τοῦ περιβόλου δὲ τοῦ ἱεροῦ θέατρον ἔχεται θέας ἄξιον, ἐπαναβάντι δὲ ἐκ τοῦ περιβόλου Διονύσου δὲ ἄγαλμα ἐνταῦθα Κνιδίων ἐστὶν ἀνάθημα. στάδιον δέ σφισιν ἀνωτάτω τῆς πόλεως τοῦτό ἐστιν· ἐπεποίητο δὲ ἐκ τῆς πέτρας ὁποῖαι περὶ τὸν Παρνασσόν εἰσιν αἱ πολλαί, ἄχρις Ἀθηναῖος Ἡρώδης λίθῳ τῷ Πεντελῆσιν αὐτὸ μετεκόσμησεν. τὰ μὲν δὴ ἀνήκοντα ἐς συγγραφὴν τοσαῦτά τε καὶ τοιαῦτα κατʼ ἐμὲ ἦν τὰ λειπόμενα ἐν Δελφοῖς·
ἰόντι δὲ ἐκ Δελφῶν ἐπὶ τὰ ἄκρα τοῦ Παρνασσοῦ, σταδίοις μὲν ὅσον ἑξήκοντα ἀπωτέρω Δελφῶν ἐστιν ἄγαλμα χαλκοῦν, καὶ ῥᾴων εὐζώνῳ ἀνδρὶ ἢ ἡμιόνοις τε καὶ ἵπποις ἐπὶ τὸ ἄντρον ἐστὶν ἄνοδος τὸ Κωρύκιον. τούτῳ δὲ τῷ ἄντρῳ γενέσθαι τὸ ὄνομα ἀπὸ νύμφης Κωρυκίας ἐδήλωσα ὀλίγον τι ἔμπροσθεν· σπηλαίων δὲ ὧν εἶδον θέας ἄξιον μάλιστα ἐφαίνετο εἶναί μοι.
ὅσα μὲν γὰρ ἐπί τε αἰγιαλοῖς καὶ ἀγχιβαθεῖ τῇ θαλάσσῃ, τούτων μὲν οὐδὲ ἀριθμὸν ἄν τις ἐθέλων ἐξεύροι, ὀνομαστότατα δὲ ἔν τε Ἕλλησι καὶ ἐν γῇ τῇ βαρβάρων ἐστί· Φρύγες οἱ ἐπὶ ποταμῷ Πεγκέλᾳ, τὰ δὲ ἄνωθεν ἐξ Ἀρκαδίας καὶ Ἀζάνων ἐς ταύτην ἀφικόμενοι τὴν χώραν, δεικνύουσιν ἄντρον καλούμενον Στεῦνος περιφερές τε καὶ ὕψους ἔχον εὐπρεπῶς· Μητρὸς δέ ἐστιν ἱερόν, καὶ ἄγαλμα Μητρὸς πεποίηται.
Θεμισώνιον δὲ τὸ ὑπὲρ Λαοδικείας Φρύγες μὲν καὶ τοῦτο οἰκοῦσιν· ὅτε δὲ ὁ Γαλατῶν στρατὸς ἔφερε καὶ ἦγεν Ἰωνίαν καὶ Ἰωνίας τὰ ὅμορα, οἱ Θεμισωνεῖς φασιν αὑτοῖς Ἡρακλέα βοηθὸν καὶ Ἀπόλλωνα γενέσθαι καὶ Ἑρμῆν· τούτους γὰρ τοῖς τὰς ἀρχὰς ἔχουσιν ἄντρον τε διʼ ὀνειράτων δεῖξαι καὶ ἀποκρυφθῆναι Θεμισωνεῦσι καὶ γυναιξὶν αὐτῶν καὶ παισὶν ἐς τοῦτο προστάξαι τὸ ἄντρον.
καὶ ἐπὶ τούτῳ πρὸ τοῦ σπηλαίου σφίσιν ἀγάλματα οὐ μεγάλα ἐστὶν Ἡρακλέους καὶ Ἑρμοῦ τε καὶ Ἀπόλλωνος, Σπηλαῗται καλούμενοι· τὸ δὲ ἀπέχει ὅσον τριάκοντα τοῦ ἄστεως σταδίους, ὕδατος δέ εἰσιν ἐν αὐτῷ πηγαί· οὔτε δὲ ἔσοδος ἐς αὐτὸ φέρει οὔτε ἐπὶ πολὺ ἡ αὐγὴ δίεισι τοῦ ἡλίου, τοῦ τε ὀρόφου τὰ πλείονα ἐγγυτάτω τοῦ ἐδάφους γίνεται.
ἔστι δὲ καὶ τοῖς ἐπὶ ποταμῷ Ληθαίῳ Μάγνησιν Αὐλαὶ καλούμενον χωρίον· ἐνταῦθα Ἀπόλλωνι ἀνεῖται σπήλαιον, μεγέθους μὲν εἵνεκα οὐ πολλοῦ θαύματος, τὸ δὲ ἄγαλμα τοῦ Ἀπόλλωνος τὰ μάλιστα ἀρχαῖον καὶ ἰσχὺν ἐπὶ ἔργῳ παρέχεται παντί· καὶ αὐτῷ ἄνδρες ἱεροὶ κατὰ κρημνῶν τε ἀποτόμων καὶ πετρῶν πηδῶσιν ὑψηλῶν καὶ ὑπερμήκη δένδρα ἐριπόντες ἐκ ῥιζῶν κατὰ τὰ στενώτατα τῶν ἀτραπῶν ὁμοῦ τοῖς ἄχθεσιν ὁδεύουσι.
τὸ δὲ ἄντρον τὸ Κωρύκιον μεγέθει τε ὑπερβάλλει τὰ εἰρημένα καὶ ἔστιν ἐπὶ πλεῖστον ὁδεῦσαι διʼ αὐτοῦ καὶ ἄνευ λαμπτήρων· ὅ τε ὄροφος ἐς αὔταρκες ἀπὸ τοῦ ἐδάφους ἀνέστηκε, καὶ ὕδωρ τὸ μὲν ἀνερχόμενον ἐκ πηγῶν, πλέον δὲ ἔτι ἀπὸ τοῦ ὀρόφου στάζει, ὥστε καὶ δῆλα ἐν τῷ ἐδάφει σταλαγμῶν τὰ ἴχνη διὰ παντός ἐστι τοῦ ἄντρου. ἱερὸν δὲ αὐτὸ οἱ περὶ τὸν Παρνασσὸν Κωρυκίων τε εἶναι Νυμφῶν καὶ Πανὸς μάλιστα ἥγηνται. ἀπὸ δὲ τοῦ Κωρυκίου χαλεπὸν ἤδη καὶ ἀνδρὶ εὐζώνῳ πρὸς τὰ ἄκρα ἀφικέσθαι τοῦ Παρνασσοῦ· τὰ δὲ νεφῶν τέ ἐστιν ἀνωτέρω τὰ ἄκρα καὶ αἱ Θυιάδες ἐπὶ τούτοις τῷ Διονύσῳ καὶ τῷ Ἀπόλλωνι μαίνονται.
Τιθορέα δὲ ἀπωτέρω Δελφῶν ὀγδοήκοντα ὡς εἰκάσαι σταδίοις ἐστὶ καὶ ἑκατὸν ἰόντι τὴν διὰ τοῦ Παρνασσοῦ· τὴν δὲ οὐ πάντα ὀρεινήν, ἀλλὰ καὶ ὀχήμασιν ἐπιτήδειον πλεόνων ἔτι ἐλέγετο εἶναι σταδίων. διάφορα ἐς τὸ ὄνομα οἶδα τῆς πόλεως Ἡροδότῳ τε εἰρημένα ἐν ἐπιστρατείᾳ τοῦ Μήδου καὶ Βάκιδι ἐν χρησμοῖς.
Βάκις μέν γε Τιθορέας τοὺς ἐνθάδε ἐκάλεσεν ἀνθρώπους· Ἡροδότου δὲ ὁ ἐς αὐτοὺς λόγος ἐπιόντος φησὶ τοῦ βαρβάρου τοὺς ἐνταῦθα οἰκοῦντας ἀναφυγεῖν ἐς τὴν κορυφήν, ὄνομα δὲ Νεῶνα μὲν τῇ πόλει, Τιθορέαν δὲ εἶναι τοῦ Παρνασσοῦ τῇ ἄκρᾳ. ἔοικεν οὖν ἀνὰ χρόνον πρῶτα μὲν δὴ τῇ ἁπάσῃ χώρᾳ, μετὰ δὲ ταῦτα, ἐπειδὴ ἀνῳκίσθησαν ἀπὸ τῶν κωμῶν, ἐκνικῆσαι καὶ ἐπὶ τῇ πόλει Τιθορέαν μηδὲ ἔτι Νεῶνα ὀνομάζεσθαι· Τιθορέᾳ δὲ οἱ ἐπιχώριοι τεθῆναί φασιν ἀπὸ Τιθορέας νύμφης, οἷαι τὸ ἀρχαῖον λόγῳ τῷ ποιητῶν ἐφύοντο ἀπό τε ἄλλων δένδρων καὶ μάλιστα ἀπὸ τῶν δρυῶν.
γενεᾷ δὲ ἤ με γενέσθαι μιᾷ πρότερον ἐς τὸ χεῖρον ἔτρεψεν ὁ δαίμων τὰ ἐν τῇ Τιθορέᾳ. θεάτρου μὲν δὴ κατασκευὴ καὶ περίβολός ἐστιν ἀγορᾶς ἀρχαιοτέρας· τὰ δὲ τῶν ἐν τῇ πόλει μάλιστα ἐς μνήμην ἥκοντα Ἀθηνᾶς ἐστιν ἄλσος καὶ ναός τε καὶ ἄγαλμα· καὶ Ἀντιόπης μνῆμά ἐστι καὶ Φώκου. καί μοι τοῦ λόγου τὰ ἔχοντα ἐς Θηβαίους ἐδήλωσε μὲν ὡς ἡ Ἀντιόπη διʼ ὀργὴν ἐκ Διονύσου μανείη, καὶ κατὰ αἰτίαν ἥντινα ἐπεσπάσατο ἐκ τοῦ θεοῦ τὸ μήνιμα, ἐδήλωσε δὲ καὶ ὡς ἐρασθέντι Φώκῳ
τῷ Ὀρνυτίωνος συνῴκησε καὶ τέθαπται ὁμοῦ τῷ Φώκῳ, καὶ Βάκιδι ὁποῖά ἐστι τῷ χρησμολόγῳ κοινὰ ἐς τοῦτον τὸν τάφον καὶ ἐς τὸν Ζήθου τε ἐν Θήβαις καὶ Ἀμφίονος. τὰ μὲν δὴ ἐς συγγραφὴν τῶν ἐν τῷ πολίσματι ὅτι μὴ τὰ εἰρημένα ἄλλο ἦν οὐδέν, ποταμὸς δὲ παρὰ τῶν Τιθορέων ῥέων τὴν πόλιν ποτόν σφισι γίνεται καταβαίνουσί τε ἐπὶ τὴν ὄχθην καὶ ἀρυομένοις τὸ ὕδωρ· ὄνομα δέ ἐστιν αὐτῷ Καχάλης.
σταδίοις δὲ ἀπωτέρω Τιθορέας ἑβδομήκοντα ναός ἐστιν Ἀσκληπιοῦ, καλεῖται δὲ Ἀρχαγέτας· τιμὰς δὲ παρὰ αὐτῶν ἔχει Τιθορέων καὶ ἐπʼ ἴσης παρὰ Φωκέων τῶν ἄλλων. ἐντὸς μὲν δὴ τοῦ περιβόλου τοῖς τε ἱκέταις καὶ ὅσοι τοῦ θεοῦ δοῦλοι, τούτοις μὲν ἐνταῦθά εἰσι καὶ οἰκήσεις· ἐν μέσῳ δὲ ὅ τε ναὸς καὶ ἄγαλμα λίθου πεποιημένον, γένεια ἔχον μέγεθος καὶ ὑπὲρ δύο πόδας· κλίνη δὲ ἐν δεξιᾷ κεῖται τοῦ ἀγάλματος, θύειν δὲ αὐτῷ τὰ πάντα ὁμοίως νομίζουσι πλὴν αἰγῶν.
τοῦ δὲ Ἀσκληπιοῦ περὶ τεσσαράκοντα ἀπέχει σταδίους περίβολος καὶ ἄδυτον ἱερὸν Ἴσιδος, ἁγιώτατον ὁπόσα Ἕλληνες θεῷ τῇ Αἰγυπτίᾳ πεποίηνται· οὔτε γὰρ περιοικεῖν ἐνταῦθα οἱ Τιθορεεῖς νομίζουσιν οὔτε ἔσοδος ἐς τὸ ἄδυτον ἄλλοις γε ἢ ἐκείνοις ἐστὶν οὓς ἂν αὐτὴ προτιμήσασα ἡ Ἶσις καλέσῃ σφᾶς διʼ ἐνυπνίων. τὸ δὲ αὐτὸ καὶ ἐν ταῖς ὑπὲρ Μαιάνδρου πόλεσι θεοὶ ποιοῦσιν οἱ καταχθόνιοι· οὓς γὰρ ἂν ἐς τὰ ἄδυτα ἐσιέναι θελήσωσιν, ἀποστέλλουσιν αὐτοῖς ὀνειράτων ὄψεις.
ἐν δὲ τῇ Τιθορέων καὶ δὶς ἑκάστου τοῦ ἔτους τῇ Ἴσιδι πανήγυριν ἄγουσι, τὴν μὲν τῷ ἦρι, τὴν δὲ μετοπωρινήν· τρίτῃ δὲ ἡμέρᾳ πρότερον κατὰ ἑκατέραν τῶν πανηγύρεων, ὅσοις ἐστὶν ἐσελθεῖν ἄδεια, τὸ ἄδυτον ἐκκαθαίρουσι τρόπον τινὰ ἀπόρρητον, καὶ δὴ καὶ τῶν ἱερείων ἃ ἐπὶ τῆς προτέρας ἐνεβλήθη πανηγύρεως, τούτων ὁπόσα ἂν ὑπολειπόμενα εὕρωσι κομίζουσιν ἐς τὸ αὐτὸ ἀεὶ χωρίον καὶ κατορύσσουσιν ἐνταῦθα· δύο τε ἀπὸ τοῦ ἀδύτου στάδια ἐτεκμαιρόμεθα ἐς τοῦτο εἶναι τὸ χωρίον.
ταύτῃ μὲν δὴ τῇ ἡμέρᾳ τοσαῦτα περὶ τὸ ἱερὸν δρῶσι, τῇ δὲ ἐπιούσῃ σκηνὰς οἱ καπηλεύοντες ποιοῦνται καλάμου τε καὶ ἄλλης ὕλης αὐτοσχεδίου· τῇ τελευταίᾳ δὲ τῶν τριῶν πανηγυρίζουσι πιπράσκοντες καὶ ἀνδράποδα καὶ κτήνη τὰ πάντα, ἔτι δὲ ἐσθῆτας καὶ ἄργυρον καὶ χρυσόν·
μετὰ δὲ μεσοῦσαν τὴν ἡμέραν τρέπονται πρὸς θυσίαν. θύουσι δὲ καὶ βοῦς καὶ ἐλάφους οἱ εὐδαιμονέστεροι, ὅσοι δέ εἰσιν ἀποδέοντες πλούτῳ, καὶ χῆνας καὶ ὄρνιθας τὰς μελεαγρίδας· οἰσὶ δὲ ἐς τὴν θυσίαν οὐ νομίζουσιν οὐδὲ ὑσὶ χρῆσθαι καὶ αἰξίν. ὅσοις μὲν δὴ καθαγίσασι τὰ ἱερεῖα ἐς τὸ ἄδυτον ἀποστεῖλαι πεποιημένους ἀρχήν, καθελίξαι δεῖ σφᾶς τὰ ἱερεῖα λίνου τελαμῶσιν ἢ βύσσου· τρόπος δὲ τῆς σκευασίας ἐστὶν ὁ Αἰγύπτιος.
πομπεύει τε δὴ πάντα ὅσα ἔθυσαν καὶ οἱ μὲν ἐς τὸ ἄδυτον τὰ ἱερεῖα ἐσπέμπουσιν, οἱ δὲ ἔμπροσθε τοῦ ἀδύτου καθαγίζουσι τὰς σκηνὰς καὶ ἀποχωροῦσιν αὐτοὶ σπουδῇ. καί φασί ποτε ἄνθρωπον οὐ τῶν καταβαινόντων ἐς τὸ ἄδυτον, βέβηλον δέ, ἡνίκα ἤρχετο ἡ πυρὰ καίεσθαι, τηνικαῦτα ἐσελθεῖν ἐς τὸ ἄδυτον ὑπὸ πολυπραγμοσύνης τε καὶ τόλμης· καί οἱ πάντα ἀνάπλεα εἰδώλων φαίνεσθαι, καὶ ἀναστρέψαι μὲν αὐτὸν ἐς τὴν Τιθορέαν, διηγησάμενον δὲ ἃ ἐθεάσατο ἀφεῖναι τὴν ψυχήν.
ἐοικότα δὲ ἀνδρὸς ἤκουσα Φοίνικος, ἄγειν τῇ Ἴσιδι Αἰγυπτίους τὴν ἑορτήν, ὅτε αὐτὴν τὸν Ὄσιριν πενθεῖν λέγουσι· τηνικαῦτα δὲ καὶ ὁ Νεῖλος ἀναβαίνειν σφίσιν ἄρχεται, καὶ τῶν ἐπιχωρίων πολλοῖς ἐστιν εἰρημένα ὡς τὰ αὔξοντα τὸν ποταμὸν καὶ ἄρδειν τὰς ἀρούρας ποιοῦντα δάκρυά ἐστι τῆς Ἴσιδος. τότε οὖν τὸν Ῥωμαῖον, ὃς ἐπετέτραπτο Αἴγυπτον, ἄνδρα ἔφη χρήμασιν ἀναπείσαντα ἐς τὸ ἄδυτον καταπέμψαι τῆς Ἴσιδος τὸ ἐν Κόπτῳ· καὶ ὁ ἐσπεμφθεὶς ἀνέστρεψε μὲν ἐκ τοῦ ἀδύτου, διηγησάμενον δὲ ὁπόσα ἐθεάσατο καὶ τοῦτον αὐτίκα ἐπυνθανόμην τελευτῆσαι. τὸ ἔπος οὖν ἀληθεύειν ἔοικε τὸ Ὁμήρου, σὺν οὐδενὶ αἰσίῳ τοὺς θεοὺς τῷ γένει τῶν ἀνθρώπων ἐναργῶς ὁρᾶσθαι.
τὸ δὲ ἔλαιον τὸ ἐν τῇ Τιθορέων ἀποδεῖ μὲν πλήθει τοῦ τε Ἀττικοῦ καὶ τοῦ Σικυωνίου, χρόᾳ δὲ ὑπερβάλλει καὶ ἡδονῇ τὸ Ἰβηρικὸν καὶ τὸ ἐκ τῆς νήσου τῆς Ἰστρίας· καὶ μύρα τε ἀπʼ αὐτοῦ παντοῖα ἑψοῦσι καὶ τὸ ἔλαιον ὡς βασιλέα ἄγουσιν.
Abutting on the sacred close is a theatre which is worth seeing. Ascending from the close . . . And here there is an image of Dionysus, an offering of the Cnidians. There is a stadium in the highest part of the city: it was made of the common stone of Parnassus, until Herodes the Athenian rebuilt it of Pentelic marble. Such were the notable objects left at Delphi in my time.
Going from Delphi towards the peaks of Parnassus you come, after about sixty furlongs, to a bronze image of Delphus. The ascent to the Corycian cave is easier for a man on foot than for mules and horses. This cave, as I pointed out a little above, got its name from a nymph Corycia ; and of all the grottos I have seen it appeared to me the most worth seeing.
The total number of caves that open upon the beach or on the deep sea is past finding out ; but the most famous caverns in Greece and in foreign lands are these. The Phrygians who dwell by the river Pencalas, and who migrated thither originally from Azania in Arcadia, point out a cave called Steunos: it is circular and of a stately height, and is sacred to the Mother, of whom there is an image. Themisonium, above Laodicea, is also inhabited by Phrygians. When the army of the Gauls was ravaging Ionia and the border lands, the Themisonians say that Hercules, Apollo, and Hermes came to their help by revealing the existence of a cave to the magistrates in dreams, and bidding the Themisonians hide in it with their wives and children. For this reason there stand in front of the grotto small images of Hercules, Hermes, and Apollo, which they call the Gods of the Grotto. It is distant about thirty furlongs from the city: there are springs of water in it, but there is no way into it, and the sunlight does not penetrate far in, and most of the roof is close to the floor. 4. Again, in the territory of Magnesia, on the river Lethaeus, there is a place called Hylae, where is a grotto consecrated to Apollo. There is nothing very wonderful in the size of the grotto, but the image of Apollo is very old, and it imparts strength equal to any labour. Men sacred to the god leap down precipices and high rocks, tear exceedingly lofty trees from their roots, and walk with their burdens along the narrowest footpaths.
But the Corycian cave is larger than those I have mentioned, and you can go a very great way through it even without lights. The roof rises to a sufficient height above the floor; and there is water, some welling up from springs, but still more dripping from the roof, so that all through the cave the marks of droppings are visible on the floor. The inhabitants of Parnassus believe that it is sacred to the Corycian nymphs, and especially to Pan. From the Corycian cave it is hard even for a man on foot to reach the peaks of Parnassus. The peaks are higher than the clouds, and the Thyiad women rave on them in honour of Dionysus and Apollo. 6. Tithorea is distant, I should guess, eighty furlongs from Delphi by the path over Parnassus. The other road, which is not mountainous the whole way, and is even suitable for vehicles, was said to be some furlongs longer. I am aware that different statements as to the name of the city have been made by Herodotus in his account of the Persian invasion, and by Bacis in his oracles. Bacis calls the men of the place Tithoreans; but Herodotus’ account of them is that when the barbarian was advancing the inhabitants fled to the summit, and that Neon was the name of the city, and Tithorea the name of the peak of Parnassus. It appears, therefore, that at first the whole district was called Tithorea, and that afterwards, when the people migrated from their villages, the city also came to be known by the name of Tithorea instead of Neon. The natives say that Tithorea received its name from Tithorea, a nymph such as, the poets say, grew out of trees, especially oaks, in days of yore. A generation before me the fortune of Tithorea declined. There is the structure of a theatre, and the enclosure of a somewhat ancient market-place. But the most notable things in the city are a grove of Athena with a temple and image; also there is the tomb of Antiope and Phocus.
In my account of Thebes I showed how Antiope went mad in consequence of the anger of Dionysus, and why she had brought down on herself the wrath of the god. Also I showed how Phocus, son of Ornytion, loved her, and how she married him and was buried with him, and what the prophet Bacis said about this grave in connection with the grave of Zethus and Amphion at Thebes. There were no objects of note in the town except those I have mentioned. Past the city of Tithorea flows a river which supplies the people with drinking-water: they get it by going down to the banks and drawing water. The name of the river is Cachales.
Seventy furlongs from Tithorea is a temple of Aesculapius who is called Founder. He is worshipped by the Tithoreans, and not less by the rest of the Phocians. Inside the close are dwellings for the suppliants and for the slaves of the god; and in the middle is the temple with a bearded image made of stone, over two feet high. A couch stands on the right of the image. They are accustomed to sacrifice to the god all animals except goats. 9. About forty furlongs from the temple of Aesculapius is an enclosure and sacred shrine of Isis, the holiest of all the sanctuaries made by Greeks for the Egyptian goddess. For the Tithoreans deem it not lawful to dwell round about it, and there is no admission to the shrine save for those whom Isis herself has favoured with an invitation in a dream. The same thing is done also by the nether gods in the cities on the Maeander : they send visions in dreams to whomsoever they wish to enter their shrines. In the territory of Tithorea festivals are held twice a year in honour of Isis, one in spring and one in autumn. Two days before each festival the persons who are free to enter the shrine clean it out in a certain secret way ; and whatever remains they find of the sacrificial victims which were cast in at the previous festival, they always carry to the same spot and bury them there. The distance of this spot from the shrine we judged to be two furlongs. That is what they do to the sanctuary on this day. On the next day the hucksters set up booths of reeds and other improvised material; and on the last of the three days they hold a fair for the sale of slaves and all kinds of cattle, also garments, and silver and gold. After noon they betake themselves to sacrificing. The richer people sacrifice oxen and deer, the poorer folk sacrifice geese and guinea fowl. But it is against the custom to use swine, sheep, and goats for this sacrifice. Those whose duty it is to burn the victims, and bring them into the shrine must wrap the victims in bandages of linen, either common linen or fine linen: the mode of dressing them is the Egyptian. All the animals sacrificed are led in procession: some convey the victims into the shrine, others burn the booths in front of it and depart in haste. They say that once upon a time, when the pyre began to burn, a profane fellow who had no right to go down into the shrine rashly entered it out of curiosity. The whole place seemed to him full of spectres; and scarcely had he returned to Tithorea and told what he had beheld when he gave up the ghost. 10. I have heard a like story from a Phoenician man. He said that the Egyptians hold the festival of Isis at the time when they say she is mourning for Osiris. At that time the Nile begins to rise, and it is a common saying among the natives that it is the tears of Isis that cause the river to rise and water the fields. Well, then, my informant said that at that season the Roman governor of Egypt bribed a man to go down to the shrine of Isis at Coptus. The man who was thus sent in returned from the shrine; but after he had told all that he had beheld, he, too, I was informed, immediately expired. Thus it appears to be a true saying of Homer’s, that it is ill for mankind to see the gods in bodily shape. 11. The olive oil of Tithorea is not so plentiful as that of Attica and Sicyonia, but in colour and sweetness it is superior to the Iberian oil and the oil from the island of Istria. They make all sorts of unguents out of it and send the oil to the Emperor.
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