Aeschylus · Suppliants Ἱκέτιδες

Aeschylus, Suppliants 418–523: Second episode (cont.): the threat of the girdles

The Chorus press the king to act as their champion, and he admits that he is caught between a war with Aegyptus' sons and the wrath of Zeus. The maidens then tell him that they will hang themselves from the statues of the gods with their girdles unless they are given a pledge of protection. The king gives in and says he will put the case to the assembly, and tells Danaus to take the suppliant boughs to the city's altars.

Lines 418–523 · 968 words · click a number to copy its link

Chorus

418φρόντισον καὶ γενοῦ πανδίκως εὐσεβὴς 420πρόξενος· τὰν φυγάδα μὴ προδῷς, τὰν ἕκαθεν ἐκβολαῖς δυσθέοις ὀρμέναν·

Take counsel, and, as is your sacred duty, prove yourself our sacred champion. Do not betray the fugitive who has been impiously cast out and driven from afar.

Chorus

423μηδʼ ἴδῃς μʼ ἐξ ἑδρᾶν πολυθέων ῥυσια- 425σθεῖσαν, ὦ πᾶν κράτος ἔχων χθονός. γνῶθι δʼ ὕβριν ἀνέρων καὶ φύλαξαι κότον.

And see me not ravished from this sanctuary of many gods, oh you who hold sovereign power over the land. Recognize men’s wantonness, and guard against wrath.

Chorus

428μή τι τλῇς τὰν ἱκέτιν εἰσιδεῖν ἀπὸ βρετέων βίᾳ 430δίκας ἀγομέναν ἱππηδὸν ἀμπύκων, πολυμίτων πέπλων τʼ ἐπιλαβὰς ἐμῶν.

Do not see your suppliant dragged, in spite of justice, from the images of the gods, like a horse by the bridle, and see rude hands laid upon my fine-woven robes.

Chorus

433ἴσθι γάρ· παισὶ τάδε καὶ δόμοις, ὁπότερʼ ἂν κτίσῃς, 435μένει ἄρ ἐκτίνειν ὁμοιΐαν θέμιν. τάδε φράσαι δίκαια Διόθεν κράτη.

For be assured of this—whichever end you bring to pass, to your children and house does it remain to make full payment. Consider these just ordinances of God.

Βασιλεύς 438καὶ δὴ πέφρασμαι. δεῦρο δʼ ἐξοκέλλεται. ἢ τοῖσιν ἢ τοῖς πόλεμον αἴρεσθαι μέγαν 440πᾶσʼ ἔστʼ ἀνάγκη, καὶ γεγόμφωται σκάφος στρέβλαισι ναυτικαῖσιν ὡς προσηγμένον. ἄνευ δὲ λύπης οὐδαμοῦ καταστροφή. καὶ χρημάτων μὲν ἐκ δόμων πορθουμένων, ἄτην γε μείζω καὶ μέγʼ ἐμπλήσας γόμου 445γένοιτʼ ἂν ἄλλα Κτησίου Διὸς χάριν· καὶ γλῶσσα τοξεύσασα μὴ τὰ καίρια, γένοιτο μύθου μῦθος ἂν θελκτήριος . ὅπως δʼ ὅμαιμον αἷμα μὴ γενήσεται, 450δεῖ κάρτα θύειν καὶ πεσεῖν χρηστήρια θεοῖσι πολλοῖς πολλά, πημονῆς ἄκη. ἦ κάρτα νείκους τοῦδʼ ἔσω παροίχομαι θέλω δʼ ἄιδρις μᾶλλον ἢ σοφὸς κακῶν εἶναι. γένοιτο δʼ εὖ παρὰ γνώμην ἐμήν. Χορός 455πολλῶν ἄκουσον τέρματʼ αἰδοίων λόγων. Βασιλεύς ἤκουσα, καὶ λέγοις ἄν. οὔ με φεύξεται. Χορός ἔχω στρόφους ζώνας τε, συλλαβὰς πέπλων Βασιλεύς τάχʼ ἂν γυναιξὶ ταῦτα συμπρεπῆ πέλοι. Χορός ἐκ τῶνδε τοίνυν, ἴσθι, μηχανὴ καλή— Βασιλεύς 460λέξον τίνʼ αὐδὴν τήνδε γηρυθεῖσʼ ἔσῃ. Χορός εἰ μή τι πιστὸν τῷδʼ ὑποστήσεις στόλῳ— Βασιλεύς τί σοι περαίνει μηχανὴ συζωμάτων; Χορός νέοις πίναξι βρέτεα κοσμῆσαι τάδε. Βασιλεύς αἰνιγματῶδες τοὔπος· ἀλλʼ ἁπλῶς φράσον. Χορός 465ἐκ τῶνδʼ ὅπως τάχιστʼ ἀπάγξασθαι θεῶν. Βασιλεύς ἤκουσα μαστικτῆρα καρδίας λόγον. Χορός ξυνῆκας· ὠμμάτωσα γὰρ σαφέστερον. Βασιλεύς καὶ πολλαχῇ γε δυσπάλαιστα πράγματα, κακῶν δὲ πλῆθος ποταμὸς ὣς ἐπέρχεται· 470ἄτης δʼ ἄβυσσον πέλαγος οὐ μάλʼ εὔπορον τόδʼ ἐσβέβηκα, κοὐδαμοῦ λιμὴν κακῶν. εἰ μὲν γὰρ ὑμῖν μὴ τόδʼ ἐκπράξω χρέος, μίασμʼ ἔλεξας οὐχ ὑπερτοξεύσιμον. εἰ δʼ αὖθʼ ὁμαίμοις παισὶν Αἰγύπτου σέθεν 475σταθεὶς πρὸ τειχέων διὰ μάχης ἥξω τέλους, πῶς οὐχὶ τἀνάλωμα γίγνεται πικρόν, ἄνδρας γυναικῶν οὕνεχʼ αἱμάξαι πέδον; ὅμως δʼ ἀνάγκη Ζηνὸς αἰδεῖσθαι κότον ἱκτῆρος· ὕψιστος γὰρ ἐν βροτοῖς φόβος. 480σὺ μέν, πάτερ γεραιὲ τῶνδε παρθένων, κλάδους τε τούτους αἶψʼ ἐν ἀγκάλαις λαβὼν βωμοὺς ἐπʼ ἄλλους δαιμόνων ἐγχωρίων θές, ὡς ἴδωσι τῆσδʼ ἀφίξεως τέκμαρ πάντες πολῖται, μηδʼ ἀπορριφθῇ ψόγος 485ἐμοῦ· κατʼ ἀρχῆς γὰρ φιλαίτιος λεώς. καὶ γὰρ τάχʼ ἄν τις οἰκτίσας ἰδὼν τάδε ὕβριν μὲν ἐχθήρειεν ἄρσενος στόλου, ὑμῖν δʼ ἂν εἴη δῆμος εὐμενέστερος· τοῖς ἥσσοσιν γὰρ πᾶς τις εὐνοίας φέρει.

King I have considered them; and I am driven to this cruel predicament. I must take upon myself a mighty war against one side or the other. There is no escape, it is as firmly fixed as a ship’s hull drawn tight by windlasses. There is no result without grievous hurt. Now when goods are plundered from a homestead, other goods may come by grace of Zeus, guardian of household wealth; as a tongue that has shot arrows beside the mark, one speech may be the healer of another. But to avoid the shedding of kindred blood, surely there is need of sacrifice and that many a victim fall to many a god as a deliverance from impending harm. For truly, it is to my undoing that I have come into this quarrel; and yet I prefer to be unskilled rather than practised in the lore of foretelling ill. But may my judgment belie itself and all go well!

Chorus Hear now the end of my appeals for compassion.

King I hear; say on. It shall not escape me.

Chorus I have breast-bands and girdles to gather up my robes.

King Such things are proper, no doubt, for women.

Chorus In these then, be sure, I have a beautiful instrument—

King Tell me what speech you plan to utter.

Chorus If you will not give some pledge to this group—

King What will the contrivance of the sashes do for you?

Chorus To adorn these images with tablets of strange sort.

King Your words are riddling; come, explain in simple speech.

Chorus To hang ourselves from the statues of these gods.

King I detect a threat that is a lash upon my heart.

Chorus You have grasped my intention, for I have cleared your vision.

King And on many sides there are difficulties hard to wrestle with; for, like a flood, a multitude of ills bursts on me. It is a sea of ruin, fathomless and impassable, which I am launched upon, and nowhere is there a haven from distress. For should I not pay the debt due to you, the pollution you name is beyond all range of speech; yet if I take my stand before the walls and try the issue of battle with the sons of Aegyptus, your kinsmen, how will the cost not mount to a cruel price—men’s blood to stain the ground for women’s sake? And yet the wrath of Zeus who guards the suppliant compels my reverence; for supreme among mortals is the fear of him. Aged father of these maidens, take these boughs straightway in your arms and place them upon other altars of the country’s gods, that all the natives may see the sign that you have come in suppliance. And let no random word fall against me; for the people could complain against authority. It may well be that some, stirred to compassion at the sight, will hate the wantonness of the troop of males, and that the people will be more friendly towards you; for all men are well disposed to the weaker cause.

Δαναός 490πολλῶν τάδʼ ἡμῖν ἐστιν ἠξιωμένα, αἰδοῖον εὑρεθέντα πρόξενον λαβεῖν. ὀπάονας δὲ φράστοράς τʼ ἐγχωρίων ξύμπεμψον, ὡς ἂν τῶν πολισσούχων θεῶν βωμοὺς προνάους καὶ πολισσούχων ἕδρας 495εὕρωμεν, ἀσφάλεια δʼ ᾖ διʼ ἄστεως στείχουσι· μορφῆς δʼ οὐχ ὁμόστολος φύσις. Νεῖλος γὰρ οὐχ ὅμοιον Ἰνάχῳ γένος τρέφει. φύλαξαι μὴ θράσος τέκῃ φόβον· καὶ δὴ φίλον τις ἔκτανʼ ἀγνοίας ὕπο. Βασιλεύς 500στείχοιτʼ ἄν, ἄνδρες· εὖ γὰρ ὁ ξένος λέγει. ἡγεῖσθε βωμοὺς ἀστικούς, θεῶν ἕδρας· καὶ ξυμβολοῦσιν οὐ πολυστομεῖν χρεὼν ναύτην ἄγοντας τόνδʼ ἐφέστιον θεῶν. Χορός τούτῳ μὲν εἶπας, καὶ τεταγμένος κίοι· 505ἐγὼ δὲ πῶς δρῶ; ποῦ θράσος νέμεις ἐμοί; Βασιλεύς κλάδους μὲν αὐτοῦ λεῖπε, σημεῖον πόνου. Χορός καὶ δή σφε λείπω χειρὶ καὶ λόγοις σέθεν. Βασιλεύς λευρὸν κατʼ ἄλσος νῦν ἐπιστρέφου τόδε. Χορός καὶ πῶς βέβηλον ἄλσος ἂν ῥύοιτό με; Βασιλεύς 510οὔτοι πτερωτῶν ἁρπαγαῖς σʼ ἐκδώσομεν. Χορός ἀλλʼ εἰ δρακόντων δυσφρόνων ἐχθίοσιν; Βασιλεύς εὔφημον εἴη τοὔπος εὐφημουμένῃ. Χορός οὔτοι τι θαῦμα δυσφορεῖν φόβῳ φρενός. Βασιλεύς ἀεί γʼ ἄναρκτόν ἐστι δεῖμʼ ἐξαίσιον. Χορός 515σὺ καὶ λέγων εὔφραινε καὶ πράσσων φρένα. Βασιλεύς ἀλλʼ οὔτι δαρὸν χρόνον ἐρημώσει πατήρ. ἐγὼ δὲ λαοὺς συγκαλῶν ἐγχωρίους στείχω, τὸ κοινὸν ὡς ἂν εὐμενὲς τιθῶ· καὶ σὸν διδάξω πατέρα ποῖα χρὴ λέγειν. 520πρὸς ταῦτα μίμνε καὶ θεοὺς ἐγχωρίους λιταῖς παραιτοῦ τῶν σʼ ἔρως ἔχει τυχεῖν. ἐγὼ δὲ ταῦτα πορσυνῶν ἐλεύσομαι. πειθὼ δʼ ἕποιτο καὶ τύχη πρακτήριος.

Danaus We consider it worth much to have gained a champion who is compassionate. Yet send escorts and guides of the country’s people with me so we may find where the gods who protect your city have their altars at the temple porches and their . . . seats, and that we may go safely through the town. My shape is unlike yours, for Nile and Inachus rear a different race. Beware lest boldness give birth to fear; for through ignorance men have slain those they love.

King Come, men, the stranger speaks well. Be his guides to the altars of the city and to the sanctuaries of the gods. Do not speak at length with whomever you meet on the way while you are bringing this seafarer to be a suppliant at the hearths of the gods.

Chorus You told him, and let him go as directed. But what of me? What am I to do? Where do you assign security to me?

King Leave your boughs here, tokens of your distress.

Chorus Behold, I leave them at your signal and command.

King Go now along this level space about the sanctuary.

Chorus But it is not holy ground. How can it keep me safe?

King Be assured, we will not surrender you to winged creatures’ ravishment.

Chorus But what about those whom we dread worse than evil serpents?

King Speak with good omen, as I have spoken auspiciously to you.

Chorus No wonder I am fretful through alarm of mind.

King Excessive fear is always uncontrolled.

Chorus Cheer my heart by deeds as well as words.

King Your father will not leave you here alone for long. I am going now to call together the people of the land, that I may make the masses friendly; and I will instruct your father in what things he should say. Now stay here and beseech the gods of the land with prayers to grant what you desire, while I go to advance your cause. May persuasion and efficacious fortune attend me!

People and places in this passage

English translation by Herbert Weir Smyth (modernised by Perseus) (1922). Original text: Greek text: Herbert Weir Smyth (ed. and trans.), Aeschylus, Loeb Classical Library, London: William Heinemann, 1922, as digitised by Perseus. English: Herbert Weir Smyth, Aeschylus, Loeb Classical Library, London: William Heinemann, 1922 (Perseus's modernised version of Smyth's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Suppliants 418–523: The threat of the girdles | Aeschylus