τὰ μὲν οὖν Κρεσφόντου καὶ τῶν Ἀριστοδήμου παίδων οὐκ ἤπειγεν ὁ λόγος με ἐνταῦθα δηλῶσαι· Τήμενος δὲ ἐκ μὲν τοῦ φανεροῦ Δηιφόντῃ τῷ Ἀντιμάχου τοῦ Θρασυάνορος τοῦ Κτησίππου τοῦ Ἡρακλέους στρατηγῷ πρὸς τὰς μάχας ἐχρήσατο ἀντὶ τῶν υἱῶν καὶ σύμβουλον ἐς πάντα εἶχεν, ἅτε αὐτόν τε ἐκεῖνον πεποιημένος πρότερον ἔτι γαμβρὸν καὶ τῶν παίδων ἀρεσκόμενος τῇ Ὑρνηθοῖ μάλιστα, ὑπωπτεύετο δὲ ἤδη καὶ τὴν βασιλείαν ἐς ἐκείνην καὶ Δηιφόντην τρέπειν. ἐπεβουλεύθη δὲ τούτων ἕνεκα ὑπὸ τῶν υἱῶν· ἐκείνων δὲ αὐτῷ Κεῖσος πρεσβύτατος ὢν ἔσχε τὴν ἀρχήν.
Ἀργεῖοι δέ, ἅτε ἰσηγορίαν καὶ τὸ αὐτόνομον ἀγαπῶντες ἐκ παλαιοτάτου, τὰ τῆς ἐξουσίας τῶν βασιλέων ἐς ἐλάχιστον προήγαγον, ὡς Μήδωνι τῷ Κείσου καὶ τοῖς ἀπογόνοις τὸ ὄνομα λειφθῆναι τῆς βασιλείας μόνον. Μέλταν δὲ τὸν Λακήδου δέκατον ἀπόγονον Μήδωνος τὸ παράπαν ἔπαυσεν ἀρχῆς καταγνοὺς ὁ δῆμος.
Ἀργείοις δὲ τῶν ἐν τῇ πόλει τὸ ἐπιφανέστατόν ἐστιν Ἀπόλλωνος ἱερὸν Λυκίου. τὸ μὲν οὖν ἄγαλμα τὸ ἐφʼ ἡμῶν Ἀττάλου ποίημα ἦν Ἀθηναίου, τὸ δὲ ἐξ ἀρχῆς Δαναοῦ καὶ ὁ ναὸς καὶ τὸ ξόανον ἀνάθημα ἦν· ξόανα γὰρ δὴ τότε εἶναι πείθομαι πάντα καὶ μάλιστα τὰ Αἰγύπτια. Δαναὸς δὲ ἱδρύσατο Λύκιον Ἀπόλλωνα ἐπʼ αἰτίᾳ τοιαύτῃ. παραγενόμενος ἐς τὸ Ἄργος ἠμφισβήτει πρὸς Γελάνορα τὸν Σθενέλα περὶ τῆς ἀρχῆς. ῥηθέντων δὲ ἐπὶ τοῦ δήμου παρʼ ἀμφοτέρων πολλῶν τε καὶ ἐπαγωγῶν καὶ οὐχ ἧσσον δίκαια λέγειν τοῦ Γελάνορος δόξαντος, ὁ μὲν δῆμος ὑπερέθετο—φασὶν— ἐς τὴν ἐπιοῦσαν κρίνειν·
ἀρχομένης δὲ ἡμέρας ἐς βοῶν ἀγέλην νεμομένην πρὸ τοῦ τείχους ἐσπίπτει λύκος, προσπεσὼν δὲ ἐμάχετο πρὸς ταῦρον ἡγεμόνα τῶν βοῶν. παρίσταται δὴ τοῖς Ἀργείοις τῷ μὲν Γελάνορα, Δαναὸν δὲ εἰκάσαι τῷ λύκῳ, ὅτι οὔτε τὸ θηρίον τοῦτό ἐστιν ἀνθρώποις σύντροφον οὔτε Δαναός σφισιν ἐς ἐκεῖνο τοῦ χρόνου. ἐπεὶ δὲ τὸν ταῦρον κατειργάσατο ὁ λύκος, διὰ τοῦτο ὁ Δαναὸς ἔσχε τὴν ἀρχήν. οὕτω δὴ νομίζων Ἀπόλλωνα ἐπὶ τὴν ἀγέλην ἐπαγαγεῖν τῶν βοῶν τὸν λύκον, ἱδρύσατο Ἀπόλλωνος ἱερὸν Λυκίου.
ἐνταῦθα ἀνάκειται μὲν θρόνος Δαναοῦ, κεῖται δὲ εἰκὼν Βίτωνος, ἀνὴρ ἐπὶ τῶν ὤμων φέρων ταῦρον· ὡς δὲ Λυκέας ἐποίησεν, ἐς Νεμέαν Ἀργείων ἀγόντων θυσίαν τῷ Διὶ ὁ Βίτων ὑπὸ ῥώμης τε καὶ ἰσχύος ταῦρον ἀράμενος ἤνεγκεν. ἑξῆς δὲ τῆς εἰκόνος ταύτης πῦρ καίουσιν ὀνομάζοντες Φορωνέως εἶναι· οὐ γάρ τι ὁμολογοῦσι δοῦναι πῦρ Προμηθέα ἀνθρώποις, ἀλλὰ ἐς Φορωνέα τοῦ πυρὸς μετάγειν ἐθέλουσι τὴν εὕρεσιν.
τὰ δὲ ξόανα Ἀφροδίτης καὶ Ἑρμοῦ, τὸ μὲν Ἐπειοῦ λέγουσιν ἔργον εἶναι, τὸ δὲ Ὑπερμήστρας ἀνάθημα. ταύτην γὰρ τῶν θυγατέρων μόνην τὸ πρόσταγμα ὑπεριδοῦσαν ὑπήγαγεν ὁ Δαναὸς ἐς δικαστήριον, τοῦ τε Λυγκέως οὐκ ἀκίνδυνον αὑτῷ τὴν σωτηρίαν ἡγούμενος καὶ ὅτι τοῦ τολμήματος οὐ μετασχοῦσα ταῖς ἀδελφαῖς καὶ τῷ βουλεύσαντι τὸ ὄνειδος ηὔξησε. κριθεῖσα δὲ ἐν τοῖς Ἀργείοις ἀποφεύγει τε καὶ Ἀφροδίτην ἐπὶ τῷδε ἀνέθηκε Νικηφόρον.
τοῦ ναοῦ δέ ἐστιν ἐντὸς Λάδας ποδῶν ὠκύτητι ὑπερβαλλόμενος τοὺς ἐφʼ αὑτοῦ καὶ Ἑρμῆς ἐς λύρας ποίησιν χελώνην ᾑρηκώς. ἔστι δὲ ἔμπροσθεν τοῦ ναοῦ βόθρος πεποιημένα ἐν τύπῳ ταύρου μάχην ἔχων καὶ λύκου, σὺν δὲ αὐτοῖς παρθένον ἀφιεῖσαν πέτραν ἐπὶ τὸν ταῦρον· Ἄρτεμιν εἶναι νομίζουσι τὴν παρθένον. Δαναὸς δὲ ταῦτά τε ἀνέθηκε καὶ πλησίον κίονας καὶ Διὸς καὶ Ἀρτέμιδος ξόανον.
τάφοι δέ εἰσιν ὁ μὲν Λίνου τοῦ Ἀπόλλωνος καὶ Ψαμάθης τῆς Κροτώπου, τὸν δὲ λέγουσιν εἶναι Λίνου τοῦ ποιήσαντος τὰ ἔπη. τὰ μὲν οὖν ἐς τοῦτον οἰκειότερα ὄντα ἑτέρῳ λόγῳ παρίημι τῷδε, τὰ δὲ ἐς τὸν Ψαμάθης ἡ Μεγαρική μοι συγγραφὴ προεδήλωσεν. ἐπὶ τούτοις ἐστὶν Ἀπόλλων Ἀγυιεὺς καὶ βωμὸς Ὑετίου Διός, ἔνθα οἱ συσπεύδοντες Πολυνείκει τὴν ἐς Θήβας κάθοδον ἀποθανεῖσθαι συνώμοσαν, ἢν μὴ τὰς Θήβας γένηταί σφισιν ἑλεῖν. ἐς δὲ τοῦ Προμηθέως τὸ μνῆμα ἧσσόν μοι δοκοῦσιν Ὀπουντίων εἰκότα λέγειν, λέγουσι δὲ ὅμως.
The history of Cresphontes and the sons of Aristodemus it is not material that I should here relate. But Temenus openly employed Deiphontes, son of Antimachus, son of Thrasyanor, son of Ctesippus, son of Hercules, as his general in the battles instead of his own sons, and he took his advice in everything ; and as he had previously made him his son-in-law, and loved his daughter Hyrnetho the best of all his children, he was suspected of trying to divert the kingdom to her and Deiphontes. Therefore his sons plotted against him, and Cisus, the eldest of them, mounted the throne.
But from time immemorial the Argives have loved equality and freedom; and they now reduced the kingly power so low that Medon, son of Cisus, and his descendants, had nothing but the title of king left them. At last, Meltas, son of Lacedas, ninth descendant of Medon, was condemned by the people and actually deposed.
The most famous building in Argos is a sanctuary of Wolfish (Lykeios) Apollo. The present image was made by Attalus, an Athenian, but originally both the temple and the wooden image were dedicated by Danaus; for I am persuaded that in those days all images were of wood, especially the Egyptian images. The reason why Danaus founded a sanctuary of Wolfish Apollo was this. When he came to Argos he claimed the kingdom against Gelanor, son of Sthenelas. The people sat in judgment : many plausible pleas were urged on both sides; and it was thought that Gelanor had made out quite as good a case as his opponent. But the people deferred their decision, it is said, till the next day. At break of day a herd of kine, browsing before the walls, was attacked by a wolf, who fell upon and fought the bull, the leader of the herd. So it struck the Argives that Gelanor was like the bull and Danaus like the wolf; for just as the wolf does not live among men, so Danaus had not dwelt among them till that day. And since the wolf killed the bull, Danaus got the kingdom. So he founded a sanctuary of Wolfish Apollo, because he thought that Apollo had brought the wolf on the herd.
In this sanctuary is the throne of Danaus, and there is a statue of Biton, representing a man carrying a bull on his shoulders. According to the poet Lyceas, when the Argives were driving beasts to Nemea to sacrifice to Zeus, Biton by reason of his vigour and strength took up a bull and carried it.
Next to this statue is a fire which they keep burning: they name it the fire of Phoroneus, for they do not admit that Prometheus gave fire to men, but refer the discovery of fire to Phoroneus.
Of the wooden images of Aphrodite and Hermes, they say that the one is a work of Epeus, the other an offering of Hypermnestra. For Hypermnestra, as the only one of his daughters who had disregarded his command, was brought to trial by Danaus, who thought his own safety imperilled by the escape of Lynceus, and that by not sharing in the crime of her sisters she had inflamed the infamy that attached to himself as the contriver of the deed. Being tried and acquitted by the Argives, Hypermnestra dedicated an image of Victorious Aphrodite to commemorate her escape. Inside the temple is a statue of Ladas, the fleetest runner of his age; also a Hermes with a tortoise which he has lifted in order to make a lyre. In front of the temple is a pedestal adorned with sculptures in relief : they represent a bull and a wolf fighting and a virgin hurling a rock at the bull: they think that the virgin is Artemis. Danaus dedicated these, also some pillars near from . . . . of Zeus and a wooden image of Artemis.
There are also graves: one of them is the grave of Linus, son of Apollo by Psamathe, daughter of Crotopus: the other, they say, is the grave of Linus the poet. The history of the latter Linus can be told more appropriately in another place; so I omit it here. The story of the former has been already told by me in describing Megara. After these graves there is an image of Apollo as God of Streets, and an altar of Rainy Zeus, where the men who banded together to restore Polynices to Thebes swore to take Thebes or die. As to the tomb of Prometheus, the Argives tell a story which to-me seems less likely than the story told by the Opuntians. But the Argives stick to their version of it.
Cite This Text