Myths of the Norsemen From the Eddas and Sagas
Swanhild became affianced to Ermenrich, King of Gothland, who sent his son, Randwer, and one of his servants, Sibich, to escort the bride to his kingdom. Sibich was a traitor, and as part of a plan to compass the death of the royal family that he might claim the kingdom, he accused Randwer of having tried to win his young stepmother’s affections. This accusation so roused the anger of Ermenrich that he ordered his son to be hanged, and Swanhild to be trampled to death under the feet of wild horses. The beauty of this daughter of Sigurd and Gudrun was such, however, that even the wild steeds could not be induced to harm her until she had been hidden from their sight under a great blanket, when they trod her to death under their cruel hoofs.
Upon learning the fate of her beloved daughter, Gudrun called her three sons to her side, and girding them with armour and weapons against which nothing but stone could prevail, she bade them depart and avenge their murdered sister, after which she died of grief, and was burned on a great pyre.
The three youths, Sörli, Hamdir, and Erp, proceeded to Ermenrich’s kingdom, but ere they met their foes, the two eldest, deeming Erp too young to assist them, taunted him with his small size, and finally slew him. Sörli and Hamdir then attacked Ermenrich, cut off his hands and feet, and would have slain him but for a one-eyed stranger who suddenly appeared and bade the bystanders throw stones at the young men. His orders were immediately carried out, and Sörli and Hamdir soon fell slain under the shower of stones, which, as we have seen, alone had power to injure them.
“Ye have heard of Sigurd aforetime, how the foes of God he slew;
How forth from the darksome desert the Gold of Waters he drew;
How he wakened Love on the Mountain, and wakened Brynhild the Bright,
And dwelt upon Earth for a season, and shone in all men’s sight.
Ye have heard of the Cloudy People, and the dimming of the day,
And the latter world’s confusion, and Sigurd gone away;
Now ye know of the Need of the Niblungs and the end of broken troth,
All the death of kings and of kindreds and the Sorrow of Odin the Goth.”
Interpretation of the Saga
This story of the Volsungs is supposed by some authorities to be a series of sun myths, in which Sigi, Rerir, Volsung, Sigmund, and Sigurd in turn personify the glowing orb of day. They are all armed with invincible swords, the sunbeams, and all travel through the world fighting against their foes, the demons of cold and darkness. Sigurd, like Balder, is beloved of all; he marries Brunhild, the dawn maiden, whom he finds in the midst of flames, the flush of morn, and parts from her only to find her again when his career is ended. His body is burned on the funeral pyre, which, like Balder’s, represents either the setting sun or the last gleam of summer, of which he too is a type. The slaying of Fafnir symbolises the destruction of the demon of cold or darkness, who has stolen the golden hoard of summer or the yellow rays of the sun.
According to other authorities, this Saga is based upon history. Atli is the cruel Attila, the “Scourge of God,” while Gunnar is Gundicarius, a Burgundian monarch, whose kingdom was destroyed by the Huns, and who was slain with his brothers in 451. Gudrun is the Burgundian princess Ildico, who slew her husband on her wedding-night, as has already been related, using the glittering blade which had once belonged to the sun-god to avenge her murdered kinsmen. 
Chapter XXVII: The Story of Frithiof
Probably no writer of the nineteenth century did so much to awaken interest in the literary treasures of Scandinavia as Bishop Esaias Tegnér, whom a Swedish author characterised as, “that mighty Genie who organises even disorder.”
Tegnér’s “Frithiof Saga” has been translated once at least into every European tongue, and some twenty times into English and German. Goethe spoke of the work with the greatest enthusiasm, and the tale, which gives a matchless picture of the life of our heathen ancestors in the North, drew similar praise from Longfellow, who considered it to be one of the most remarkable productions of his century.
Although Tegnér has chosen for his theme the Frithiof saga only, we find that that tale is the sequel to the older but less interesting Thorsten saga, of which we give here a very brief outline, merely to enable the reader to understand clearly every allusion in the more modern poem.
As is so frequently the case with these ancient tales, the story begins with Haloge (Loki), who came north with Odin, and began to reign over northern Norway, which from him was called Halogaland. According to Northern mythology, this god had two lovely daughters. They were carried off by bold suitors, who, banished from the mainland by Haloge’s curses and magic spells, took refuge with their newly won wives upon neighbouring islands.
Birth of Viking
Thus it happened that Haloge’s grandson, Viking, was born upon the island of Bornholm, in the Baltic Sea, where he dwelt until he was fifteen, and where he became the biggest and strongest man of his time. Rumours of his valour finally reached Hunvor, a Swedish princess, who was oppressed by the attentions of a gigantic suitor whom none dared drive away, and she sent for Viking to deliver her.