παρέντι δὲ Κρεύγα τε εἰκόνα ἀνδρὸς πύκτου καὶ τρόπαιον ἐπὶ Κορινθίοις ἀνασταθέν, ἄγαλμά ἐστι καθήμενον Διὸς Μειλιχίου, λίθου λευκοῦ, Πολυκλείτου δὲ ἔργον. ποιηθῆναι δὲ ἐπυνθανόμην αὐτὸ ἐπʼ αἰτίᾳ τοιαύτῃ. Λακεδαιμονίοις πολεμεῖν πρὸς Ἀργείους ἀρξαμένοις οὐδεμία ἦν ἔτι ἀπαλλαγή, πρὶν ἢ Φίλιππος σφᾶς ἠνάγκασεν ὁ Ἀμύντου μένειν ἐπὶ τοῖς καθεστηκόσιν ἐξ ἀρχῆς ὅροις τῆς χώρας. τὸν δὲ ἔμπροσθεν χρόνον οἱ Λακεδαιμόνιοι μηδὲν ἔξω Πελοποννήσου περιεργαζόμενοι τῆς Ἀργείας ἀεί τι ἀπετέμνοντο, ἢ οἱ Ἀργεῖοι τετραμμένων πρὸς πόλεμον ἐκείνων ὑπερόριον ἐν τῷ τοιούτῳ καὶ αὐτοί σφισιν ἐνέκειντο.
προηγμένου δὲ ἀμφοτέροις ἐς ἄκρον τοῦ μίσους ἔδοξεν Ἀργείοις λογάδας τρέφειν χιλίους· ἡγεμὼν δὲ ἐτέτακτο ἐπʼ αὐτοῖς Βρύας Ἀργεῖος, ὃς ἄλλα τε ἐς ἄνδρας ὕβρισε τοῦ δήμου καὶ παρθένον κομιζομένην παρὰ τὸν νυμφίον ᾔσχυνεν ἀφελόμενος τοὺς ἄγοντας. ἐπιλαβούσης δὲ τῆς νυκτὸς τυφλοῖ τὸν Βρύαντα ἡ παῖς φυλάξασα ὑπνωμένον· φωραθεῖσα δὲ ὡς ἐπέσχεν ἡμέρα, κατέφυγεν ἱκέτις ἐς τὸν δῆμον. οὐ προεμένων δὲ αὐτὴν τιμωρήσασθαι τοῖς χιλίοις καὶ ἀπὸ τούτου προαχθέντων ἐς μάχην ἀμφοτέρων, κρατοῦσιν οἱ τοῦ δήμου, κρατήσαντες δὲ οὐδένα ὑπὸ τοῦ θυμοῦ τῶν ἐναντίων ἔλιπον. ὕστερον δὲ ἄλλα τε ἐπηγάγοντο καθάρσια ὡς ἐπὶ αἵματι ἐμφυλίῳ καὶ ἄγαλμα ἀνέθηκαν Μειλιχίου Διός.
πλησίον δέ εἰσιν ἐπειργασμένοι λίθῳ Κλέοβις καὶ Βίτων αὐτοί τε ἕλκοντες τὴν ἅμαξαν καὶ ἐπʼ αὐτῇ ἄγοντες τὴν μητέρα ἐς τὸ Ἡραῖον. τούτων δὲ ἀπαντικρὺ Νεμείου Διός ἐστιν ἱερόν, ἄγαλμα ὀρθὸν χαλκοῦν, τέχνη Λυσίππου. μετὰ δὲ αὐτὸ προελθοῦσιν ἐν δεξιᾷ Φορωνέως τάφος ἐστίν· ἐναγίζουσι δὲ καὶ ἐς ἡμᾶς ἔτι τῷ Φορωνεῖ. πέραν δὲ τοῦ Νεμείου Διὸς Τύχης ἐστὶν ἐκ παλαιοτάτου ναός, εἰ δὴ Παλαμήδης κύβους εὑρὼν ἀνέθηκεν ἐς τοῦτον τὸν ναόν.
τὸ δὲ μνῆμα τὸ πλησίον Χορείας μαινάδος ὀνομάζουσι, Διονύσῳ λέγοντες καὶ ἄλλας γυναῖκας καὶ ταύτην ἐς Ἄργος συστρατεύσασθαι, Περσέα δέ, ὡς ἐκράτει τῆς μάχης, φονεῦσαι τῶν γυναικῶν τὰς πολλάς· τὰς μὲν οὖν λοιπὰς θάπτουσιν ἐν κοινῷ, ταύτῃ δὲ—ἀξιώματι γὰρ δὴ προεῖχεν—ἰδίᾳ τὸ μνῆμα ἐποίησαν.
ἀπωτέρω δὲ ὀλίγον Ὡρῶν ἱερόν ἐστιν. ἐπανιόντι δὲ ἐκεῖθεν ἀνδριάντες ἑστήκασι Πολυνείκους τοῦ Οἰδίποδος καὶ ὅσοι σὺν ἐκείνῳ τῶν ἐν τέλει πρὸς τὸ τεῖχος μαχόμενοι τὸ Θηβαίων ἐτελεύτησαν. τούτους τοὺς ἄνδρας ἐς μόνων ἑπτὰ ἀριθμὸν κατήγαγεν Αἰσχύλος, πλειόνων ἔκ τε Ἄργους ἡγεμόνων καὶ Μεσσήνης καί τινων καὶ Ἀρκάδων στρατευσαμένων. τούτων δὲ τῶν ἑπτὰ—ἐπηκολουθήκασι γὰρ καὶ Ἀργεῖοι τῇ Αἰσχύλου ποιήσει—πλησίον κεῖνται καὶ οἱ τὰς Θήβας ἑλόντες Αἰγιαλεὺς Ἀδράστου καὶ Πρόμαχος ὁ Παρθενοπαίου τοῦ Ταλαοῦ καὶ Πολύδωρος Ἱππομέδοντος καὶ Θέρσανδρος καὶ οἱ Ἀμφιαράου παῖδες, Ἀλκμαίων τε καὶ Ἀμφίλοχος, Διομήδης τε καὶ Σθένελος· παρῆν δὲ ἔτι καὶ ἐπὶ τούτων Εὐρύαλος Μηκιστέως καὶ Πολυνείκους Ἄδραστος καὶ Τιμέας.
τῶν δὲ ἀνδριάντων οὐ πόρρω δείκνυται Δαναοῦ μνῆμα καὶ Ἀργείων τάφος κενὸς ὁπόσους ἔν τε Ἰλίῳ καὶ ὀπίσω κομιζομένους ἐπέλαβεν ἡ τελευτή. καὶ Διός ἐστιν ἐνταῦθα ἱερὸν Σωτῆρος καὶ παριοῦσίν ἐστιν οἴκημα· ἐνταῦθα τὸν Ἄδωνιν αἱ γυναῖκες Ἀργείων ὀδύρονται. ἐν δεξιᾷ δὲ τῆς ἐσόδου τῷ Κηφισῷ πεποίηται τὸ ἱερόν· τῷ δὲ ποταμῷ τούτῳ τὸ ὕδωρ φασὶν οὐ καθάπαξ ὑπὸ τοῦ Ποσειδῶνος ἀφανισθῆναι, ἀλλὰ ἐνταῦθα δὴ μάλιστα, ἔνθα καὶ τὸ ἱερόν ἐστι, συνιᾶσιν ὑπὸ γῆν ῥέοντος.
παρὰ δὲ τὸ ἱερὸν τοῦ Κηφισοῦ Μεδούσης λίθου πεποιημένη κεφαλή· Κυκλώπων φασὶν εἶναι καὶ τοῦτο ἔργον. τὸ δὲ χωρίον τὸ ὄπισθεν καὶ ἐς τόδε Κριτήριον ὀνομάζουσιν, Ὑπερμήστραν ἐνταῦθα ὑπὸ Δαναοῦ κριθῆναι λέγοντες. τούτου δέ ἐστιν οὐ πόρρω θέατρον· ἐν δὲ αὐτῷ καὶ ἄλλα θέας ἄξια καὶ ἀνὴρ φονεύων ἐστὶν ἄνδρα, Ὀθρυάδαν τὸν Σπαρτιάτην Περίλαος Ἀργεῖος ὁ Ἀλκήνορος· Περιλάῳ δὲ τούτῳ καὶ πρότερον ἔτι ὑπῆρχε Νεμείων ἀνῃρῆσθαι νίκην παλαίοντι.
ὑπὲρ δὲ τὸ θέατρον Ἀφροδίτης ἐστὶν ἱερόν, ἔμπροσθεν δὲ τοῦ ἕδους Τελέσιλλα ἡ ποιήσασα τὰ ᾄσματα ἐπείργασται στήλῃ· καὶ βιβλία μὲν ἐκεῖνα ἔρριπταί οἱ πρὸς τοῖς ποσίν, αὐτὴ δὲ ἐς κράνος ὁρᾷ κατέχουσα τῇ χειρὶ καὶ ἐπιτίθεσθαι τῇ κεφαλῇ μέλλουσα. ἦν δὲ ἡ Τελέσιλλα καὶ ἄλλως ἐν ταῖς γυναιξὶν εὐδόκιμος καὶ μᾶλλον ἐτιμᾶτο ἔτι ἐπὶ τῇ ποιήσει. συμβάντος δὲ Ἀργείοις ἀτυχῆσαι λόγου μειζόνως πρὸς Κλεομένην τὸν Ἀναξανδρίδου καὶ Λακεδαιμονίους, καὶ τῶν μὲν ἐν αὐτῇ πεπτωκότων τῇ μάχῃ, ὅσοι δὲ ἐς τὸ ἄλσος τοῦ Ἄργου κατέφευγον διαφθαρέντων καὶ τούτων, τὰ μὲν πρῶτα ἐξιόντων κατὰ ὁμολογίαν, ὡς δὲ ἔγνωσαν ἀπατώμενοι συγκατακαυθέντων τῷ ἄλσει τῶν λοιπῶν, οὕτω τοὺς Λακεδαιμονίους Κλεομένης ἦγεν ἐπὶ ἔρημον ἀνδρῶν τὸ Ἄργος.
Τελέσιλλα δὲ οἰκέτας μὲν καὶ ὅσοι διὰ νεότητα ἢ γῆρας ὅπλα ἀδύνατοι φέρειν ἦσαν, τούτους μὲν πάντας ἀνεβίβασεν ἐπὶ τὸ τεῖχος, αὐτὴ δὲ ὁπόσα ἐν ταῖς οἰκίαις ὑπελείπετο καὶ τὰ ἐκ τῶν ἱερῶν ὅπλα ἀθροίσασα τὰς ἀκμαζούσας ἡλικίᾳ τῶν γυναικῶν ὥπλιζεν, ὁπλίσασα δὲ ἔτασσε κατὰ τοῦτο ᾗ τοὺς πολεμίους προσιόντας ἠπίστατο. ὡς δὲ ἐγγὺς ἐγίνοντο οἱ Λακεδαιμόνιοι καὶ αἱ γυναῖκες οὔτε τῷ ἀλαλαγμῷ κατεπλάγησαν δεξάμεναί τε ἐμάχοντο ἐρρωμένως, ἐνταῦθα οἱ Λακεδαιμόνιοι, φρονήσαντες ὡς καὶ διαφθείρασί σφισι τὰς γυναῖκας ἐπιφθόνως τὸ κατόρθωμα ἕξει καὶ σφαλεῖσι μετὰ ὀνειδῶν γενήσοιτο ἡ συμφορά, ὑπείκουσι ταῖς γυναιξί.
πρότερον δὲ ἔτι τὸν ἀγῶνα τοῦτον προεσήμηνεν ἡ Πυθία, καὶ τὸ λόγιον εἴτε ἄλλως εἴτε καὶ ὡς συνεὶς ἐδήλωσεν Ἡρόδοτος· ἀλλʼ ὅταν ἡ θήλεια τὸν ἄρρενα νικήσασα / ἐξελάσῃ καὶ κῦδος ἐν Ἀργείοισιν ἄρηται, / πολλὰς Ἀργείων ἀμφιδρυφέας τότε θήσει. / τὰ μὲν ἐς τὸ ἔργον τῶν γυναικῶν ἔχοντα τοῦ χρησμοῦ ταῦτα ἦν·
Passing over a statue of Creugas, a pugilist, and a trophy erected to commemorate a victory over the Corinthians, you come to a seated statue of Gracious Zeus, in white marble, a work of Polyclitus. I was told that it was made for the following reason. From the time that the Lacedaemonians first turned their arms against the Argives, there was no cessation of hostilities till Philip, the son of Amyntas, compelled them to stay within their original boundaries. Before that time, if the Lacedaemonians were not meddling outside Peloponnese, they were sure to be encroaching on the Argive territory ; and on the other hand, when the Lacedaemonians were occupied with a foreign war, it was the turn of the Argives to retaliate on them. When feeling on both sides ran very high, the Argives resolved to maintain a regiment of a thousand picked men. The commander of the regiment was one Bryas of Argos. Among other acts of oppression committed by him on the people, this man violated a girl whom he had torn from the arms of her friends as they were escorting her to the house of the bridegroom. When night fell the girl waited till Bryas was asleep, and then put out his eyes. At daybreak, being discovered, she threw herself on the protection of the people. The people refused to give her up to the vengeance of the soldiery. A fight ensued, the popular party were victorious, and in their fury they left not a man of their enemies alive. Afterwards they took various steps to cleanse themselves from the stain of tribal blood: among others, they set up an image of Gracious Zeus.
Hard by is a relief cut in stone: it represents Cleobis and Biton drawing the wagon with their mother on it to the sanctuary of Hera.
Opposite to it there is a sanctuary of Nemean Zeus: the bronze image of the god, who is represented standing, is a work of Lysippus. Beyond it we come to the grave of Phoroneus on the right. Down to the present day they still sacrifice to Phoroneus as to a hero. Over against the sanctuary of Nemean Zeus is a temple of Fortune. It must be very old if it be true that in this temple Palamedes dedicated the dice which he had invented. The neighbouring tomb they name the tomb of Chorea the Bacchanal. They say she was one of the women who marched with Dionysus to Argos, and that Perseus, being victorious in the battle, put most of the women to the sword. The others were buried in a common grave; but in consideration of her higher rank they made a separate tomb for Chorea.
At a little distance is a sanctuary of the Seasons. Returning from it you perceive a statue of Polynices, son of Oedipus, and statues of all the captains who perished with him in the assault on Thebes. Their number is reduced by Aeschylus to seven, but more than seven leaders marched from Argos and Messene, not to speak of some Arcadians. Near these seven (for the Argives also have adopted Aeschylus’ account) are statues of the men who captured Thebes. They were Aegialeus, son of Adrastus ; Promachus, son of Parthenopaeus, son of Talaus; Polydorus, son of Hippomedon ; Thersander; the two sons of Amphiaraus, Alcmaeon and Amphilochus ; and Diomede and Sthenelus. Besides these there were present at the siege Euryalus, son of Mecisteus, and Adrastus and Timeas, sons of Polynices. Not far from the statues is shown the tomb of Danaus and a cenotaph of the Argives who met their death at Ilium or on the journey home.
Here, too, is a sanctuary of Saviour Zeus. Passing it we come to a building where the Argive women bewail Adonis. On the right of the entrance is a sanctuary of Cephisus. They say that the water of this river was not utterly dried up by Poseidon, but just on the spot where the sanctuary stands they hear it flowing underground. Beside the sanctuary of Cephisus is a head of Medusa made of stone: they say that it too is a work of the Cyclopes. The place behind is still named the Judgment Place, because they say Hypermnestra was here brought to judgment by Danaus.
Not far from it is a theatre: among other things worth seeing it contains the statue of one man killing another ; the slayer is the Argive Perilaus, son of Alcenor; the slain man is the Spartan Othryadas. Perilaus had previously won a prize for wrestling at the Nemean games.
Above the theatre is a sanctuary of Aphrodite, and in front of the image of the goddess stands a relief representing Telesilla, the song-writer: her books are lying at her feet, and she is looking at a helmet which she holds in her hand and is about to put on her head. Telesilla was distinguished as a woman, and still more as a poetess. The Lacedaemonians, under Cleomenes, son of Anaxandrides, had inflicted a dreadful defeat on the Argives. Of the latter, some fell in the battle, others escaped to the grove of Argos, but only to perish miserably. For those who at first came out and surrendered were instantly despatched; and the rest, discovering the snare, were burned to death in the grove. Thus when Cleomenes led the Lacedaemonians against Argos, the city was denuded of its fighting men.
But Telesilla took the slaves, and the males who were too old or too young to bear arms, and mounted all of them on the wall. Then she gathered all the weapons that were left in the houses, or preserved in the sanctuaries, and with these she armed all the women who were in the prime of life, and drew them up in array at the point where she knew the enemy would approach. The Lacedaemonians came on; and the women, undismayed by their cheering, stood their ground and fought stoutly. Then the Lacedaemonians, reflecting that victory, purchased by the slaughter of the women, would be odious and defeat disgraceful, gave ground and left the women in possession of the field. This battle was foretold by the Pythian priestess in an oracle which Herodotus has recorded, whether he understood it or not :— But when the female conquers the male And drives him away, and wins glory among the Argives, Then will she cause many Argive women to scratch both their cheeks. These were the words of the oracle which referred to the battle of the women.
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