Plutarch · Life of Demosthenes Δημοσθένης

Plutarch, Life of Demosthenes 4.1–5.5: The childhood of Demosthenes, his nicknames and Callistratus

Demosthenes is left by his father at seven with an estate of nearly fifteen talents, but his guardians appropriate part of it and neglect the rest. Weak and sickly, he is given the nickname Batalus by the boys, and also the name Argas. After hearing Callistratus win a famous case about Oropus, he gives up his other studies to practise declamation, and he takes Isaeus as his teacher although Isocrates was lecturing. Hermippus adds that some memoirs call him a pupil of Plato.

Sections 4.1–5.5 · 695 words · click a number to copy its link

Δημοσθένης ὁ πατὴρ Δημοσθένους ἦν μὲν τῶν καλῶν καὶ ἀγαθῶν ἀνδρῶν, ὡς ἱστορεῖ Θεόπομπος, ἐπεκαλεῖτο δὲ μαχαιροποιός ἐργαστήριον ἔχων μέγα καὶ δούλους τεχνίτας τοὺς τοῦτο πράττοντας, ἃ δʼ Αἰσχίνης ὁ ῥήτωρ εἴρηκε περὶ τῆς μητρός, ὡς ἐκ Γύλωνός τινος ἐπʼ αἰτίᾳ προδοσίας φεύγοντος ἐξ ἄστεος γεγόνοι καὶ βαρβάρου γυναικός, οὐκ ἔχομεν εἰπεῖν εἴτʼ ἀληθῶς εἴρηκεν εἴτε βλασφημῶν καὶ καταψευδόμενος.

Demosthenes, the father of Demosthenes, belonged to the better class of citizens, as Theopompus tells us, and was surnamed Cutler, because he had a large factory and slaves who were skilled workmen in this business. But as for what Aeschines the orator says of the mother of Demosthenes, namely, that she was a daughter of one Gylon, who was banished from the city on a charge of treason, and of a barbarian woman, I cannot say whether he speaks truly, or is uttering slander and lies.

ἀπολειφθεὶς δʼ ὁ Δημοσθένης ὑπὸ τοῦ πατρὸς ἑπταέτης ἐν εὐπορίᾳ μικρὸν γὰρ ἀπέλιπεν ἡ σύμπασα τίμησις αὐτοῦ τῆς οὐσίας πεντεκαίδεκα ταλάντων ὑπὸ τῶν ἐπιτρόπων ἠδικήθη, τὰ μὲν νοσφισαμένων, τὰ δʼ ἀμελησάντων, ὥστε καὶ τῶν διδασκάλων αὐτοῦ τὸν μισθὸν ἀποστερῆσαι.

However, at the age of seven, Demosthenes was left by his father in affluence, since the total value of his estate fell little short of fifteen talents; but he was wronged by his guardians, who appropriated some of his property to their own uses and neglected the rest, so that even his teachers were deprived of their pay.

διά τε δὴ τοῦτο τῶν ἐμμελῶν καὶ προσηκόντων ἐλευθέρῳ παιδὶ μαθημάτων ἀπαίδευτος δοκεῖ γενέσθαι καὶ διά τὴν τοῦ σώματος ἀσθένειαν καὶ θρύψιν, οὐ προϊεμένης τοῖς πόνοις τῆς μητρὸς αὐτὸν, οὐδὲ προσβιαζομένων τῶν παιδαγωγῶν. ἦν γὰρ ἐξ ἀρχῆς κάτισχνος καὶ νοσώδης, καὶ τὴν λοιδορουμένην ἐπωνυμίαν, τὸν Βάταλον, εἰς τὸ σῶμα λέγεται σκωπτόμενος ὑπὸ τῶν παίδων λαβεῖν.

It was for this reason, as it seems, that he did not pursue the studies which were suitable and proper for a well-born boy, and also because of his bodily weakness and fragility, since his mother would not permit him to work hard in the palaestra, and his tutors would not force him to do so. For from the first he was lean and sickly, and his opprobrious surname of Batalus is said to have been given him by the boys in mockery of his physique.

ἦν δὲ ὁ Βάταλος, ὡς μὲν ἔνιοί φασιν, αὐλητὴς τῶν κατεαγότων, καὶ δραμάτιον εἰς τοῦτο κωμῳδῶν αὐτὸν Ἀντιφάνης πεποίηκεν. ἔνιοί δέ τινες ὡς ποιητοῦ τρυφερὰ καὶ παροίνια γράφοντος τοῦ Βατάλου μέμνηνται. δοκεῖ δὲ καὶ τῶν οὐκ εὐπρεπῶν τι λεχθῆναι τοῦ σώματος μορίων παρὰ τοῖς Ἀττικοῖς τότε καλεῖσθαι βάταλος.

Now Batalus, as some say, was an effeminate flute-player, and Antiphanes wrote a farce in which he held him up to ridicule for this. But some speak of Batalus as a poet who wrote voluptuous verses and drinking songs. And it appears that one of the parts of the body which it is not decent to name was at that time called Batalus by the Athenians.

ὁ δʼ Ἀργᾶς καὶ τοῦτο γάρ φασι τῷ Δημοσθένει γενέσθαι παρώνυμον ἢ πρὸς τὸν τρόπον, ὡς θηριώδη καὶ πικρὸν ἐτέθη· τὸν γὰρ ὄφιν ἔνιοι τῶν ποιητῶν ἀργᾶν ὀνομάζουσιν ἢ πρὸς τὸν λόγον, ὡς ἀνιῶντα τοὺς ἀκροωμένους· καὶ γὰρ Ἀργᾶς τοὔνομα ποιητὴς ἦν νόμων πονηρῶν καὶ ἀργαλέων. καὶ ταῦτα μὲν ταύτῃ.

But the name of Argas (for they tell us that Demosthenes had this nickname also) was given him either with reference to his manners, which were harsh and savage, the snake being called argas by some of the poets; or with reference to his way of speaking, which was distressing to his hearers, Argas being the name of a composer of vile and disagreeable songs. So much on this head.

τῆς δὲ πρὸς τοὺς λόγους ὁρμῆς ἀρχὴν αὐτῷ φασι τοιαύτην γενέσθαι. Καλλιστράτου τοῦ ῥήτορος ἀγωνίζεσθαι τὴν περὶ Ὠρωποῦ κρίσιν ἐν τῷ δικαστηρίῳ μέλλοντος ἦν προσδοκία τῆς δίκης μεγάλη διά τε τὴν τοῦ ῥήτορος δύναμιν, ἀνθοῦντος τότε μάλιστα τῇ δόξῃ, καί διά τὴν πρᾶξιν οὖσαν περιβόητον.

The origin of his eager desire to be an orator, they tell us, was as follows. Callistratus the orator was going to make a plea in court on the question of Oropus, and the trial was eagerly awaited, not only because of the ability of the orator, who was then at the very height of his reputation, but also because of the circumstances of the case, which was notorious.

ἀκούσας οὖν ὁ Δημοσθένης τῶν διδασκάλων καί τῶν παιδαγωγῶν συντιθεμένων τῇ δίκῃ παρατυχεῖν, ἔπεισε τὸν ἑαυτοῦ παιδαγωγὸν δεόμενος καί προθυμούμενος ὅπως αὑτὸν ἀγάγοι πρὸς τὴν ἀκρόασιν. ὁ δʼ ἔχων πρὸς τοὺς ἀνοίγοντας τὰ δικαστήρια δημοσίους συνήθειαν, εὐπόρησε χώρας ἐν ᾗ καθήμενος ὁ παῖς ἀδήλως ἀκούσεται τῶν λεγομένων.

Accordingly, when Demosthenes heard the teachers and tutors agreeing among themselves to be present at the trial, with great importunity he persuaded his own tutor to take him to the hearing. This tutor, having an acquaintance with the public officials who opened the courts, succeeded in procuring a place where the boy could sit unseen and listen to what was said.

εὐημερήσαντος δὲ τοῦ Καλλιστράτου καί θαυμασθέντος ὑπερφυῶς, ἐκείνου μὲν ἐζήλωσε τὴν δόξαν, ὁρῶν προπεμπόμενον ὑπὸ τῶν πολλῶν καί μακαριζόμενον, τοῦ δὲ λόγου μᾶλλον ἐθαύμασε καί κατενόησε τὴν ἰσχὺν ὡς πάντα χειροῦσθαι καί τιθασεύειν πεφυκότος. ὅθεν ἐάσας τὰ λοιπὰ μαθήματα καί τὰς παιδικὰς διατριβάς, αὐτὸς αὑτὸν ἤσκει καί διεπόνει ταῖς μελέταις, ὡς ἂν τῶν λεγόντων ἐσόμενος καί αὐτός.

Callistratus won his case and was extravagantly admired, and Demosthenes conceived a desire to emulate his fame, seeing him escorted on his way by the multitude and congratulated by all; but he had a more wondering appreciation of the power of his oratory, which was naturally adapted to subdue and master all opposition. Wherefore, bidding farewell to his other studies and to the usual pursuits of boyhood, he practised himself laboriously in declamation, with the idea that he too was to be an orator.

ἐχρήσατο δὲ Ἰσαίῳ πρὸς τὸν λόγον ὑφηγητῇ, καίπερ Ἰσοκράτους τότε σχολάζοντος, εἴτε, ὥς τινες λέγουσι, τὸν ὡρισμένον μισθὸν Ἰσοκράτει τελέσαι μὴ δυνάμενος, τὰς δέκα μνᾶς, διὰ τὴν ὀρφανίαν, εἴτε μᾶλλον τοῦ Ἰσαίου τὸν λόγον ὡς δραστήριον καί πανοῦργον ἐπὶ τὴν χρείαν ἀποδεχόμενος.

He also employed Isaeus as his guide to the art of speaking, although Isocrates was lecturing at the time; either, as some say, because he was an orphan and unable to pay Isocrates his stipulated fee of ten minas, or because he preferred the style of Isaeus for its effectiveness and adaptability in actual use.

Ἕρμιππος δέ φησιν ἀδεσπότοις ὑπομνήμασιν ἐντυχεῖν ἐν οἷς ἐγέγραπτο τὸν Δημοσθένην συνεσχολακέναι Πλάτωνι καί πλεῖστον εἰς τοὺς λόγους ὠφελῆσθαι, Κτησιβίου δὲ μέμνηται λέγοντος παρὰ Καλλίου τοῦ Συρακουσίου καί τινων ἄλλων τὰς Ἰσοκράτους τέχνας καί τὰς Ἀλκιδάμαντος κρύφα λαβόντα τὸν Δημοσθένην καταμαθεῖν.

But Hermippus says that he once came upon some anonymous memoirs in which it was recorded that Demosthenes was a pupil of Plato and got most help from him in his rhetorical studies. He also quotes Ctesibius as saying that from Callias the Syracusan and certain others Demosthenes secretly obtained the rhetorical systems of Isocrates and Alcidamas and mastered them.

English translation by Bernadotte Perrin (1919). Original text: Bernadotte Perrin (ed. and trans.), Plutarch's Lives, vol. 7, Loeb Classical Library, Cambridge, MA: Harvard University Press; London: William Heinemann, 1919 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.