Plutarch · The Oracles at Delphi (On the Pythian Priestess) Περὶ τοῦ μὴ χρᾶν ἔμμετρα νῦν τὴν Πυθίαν

Plutarch, The Oracles at Delphi (On the Pythian Priestess) 24–27: Speech like coin: why the old oracles were obscure

Theon compares speech to money, whose fashion changes, and he says that verse once carried history and philosophy as ordinary speech, and later gave way to prose. The ancients valued what was obscure, and powerful cities and kings who consulted the oracle needed double meanings so that they should not be offended. Verse, being fixed in measure, was also easier to remember.

Sections 24–27 · 1482 words · click a number to copy its link

οὐ μὴν ἀλλὰ καὶ τὸ τοῦ θεοῦ καὶ τῆς προνοίας σκοποῦντες, ὀψόμεθα πρὸς τὸ βέλτιον γεγενημένην τὴν μεταβολήν. ἀμοιβῇ γὰρ ἔοικε νομίσματος ἡ τοῦ λόγου χρεία, καὶ δόκιμον καὶ αὐτοῦ τὸ σύνηθές ἐστι καὶ γνώριμον, ἄλλην ἐν ἄλλοις χρόνοις ἰσχὺν λαμβάνοντος. ἦν οὖν ὅτε λόγου νομίσμασιν ἐχρῶντο μέτροις καὶ μέλεσι καὶ ᾠδαῖς, πᾶσαν μὲν ἱστορίαν καὶ φιλοσοφίαν πᾶν δὲ πάθος ὡς ἁπλῶς εἰπεῖν καὶ πρᾶγμα σεμνοτέρας φωνῆς δεόμενον εἰς ποιητικὴν καὶ μουσικὴν ἄγοντες. οὐ γὰρ μόνον νῦν ὀλίγοι μόλις ἐπαΐουσι, τότε δὲ πάντες ἠκροῶντο καὶ ἔχαιρον ᾀδομένοις μηλοβόται τʼ ἀρόται τʼ ὀρνιχολόχοι τε κατὰ Πίνδαρον ἀλλʼ ὑπὸ τῆς πρὸς ποιητικὴν ἐπιτηδειότητος οἱ πλεῖστοι διὰ λύρας καὶ ᾠδῆς ἐνουθέτουν ἐπαρρησιάζοντο παρεκελεύοντο, μύθους καὶ παροιμίας ἐπέραινον, ἔτι δʼ ὕμνους θεῶν εὐχὰς παιᾶνας ἐν μέτροις ἐποιοῦντο καὶ μέλεσιν οἱ μὲν διʼ εὐφυΐαν οἱ δὲ διὰ συνήθειαν. οὐκοῦν οὐδὲ μαντικῇ κόσμου καὶ χάριτος ἐφθόνει ὁ θεὸς οὐδʼ ἀπήλαυνεν ἐνθένδε τιμωμένην μοῦσαν τοῦ τρίποδος, ἀλλʼ ἐπήγετο μᾶλλον ἐγείρων τὰς ποιητικὰς φύσεις καὶ ἀσπαζόμενος, αὐτός τε φαντασίας ἐνεδίδου καὶ συνεξώρμα τὸ σοβαρὸν καὶ λόγιον ὡς ἁρμόττον καὶ θαυμαζόμενον. ἐπεὶ δέ, τοῦ βίου μεταβολὴν ἅμα ταῖς τύχαις καὶ ταῖς φύσεσι λαμβάνοντος, ἐξωθοῦσα τὸ περιττὸν ἡ χρεία κρωβύλους τε χρυσοῦς ἀφῄρει καὶ ξυστίδας μαλακὰς ἀπημφίαζε καί που καὶ κόμην σοβαρωτέραν ἀπέκειρε καὶ ὑπέλυσε κόθορνον, οὐ φαύλως ἐθιζομένων ἀντικαλλωπίζεσθαι πρὸς τὴν πολυτέλειαν εὐτελείᾳ καὶ τὸ ἀφελὲς καὶ λιτὸν ἐν κόσμῳ τίθεσθαι μᾶλλον ἢ τὸ σοβαρὸν καὶ περίεργον· οὕτω τοῦ λόγου συμμεταβάλλοντος ἅμα καὶ συναπολυομένου, κατέβη μὲν ἀπὸ τῶν μέτρων ὥσπερ ὀχημάτων ἡ ἱστορία καὶ τῷ πεζῷ μάλιστα τοῦ μυθώδους ἀπεκρίθη τάληθές· φιλοσοφία δὲ τὸ σαφὲς καὶ διδασκαλικὸν ἀσπασαμένη μᾶλλον ἢ τὸ ἐκπλῆττον, διὰ λόγων ἐποιεῖτο τὴν ζήτησιν ἀπέπαυσε δὲ τὴν Πυθίαν ὁ θεὸς πυρικάους μὲν ὀνομάζουσαν τοὺς αὑτῆς πολίτας ὀφιοβόρους δὲ τοὺς Σπαρτιάτας ὀρεᾶνας δὲ τοὺς ἄνδρας ὀρεμπότας δὲ τοὺς ποταμούς· ἀφελὼν δὲ τῶν χρησμῶν ἔπη καὶ γλώσσας καὶ περιφράσεις καὶ ἀσάφειαν, οὕτω διαλέγεσθαι παρεσκεύασε τοῖς χρωμένοις ὡς νόμοι τε πόλεσι διαλέγονται καὶ βασιλεῖς ἐντυγχάνουσι δήμοις καὶ μαθηταὶ διδασκάλων ἀκροῶνται, πρὸς τὸ συνετὸν καὶ πιθανὸν ἁρμοζόμενος.

Nevertheless, if we do but make a right reflection upon God and his Providence, we shall find the alteration to be much for the better. For the use of speech seems to be like the exchange of money; that which is good and lawful is commonly current and known, and goes sometimes at a higher, sometimes at a lower value. Thus there was once a time when the stamp and coin of language was approved and passed current in verses, songs, and sonnets; for then all histories, all philosophical learning, all affections and subjects that required grave and solid discussion, were written in poetry and fitted for musical composition. For what now but a few will scarce vouchsafe to hear, then all men listened to, The shepherd, ploughman, and bird-catcher too, as it is in Pindar; all delighted in songs and verses. For such was the inclination of that age and their readiness to versify, that they fitted their very precepts and admonitions to vocal and instrumental music. If they were to teach, they did it in songs fitted to the harp. If they were to exhort, reprove, or persuade. they made use of fables and allegories. And then for their praises of the Gods, their vows, and paeans after victory, they were all composed in verse; by some, as being naturally airy and flowing in their invention; by others, as habituated by custom. And therefore it is not that Apollo envies this ornament and elegancy to the science of divination; nor was it his design to banish from the Tripos his beloved Muse, but rather to introduce her when rejected by others, being rather a lover and kindler of poetic rapture in others, and choosing rather to furnish laboring fancies with imaginations, and to assist them to bring forth the lofty and learned kind of language, as most becoming and most to be admired.

But afterwards, when the conversation of men and custom of living altered with the change of their fortunes and dispositions, consuetude expelling and discarding all manner of superfluity rejected also golden top-knots, and silken vestments loosely flowing in careless folds, clipped their long dishevelled locks, and, laying aside their embroidered buskin, taught men to glory in sobriety and frugality in opposition to wantonness and superfluity, and to place true honor in simplicity and modesty, not in pomp and vain curiosity. And then it was that, the manner of writing being quite altered, history alighted from versifying, as it were from riding in chariots, and on foot distinguished truth from fable; and philosophy, in a clear and plain style, familiar and proper to instruct rather than to astonish the world with metaphors and figures, began to dispute and enquire after truth in common and vulgar terms. And then it was, that Apollo caused the Pythian priestess to surcease calling her fellow-citizens fire-inflaming, the Spartans serpent-devourers, men by the name of Oreanes, and rivers by the name of mountain-drainers; and discarding verses, uncouth words, circumlocutions, and obscurity, taught the oracles to speak as the laws discourse to cities, and as princes speak to their people and their subjects, or as masters teach their scholars, appropriating their manner of speech to good sense and persuasive grace.

εὖ γὰρ εἰδέναι χρὴ τὸν θεόν, ὥς φησι Σοφοκλῆς, σοφοῖς μὲν αἰνικτῆρα θεσφάτων ἀεί, / σκαιοῖς δὲ φαῦλον κἀν βραχεῖ διδάσκαλον. / μετὰ δὲ τῆς σαφηνείας καὶ ἡ πίστις οὕτως ἐστρέφετο συμμεταβάλλουσα τοῖς ἄλλοις πράγμασιν, ὥστε πάλαι μὲν τὸ μὴ σύνηθες μηδὲ κοινὸν ἀλλὰ λοξὸν ἀτεχνῶς καὶ περιπεφρασμένον εἰς ὑπόνοιαν θειότητος. ἀνάγοντας ἐκπλήττεσθαι καὶ σέβεσθαι τοὺς πολλούς· ὕστερον δὲ τὸ σαφῶς καὶ ῥᾳδίως, ἕκαστα καὶ μὴ σὺν ὄγκῳ μηδὲ πλάσματι μανθάνειν ἀγαπῶντες ᾐτιῶντο τὴν περικειμένην τοῖς χρησμοῖς ποίησιν, οὐ μόνον ὡς ἀντιπράττουσαν τῇ νοήσει πρὸς τάληθὲς ἀσάφειάν τε καὶ σκιὰν τῷ φραζομένῳ μιγνύουσαν, ἀλλʼ ἢδη καὶ τὰς μεταφορὰς καὶ τὰ αἰνίγματα καὶ τὰς ἀμφιβολίας, ὥσπερ μυχοὺς καὶ καταφυγὰς ἐνδύεσθαι καὶ ἀναχωρεῖν τῷ πταίοντι πεποιημένας τῆς μαντικῆς, ὑφεωρῶντο. πολλῶν δʼ ἦν ἀκούειν ὅτι ποιητικοί τινες ἄνδρες ἐκδεχόμενοι τὰς φωνὰς καὶ ὑπολαμβάνοντες ἐπικάθηνται περὶ τὸ χρηστήριον, ἔπη καὶ μέτρα καὶ ῥυθμοὺς οἷον ἀγγεῖα τοῖς χρησμοῖς ἐκ τοῦ προστυχόντος περιπλέκοντες. Ὀνομάκριτοι δʼ ἐκεῖνοι καὶ Ἡρόδικοι καὶ Κιναίθωνες ὅσην αἰτίαν ἠνέγκαντο τῶν χρησμῶν, ὡς τραγῳδίαν αὐτοῖς καὶ ὄγκον οὐδὲν δεομένοις προσθέντες, ἐῶ λέγειν οὐδὲ προσίεμαι τὰς διαβολάς. πλείστης μέντοι ποιητικὴν ἐνέπλησεν ἀδοξίας τὸ ἀγυρτικὸν καὶ ἀγοραῖον καὶ περὶ τὰ μητρῷα καὶ Σεραπεῖα βωμολοχοῦν καὶ πλανώμενον γένος, οἱ μὲν αὐτόθεν οἱ δὲ κατὰ κλῆρον ἔκ τινων γραμματείων χρησμοὺς περαίνοντες οἰκέταις καὶ γυναίοις ὑπὸ τῶν μέτρων ἀγομένοις μάλιστα καὶ τοῦ ποιητικοῦ τῶν ὀνομάτων ὅθεν οὐχ ἥκισθʼ ἡ ποιητικὴ δοκοῦσα κοινὴν ἐμπαρέχειν ἑαυτὴν ἀπατεῶσι καὶ γόησιν ἀνθρώποις καὶ ψευδομάντεσιν ἐξέπεσε τῆς ἀληθείας καὶ τοῦ τρίποδος.

For, as Sophocles tells us, we are to believe the Deity to be Easy to wise men, who can truth discern; / The fool’s bad teacher, who will never learn. / And ever since belief and perspicuity thus associated together, it came to pass by alteration of circumstances that, whereas formerly the vulgar looked with a high veneration upon whatever was extraordinary and extravagant, and conceived a more than common sanctity to lie concealed under the veil of obscurity, afterwards men desirous to understand things clearly and easily, without flowers of circumlocutions and disguisements of dark words, not only began to find fault with oracles enveloped with poetry, as repugnant to the easy understanding of the real meaning, and overshadowing the sentence with mist and darkness, but also suspected the truth of the very prophecy itself which was muffled up in so many metaphors, riddles, and ambiguities, which seemed no better than holes to creep out at and evasions of censure, should the event prove contrary to what had been foretold. And some there were who reported that there were several extempore poets entertained about the Tripos, who were to receive the words as they dropped roughly from the oracle, and presently by virtue of their extempore fancy to model them into verses and measures, that served (as it were) instead of hampers and baskets to convey the answers from place to place. I forbear to tell how far those treacherous deceivers like Onomacritus, Herodotus (?), and Cyneso, have contributed to dishonor the sacred oracles, by their interlarding of bombast expressions and high-flown phrases, where there was no necessity of any such alteration. It is also as certain, that those mountebanks, jugglers, impostors, gipsies, and all that altar-licking tribe of vagabonds that set up their throats at the festivals and sacrifices to Cybele and Serapis, have highly undervalued poesy; some of them extempore, and others by lottery from certain little books, composing vain predictions, which they may sell to servants and silly women, that easily suffer themselves to be deluded by the overawing charms of serious ambiguity couched in strained and uncouth ballatry. Whence it comes to pass, that poetry, seeming to prostitute itself among cheats and deluders of the people, among mercenary gipsies and mumping charlatans, has lost its ancient credit, and is therefore thought unworthy the honor of the Tripos.

οὐ τοίνυν θαυμάσαιμʼ ἄν, εἰ διπλόης τινὸς ἔδει καὶ περιαγωγῆς καὶ ἀσαφείας ἔστιν ὅτε τοῖς παλαιοῖς. οὐ γὰρ ὁ δεῖνα μὰ Δία κατέβαινε περὶ ὠνῆς ἀνδραπόδου χρησόμενος οὐδʼ ὁ, δεῖνα περὶ ἐργασίας, ἀλλὰ πόλεις μέγα δυνάμεναι καὶ βασιλεῖς καὶ τύραννοι μέτριον οὐδὲν φρονοῦντες ἐνετύγχανον τῷ θεῷ περὶ πραγμάτων οὓς ἀνιᾶν καὶ παροξύνειν ἀπεχθείᾳ πολλὰ τῶν ἀβουλήτων ἀκούοντας οὐκ ἐλυσιτέλει τοῖς περὶ τὸ χρηστήριον. οὐ πείθεται γὰρ ὁ θεὸς τῷ Εὐριπίδῃ ὥσπερ νομοθετοῦντι καὶ λέγοντι Φοῖβον ἀνθρώποις μόνον / χρῆν θεσπιῳδεῖν. / χρώμενος δὲ θνητοῖς ὑπηρέταις καὶ προφήταις, ὧν κήδεσθαι προσήκει καὶ φυλάττειν, ὅπως; ὑπʼ ἀνθρώπων οὐκ ἀπολοῦνται πονηρῶν θεῷ λατρεύοντες, ἀφανίζειν μὲν οὐ θέλει τἀληθές, παρατρέπων δὲ τὴν δήλωσιν αὐτοῦ καθάπερ αὐγὴν ἐν τῇ ποιητικῇ πολλὰς; ἀνακλάσεις λαμβάνουσαν καὶ πολλαχοῦ περισχιζομένην, ἀφῄρει τὸ ἀντίτυπον αὐτοῦ καὶ σκληρόν. ἐχρῆν δʼ ἄρα καὶ τυράννους ἀγνοῆσαι καὶ πολεμίους μὴ προαισθέσθαι. τούτοις οὖν περιέβαλεν ὑπονοίας καὶ ἀμφιλογίας, αἳ πρὸς ἑτέρους ἀποκρύπτουσαι τὸ φραζόμενον, οὐ διέφευγον αὐτοὺς οὐδὲ παρεκρούοντο τοὺς δεομένους καὶ προσέχοντας ὅθεν εὐηθέστατός ἐστιν ὁ τῶν πραγμάτων ἑτέρων γεγονότων, εἰ μηκέτι τὸν αὐτὸν ἡμῖν τρόπον ἀλλʼ ἕτερον οἴεται δεῖν βοηθεῖν ὁ θεός, ἐγκαλῶν καὶ συκοφαντῶν.

And therefore I do not wonder that the ancients stood in need of double meaning, of circumlocution, and obscurity. For certainly never any private person consulted the oracle when he went to buy a slave or hire workmen; but potent cities, kings and princes, whose undertakings and concernments were of vast and high concernment, and whom it was not expedient for those that had the charge of the oracle to disoblige or incense by the return of answers ungrateful to their ears. For the deity is not bound to observe that law of Euripides, where he says, Phoebus alone, and none but he, / Should unto men the prophet be. / Therefore, when he makes use of mortal prophets and agents, of whom it behooves him to take a more especial care that they be not destroyed in his service, he does not altogether go about to suppress the truth, but only eclipses the manifestation of it, like a light divided into sundry reflections, rendering it by the means of poetic umbrage less severe and ungrateful in the delivery. For it is not convenient that princes or their enemies should presently know what is by Fate decreed to their disadvantage. Therefore he so envelops his answers with doubts and ambiguities as to conceal from others the true understanding of what was answered; though to them that came to the oracle themselves, and gave due attention to the deliverer, the meaning of the answer is transparently obvious. Most impertinent therefore are they who, considering the present alteration of things, accuse and exclaim against the Deity for not assisting in the same manner as before.

ἔτι τοίνυν οὐδὲν ἀπὸ ποιητικῆς λόγῳ χρησιμώτερον ὑπάρχει τοῦ δεθέντα μέτροις τὰ φραζόμενα καὶ συμπλακέντα μᾶλλον μνημονεύεσθαι καὶ κρατεῖσθαι. τοῖς μὲν οὖν τότε πολλὴν ἔδει μνήμην παρεῖναι πολλὰ γὰρ ἐφράζετο καὶ τόπων σημεῖα καὶ πράξεων καιροὶ καὶ θεῶν ἱερὰ διαποντίων καὶ ἡρώων ἀπόρρητοι θῆκαι καὶ δυσεξεύρετοι μακρὰν ἀπαίρουσι τῆς Ἑλλάδος. ἴστε γὰρ τὸν χῖον καὶ Κρήτινον καὶ […] Νήσιχον καὶ Φάλανθον, ἄλλους τε πολλοὺς ἡγεμόνας στόλων ὅσοις ἔδει τεκμηρίοις ἀνευρεῖν τὴν διδομένην ἑκάστῳ καὶ προσήκουσαν ἵδρυσιν· ὧν ἔνιοι καὶ διημάρτανον, ὥσπερ Βάττος. ἔδοξε γὰρ ἐκπεσεῖν οὐ καταλαβὼν ἐφʼ ὃν ἐπέμφθη τόπον· εἶθʼ ἧκε δεύτερον ποτνιώμενος. ὑπειπὼν οὖν ὁ θεὸς αἰ τὺ ἐμεῦ Λιβύαν μαλοτρόφον οἶσθας ἄρειον, / μὴ ἐλθὼν ἐλθόντος, ἄγαν ἄγαμαι σοφίην σευ· / οὕτω πάλιν αὐτὸν ἐξέπεμψε. Λύσανδρος δὲ καὶ παντάπασιν ἀγνοήσας τὸν Ὀρχαλίδην λόφον καὶ Ἀλώπεκον προσαγορευόμενον καὶ τὸν Ὁπλίτην ποταμὸν γῆς τε δράκονθʼ υἱὸν δόλιον κατόπισθεν ἰόντα, μάχῃ κρατηθεὶς ἔπεσεν ἐν τοῖς τόποις ἐκείνοις ὑπὸ Νεοχώρου Ἁλιαρτίου ἀνδρὸς ἀσπίδα φοροῦντος ἐπίσημον ὄφιν ἔχουσαν. ἄλλα δὲ τοιαῦτα πολλὰ δυσκάθεκτα καὶ δυσμνημόνευτα τῶν παλαιῶν διεξιέναι πρὸς ὑμᾶς εἰδότας οὐκ ἀναγκαῖόν ἐστι.

And this may be farther said, that poetry brings no other advantage to the answer than this, that the sentence being comprised and confined within a certain number of words and syllables bounded by poetic measure is more easily carried away and retained in memory. Therefore it behooved those that formerly lived to have extraordinary memories, to retain the marks of places, the times of such and such transactions, the ceremonies of deities beyond the sea, the hidden monuments of heroes, hard to be found in countries far from Greece. For in those expeditions of Phalanthus and several other admirals of great navies, how many signs were they forced to observe, how many conjectures to make, ere they could find the seat of rest allotted by the oracle! In the observance of which there were some nevertheless that failed, as Battus among others. For he said that he failed because he had not landed in the right place to which he was sent; and therefore returning back he complained to the oracle. But Apollo answered: As well as I thou knowest, who ne’er hast been / In Libya covered o’er with sheep and kine; / If this is true, thy wisdom I admire: / and so sent him back again. Lysander also, ignorant of the hillock Archelides, also called Alopecus, and the river Hoplites, nor apprehensive of what was meant by The earth-born dragon, treacherous foe behind, being overthrown in battle, was there slain by Neochorus the Haliartian, who bare for his device a dragon painted upon his shield. But it is needless to recite any more of these ancient examples of oracles, difficult to be retained in memory, especially to you that are so well read.

People and places in this passage

English translation by John Philips (1874). Original text: William W. Goodwin (ed.), Plutarch's Morals, translated from the Greek by several hands, vol. 3, Boston: Little, Brown and Company; Cambridge: Press of John Wilson and Son, 1874 (Greek text: Gregorius N. Bernardakis, Plutarchi Chaeronensis Moralia, vol. 3, Leipzig: Teubner, 1891, as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.