ λόγου. ἔστι δὲ ἐν δεξιᾷ τοῦ Ἀπόλλωνος ἄγαλμα οὐ μέγα Μητρὸς θεῶν, τοῦ ναοῦ δέ, ὅτι μὴ οἱ κίονες, ἄλλο ὑπόλοιπον οὐδέν.
πρὸ δὲ τοῦ ναοῦ τῆς Μητρὸς ἀνδριὰς μὲν οὐδείς ἐστι, δῆλα δὲ ἦν τὰ βάθρα, ἐφʼ ὧν ἀνδριάντες ποτὲ ἑστήκεσαν. ἐλεγεῖον δὲ ἐπὶ ἑνὸς γεγραμμένον τῶν βάθρων Διοφάνους φησὶν εἶναι τὴν εἰκόνα, Διαίου μὲν υἱοῦ, συντάξαντος δὲ ἀνδρὸς πρώτου Πελοπόννησον τὴν πᾶσαν ἐς τὸν ὀνομασθέντα Ἀχαϊκὸν σύλλογον.
στοὰν δὲ τῆς ἀγορᾶς ὀνομαζομένην Φιλίππειον οὐ Φίλιππος ἐποίησεν ὁ Ἀμύντου, χαριζόμενοι δέ οἱ Μεγαλοπολῖται τὴν ἐπωνυμίαν διδόασιν αὐτῷ τοῦ οἰκοδομήματος. Ἑρμοῦ δὲ Ἀκακησίου πρὸς αὐτῇ ναὸς κατεβέβλητο, καὶ οὐδὲν ἐλείπετο ὅτι μὴ χελώνη λίθου. ταύτης δὲ ἔχεται τῆς Φιλιππείου μέγεθος ἀποδέουσα ἑτέρα στοά, Μεγαλοπολίταις δὲ αὐτόθι ᾠκοδομημένα ἐστὶ τὰ ἀρχεῖα, ἀριθμὸν οἰκήματα ἕξ· ἐν ἑνὶ δέ ἐστιν αὐτῶν Ἐφεσίας ἄγαλμα Ἀρτέμιδος καὶ ἐν ἑτέρῳ χαλκοῦς Πὰν πηχυαῖος ἐπίκλησιν Σκολείτας.
μετεκομίσθη δὲ ἀπὸ λόφου τοῦ Σκολείτα· καὶ ὁ λόφος οὗτος τοῦ τείχους ἐστὶν ἐντός, ἀπὸ δὲ αὐτοῦ κάτεισιν ὕδωρ ἐς τὸν Ἑλισσόντα ἐκ πηγῆς. τῶν ἀρχείων δὲ ὄπισθε ναὸς Τύχης καὶ ἄγαλμα λίθου πεποίηται ποδῶν πέντε οὐκ ἀποδέον. στοὰν δὲ ἥντινα καλοῦσι Μυρόπωλιν, ἔστι μὲν τῆς ἀγορᾶς, ᾠκοδομήθη δὲ ἀπὸ λαφύρων, ἡνίκα τὸ πταῖσμα ἐγένετο Ἀκροτάτῳ τῷ Κλεομένους καὶ Λακεδαιμονίων τοῖς συστρατεύσασι, μαχεσαμένοις πρὸς Ἀριστόδημον τυραννίδα ἐν Μεγάλῃ πόλει τότε ἔχοντα.
Μεγαλοπολίταις δὲ ἐπὶ τῆς ἀγορᾶς ἐστιν ὄπισθεν τοῦ περιβόλου τοῦ ἀνειμένου τῷ Λυκαίῳ Διὶ ἀνὴρ ἐπειργασμένος ἐπὶ στήλῃ, Πολύβιος Λυκόρτα· γέγραπται δὲ καὶ ἐλεγεῖα ἐπʼ αὐτῷ λέγοντα ὡς ἐπὶ γῆν καὶ θάλασσαν πᾶσαν πλανηθείη, καὶ ὅτι σύμμαχος γένοιτο Ῥωμαίων καὶ παύσειεν αὐτοὺς ὀργῆς τῆς ἐς τὸ Ἑλληνικόν. συνέγραψε δὲ ὁ Πολύβιος οὗτος καὶ ἄλλα ἔργα Ῥωμαίων καὶ ὡς Καρχηδονίοις κατέστησαν ἐς πόλεμον, αἰτία τε ἥτις ἐγένετο αὐτοῦ καὶ ὡς ὀψὲ
οὐκ ἄνευ κινδύνων μεγάλων Ῥωμαῖοι Σκιπίωνι ὅν τινα Καρχηδονιακὸν ὀνομάζουσι τέλος τε ἐπιθέντα τῷ πολέμῳ καὶ τὴν Καρχηδόνα καταβαλόντα ἐς ἔδαφος. ὅσα μὲν δὴ Πολυβίῳ παραινοῦντι ὁ Ῥωμαῖος ἐπείθετο, ἐς ὀρθὸν ἐχώρησεν αὐτῷ· ἃ δὲ οὐκ ἠκροᾶτο διδάσκοντος, γενέσθαι οἱ λέγουσιν ἁμαρτήματα. Ἑλλήνων δὲ ὁπόσαι πόλεις ἐς τὸ Ἀχαϊκὸν συνετέλουν, παρὰ Ῥωμαίων εὕραντο αὗται Πολύβιόν σφισι πολιτείας τε καταστήσασθαι καὶ νόμους θεῖναι. τῆς δʼ εἰκόνος τοῦ Πολυβίου τὸ βουλευτήριόν ἐστιν ἐν ἀριστερᾷ.
τοῦτο μὲν δή ἐστιν ἐνταῦθα, στοὰν δὲ τῆς ἀγορᾶς Ἀριστάνδρειον ἐπίκλησιν ἄνδρα τῶν ἀστῶν Ἀρίστανδρον οἰκοδομῆσαι λέγουσι. ταύτης τῆς στοᾶς ἐστιν ἐγγυτάτω ὡς πρὸς ἥλιον ἀνίσχοντα ἱερὸν Σωτῆρος ἐπίκλησιν Διός· κεκόσμηται δὲ πέριξ κίοσι. καθεζομένῳ δὲ τῷ Διὶ ἐν θρόνῳ παρεστήκασι τῇ μὲν ἡ Μεγάλη πόλις, ἐν ἀριστερᾷ δὲ Ἀρτέμιδος Σωτείρας ἄγαλμα. ταῦτα μὲν λίθου τοῦ Πεντελησίου Ἀθηναῖοι Κηφισόδοτος καὶ Ξενοφῶν εἰργάσαντο·
This river Helisson rises at a village of the same name (the village also being called Helisson), flows through the districts of Dipaea and Lycaea, and next through the city of Megalopolis. . . furlongs from Megalopolis it falls into the Alpheus. Near the city is a temple of Poseidon the Overseer: the head of the image remains.
The city of Megalopolis is divided by the river Helisson just as Cnidus and Mitylene are separated into two parts respectively by arms of the sea. In the northern portion of Megalopolis, which is the portion on your right hand as you look down the river, is the market-place, and in the market-place there is an enclosure of stones and a sanctuary of Lycaean Zeus. There is no entrance into the sanctuary, but its contents (for they can be seen) consist of altars of the god, two tables, as many eagles as tables, and a stone image of Pan, surnamed Oenois. They say that Pan acquired this surname from the nymph Oenoe, who, like other nymphs, is said to have been his nurse. In front of this precinct is a bronze image of Apollo which is worth seeing. It is twelve feet high, and was brought from Phigalia as a contribution to the adornment of Megalopolis. The place where the image was originally set up by the Phigalians is named Bassae. The surname of Succourer followed the god from the Phigalian territory: why he got it will be shown in my account of Phigalia. On the right of the Apollo is a small image of the Mother of the Gods, but of the temple nothing is left but the pillars. There is no statue in front of the temple of the Mother, but the pedestals are visible upon which statues once stood. An elegiac inscription on one of the pedestals declares that the statue was a portrait of that Diophanes, son of Diaeus, who first brought the whole of Peloponnese into the Achaean League.
The colonnade in the market-place named the Philippian Colonnade was not erected by Philip, son of Amyntas, but the Megalopolitans gave the building that name out of compliment to him. Beside it is a ruined temple of Acacesian Hermes: nothing was left of it but a stone tortoise. Adjoining the Philippian Colonnade is another smaller colonnade, where are the government offices of Megalopolis, six in number: in one of them is an image of Ephesian Artemis, and in another is a bronze Pan, surnamed Scolitas, an ell high, which was brought from the hill Scolitas. This hill is within the walls, and there is a spring on it whence a brook flows down to the Helisson. Behind the government offices is a temple of Fortune, with an image made of stone, not less than five feet high. In the market-place there is also a colonnade which they call Myropolis (‘perfume-selling’): it was built from the spoils taken when the Lacedaemonian army under Acrotatus, son of Cleomenes, was defeated in the battle with Aristodemus, then tyrant of Megalopolis.
In the market-place of Megalopolis, behind the enclosure consecrated to Lycaean Zeus, is a likeness of Polybius, son of Lycortas, wrought in relief on a monument: an elegiac inscription sets forth that he wandered over every land and sea, that he was an ally of the Romans, and that he appeased their anger against the Greeks. This Polybius wrote a history of Rome, describing among other things how the Romans went to war with the Carthaginians, what was the cause of the war, and how at last after the Romans had run great risks, Scipio, . . whom they name Carthaginian, put an end to the war, and razed Carthage to the ground. Whatever the Romans did by the advice of Polybius turned out well; but it is said that whenever they did not listen to his instruction they went wrong. All the Greek states that belonged to the Achaean League obtained from the Romans leave that Polybius should frame constitutions and draw up laws for them. To the left of the likeness of Polybius is the Council House.
The colonnade in the market-place, called the Aristandrian Colonnade, is said to have been built by a townsman Aristander. Close to this colonnade on the east is a sanctuary of Zeus surnamed Saviour: it is adorned with pillars round about. Zeus is seated on a throne: beside him stand on the right hand Megalopolis, and on the left hand an image of Saviour Artemis. These images are of Pentelic marble, and are the work of the Athenians Cephisodotus and Xenophon.
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